CheerupSilver Very Cool!!!

CommentsXp Best movie ever!

Portia Hilton Blistering performances.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Luvantique I can't say this is a very objective or complete review, since I watched only the first two minutes of Episode 1, which was more than enough to show me that the sound mixing was a horror in itself, as the narration and dialog were unintelligible, lost behind a blasting, over-bearing musical score. Deciding to myself, "what's the point?" I moved on to other things. Might like to see it, but only if they fix the sound track.

robi110 Worst adaptation i've ever seen. It was a pain to watch, knowing how amazing the books are. Tries to copy the books word by word but in the meantime it loses the atmosphere, under the bad acting that killed the jokes i laughed hard during reading. But of course it cant copy the book 100% because of the time limit, so it skips complete parts without adjusting the plot in the next scenes. Bad cutting, directing, cheap design.

baba44713 One thing I don't understand. Pratchett wrote quite a lot of Discworld novels, and some of them are simply begging to be put on the big screen. Most of the "Watch" novels for example. "Small Gods" as another. However, when Pratchett actually gets on the big (ok, small) screen, they seem to make the worst choices possible. First it was the "Hogfather", which is probably one of the most esoteric and confusing Discworld novels out there. Now they take the very first Discworld novels which - while perhaps being the funniest in the series - do not really present what Pratchett's work is all about. These early two novels are basically Terry taking a jab at (but also making homage) to a fantasy genre in general. Well, perhaps the entire Discworld series is like that, but in "Color of Magic" and "The light fantastic" this parody takes the front seat while a coherent story and characters sit in the back. And this works well in written form, but as a cinematic narrative it simply fails; clever jokes get cut, simplified and/or drowned in the overall chaos, the plot has to move quickly so it is nearly impossible to absorb everything that happens (let alone enjoy it) and overall it represents a rather frustrating experience, both for the Pratchett fans as well as the general audience.The first thing that bothered me is the casting. Sean Austin is a fine Twoflower, even though I think it perhaps should have been cast by a more exotic-looking actor. David Jason, sadly, is a complete miss as Rincewind. This particularly bothers me since David is probably my favorite British actor; however he is just too likable to pull of a Rincewind. Someone like Rowan Atkinson channeling his Black Adder persona (but with less malice and much more cowardice) would be perfect. The thing is, you need to take pleasure in Rincewind constantly being put from one peril to the next; David's Rincewind is like a kooky old grandpa that you feel bad for when he gets thrown from a cliff, threatened or trampled on. And whenever he does something Rincewind-y (like taking off with Twoflower's gold), it actually feels out of character.The rest of the cast is hit-or-miss. Death is horribly puppet-like - I endured him in Hogfather but here the rubber skull should really have been lees pronounced. Vetinari is on par (even though in those early Discworld novels he most probably wasn't the "Patrician", but that's fan service for you). Tim Curry overplays Trymon to the extreme, but I guess this is due to the bad direction - many characters seem to be overacting their bits probably to infuse a sense of lightness and silliness. Just check out the faces leader of the Krull makes while doing his speech; inexcusable.However the biggest culprit is the plot. It is just too hectic, too chaotic and doesn't let the characters to develop or even establish themselves. This perhaps has a lot to with with (un)necessary exposition given by both the narrator and the characters - the plot hardly gets a chance to move along before the next bit of exposition has to get its turn.It's not all bad however. There are some superb actors involved in this, the sets and effect look fantastic (especially for a TV movie). And even though I said Jason makes a bad Rincewind, it still is a joy to watch this fine actor doing his schtick. And it IS Pratchett, after all.So I guess that bottom line I can give this a passing grade, but it's still a deeply disappointing venture. I hope they do "Guards! Guards!" next, and I hope they do it good.

Badauta Until having seen "the Colour of Magic" a couple of days ago, it seemed impossible to me that the essence of a work of literature could successfully be transported into the plot-based medium of the film: this production, however, managed impressively to concentrate on the discworld novels' linguistics. The whole film is a glorious firework of puns, absurd dialogues, hilarious speeches and twisted theories, full of witty allusions to our real world's historical, philosophical, cultural, social, political, economic etc. realities, just like in the novels. The narrator's introductions sparkle playful rhetoric; the scene changes abound in funny little parallelisms; the plot follows with complete logic the discworld's crazy intrinsic reality; all characters are represented with convincing comedy, far from being ridiculed – a superb achievement especially among those "of the elderly persuasion"; thankfully, the audience is spared the usual trivial matters and unconvincing special effects; the most brilliant performance, of course, is Sir David Jason's magnificent characterisation of Rincewind in his countless dangerous confrontations from neck-romance to informal death, whose accomplishments mere words cannot describe adequately. Failing to understand the adverse criticism, I assume that many expected more loyalty towards the novels' details and maybe have not properly paid attention to the film as a whole: From hub to rim, all the important things have been preserved, the pathetic coward Rincewind, yet the only mentally sane person on the whole Disc; the ancient barbarian Cohen who has heroically survived his own legend; the frighteningly ambitious and maddening orderly wizard Trymon; the ingenuous tourist Twoflower, an expert in starting annoying discussions at precisely the wrong moments; his loyal luggage with its "homicidal attitude towards anyone who threatens its master"; and all the other peculiar personalities, officious magic devices, spells with speech impediments and curious disc dwellers carried through space on the majestic Great A'tuin... there is no reason to dwell on petty little details, when the adaptation has turned out to be the Best Film Ever. Hopefully, we will face another "near-Rincewind-experience" soon: it won't be long until he comes running past again, will it?