The Young Karl Marx

2017
6.6| 1h58m| en| More Info
Released: 02 March 2017 Released
Producted By: Agat Films & Cie / Ex Nihilo
Country: Germany
Budget: 0
Revenue: 0
Official Website:
Synopsis

26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 in Paris, he meets Friedrich Engels, an industrialist’s son, who has been investigating the sordid birth of the British working class. Engels, the dandy, provides the last piece of the puzzle to the young Karl Marx’s new vision of the world. Together, between censorship and the police’s repression, riots and political upheavals, they will lead the labor movement during its development into a modern era.

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Reviews

Exoticalot People are voting emotionally.
Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
hessmontj If one is looking for a film which touts a boorish freeloader as an intellectual giant, then this might be a way to spend 2 hours of your life... For the remainder of us, we are better off cleaning the hardened gum from the bottom of our waste basket, as a much fancied alternative
freeds Peck's film follows appealingly prickly young Marx and Engels from their early insistence on the hard truths of class-conflict against the utopian socialists of their day, to the founding of the first workers' international with a program of anti-capitalist struggle, the Communist Manifesto. Only a profit-system triumphalist would resist cheering them on along with the galvanized, wretched workers of 1848. The contrasting constraints on their activist mates, the high-born Jenny Marx and worker Mary Burns, raise still-pressing issues, and the situation of Engels, the revolutionary intellectual who must finance the cause by working for the enemy, may resonate with professionals today. But the movie, concluding with a montage of wars and protests churned up by the profit system in the present, feels frustrating and incomplete - inevitably so. It doesn't show the collective hero of Marx and Engels' vision, the world working class. This class, that produces all, is now ever more interlinked and technically advanced. But its political development hasn't caught up with material conditions that never existed in previous challenges to capitalism. The decisive fight against the old system for humanity's future has yet to be waged, its film still to be made. R. Freed
keenast Where it fails is a) the script and b) the very boring mis-en-scene. It. comes over as a classic 'DDR' movie - very well crafted but....no kick what's-o-ever. And the dialog...oh my;-(
victoriavaradi-47267 I don't think that the film was terrible. It had decent cinematography, music, acting. I really enjoyed listening to so many different languages in the same film. It is watchable once, especially if somebody is interested in this topic and period of history. But I think it lacked any artistic vision or imagination, depth, or entertainment. I don't know if it was because the filmmakers wanted to stay very true to the historical facts (which would be understandable), but watching the film felt a little bit like listening to a very basic two-hour lecture about Marx and his work. The plot fell quite flat, without twists, without changes or even a real climax. (I guess Engels' speech in the end was supposed to be the climax of the film, but I only came to that conclusion after thinking about it for a while, since it didn't have too much emotional impact.) In the beginning, Marx works on articles and talks about his theories, after he meets Engels, they work on articles and talk about their theories with each other and others, finally, in the end, they still write articles, and talk about theories. So basically they do the same things and talk about the same things. Marx is having financial problems and has a loving wife, Engels doesn't have financial problems, and has a supporting girlfriend/wife throughout the whole movie. So their circumstances, their private lives do not change too much either. It is great for them, but not so great for the viewers. (Although I am sure that in reality they had quite a bit of drama in their lives, like Engels going against his father, their marriages, the effects of the financial problems, the eviction from France etc.) The glimpse we get into their private lives in a way feels too much, since it is portrayed in a rather uninteresting way, but it's too few to get to know them on a more "personal" level. It still feels like we see two characters who just walked out of the pages of a history book, as opposed to real living people with complex lives and feelings. If you want to know more about Marx, as a young guy, as a person I think this film doesn't do the job. If you want to know more about his work, or this part of history, you are better off reading a book, if you want to be entertained, than maybe it's also not the film for you. From a different point of view, for a commercial film, it's not really entertaining enough, for an art film, it doesn't have a point of view, and as a biographical film, it's probably not detailed enough.