Sense and Sensibility

1981

Seasons & Episodes

  • 1
6.7| 0h30m| en| More Info
Released: 01 February 1981 Ended
Producted By: BBC
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.bbc.co.uk/programmes/p00tr0gt
Synopsis

A story of two sisters attempting to find happiness in the tightly structured society of 18th century England. Elinor, disciplined, restrained and very conscious of the manners of the day, represents sense. Outspoken, impetuous, emotional Marianne represents sensibility.

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Reviews

Actuakers One of my all time favorites.
VeteranLight I don't have all the words right now but this film is a work of art.
Lightdeossk Captivating movie !
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Markcip1 I have reviewed every adaptation of Sense and Sensibility and find that they are all good in their own way. Many have commented about each version, but I believe the 2008 version is the best version. It had the cast skills of the Emma Thompson 1995 Screenplay and the accuracy of the 1981 adaptation. Many find the 1981 version boring, but I disagree. It is ill-cast. But the screenplay is very good. (I even read that people were angry that Margaret was absent in this version. Actually, she is absent in the book as well. Why Austen even included her in name I cannot understand.) Anyway, if you take the cast of 1995 and put them into the 1981 screenplay, you come out with the 2008 adaption. Hope this is not too confusing.
chris ludlam Having watched the 1995 movie for the first time a few days ago,I decided to watch this fine BBC production again,and found it the more satisfying of the two.The acting was of a good standard;Tracey Childs splendid as Marianne,and Bosco Hogan's interpretation of Edward Ferrers far exceeded Hugh Grant's peculiar effort in the Ang Lee film.The direction and location filming in Dorset/Somerset and the authentic early 1800's feel more than compensated for the budget constraints.Also,Willoughby's telling confession to Eleanor as Marianne lay seriously ill upstairs was,thankfully,retained,unlike the 1995 version.A good miniseries,more Jane Austen than it's "grander" successor!Nine out of ten!
Eowyn1967 This 3-hr miniseries seems to me much more faithful to the novel than the 1995 film by Ang Lee and Emma Thompson. the characters were as I pictured them while reading the novel. I find Edward a credible character and the love affair between him and Elinor skilfully and sensitively portrayed. (They make a much more convincing couple than stuttering Hugh Grant and Miss Thompson...) Best of all, the relationship between the two sisters : their tenderness and love in spite of their very different temperaments is convincingly depicted. I just felt the 1995 adaptation missed that aspect which made Elinor hysterics at ill Marianne's bedside all the more absurd and ill-timed. In this miniseries, there are no such hysterical scenes during Marianne's illness, Mrs Jennings is there just as in the book. The dialogues are almost word for word from the novel. The slow pace is suitable because so is the novel. Just one flaw : the end which seems a bit abrupt, as if they were running out of time. A really lovely series.
henry-girling The advantage this television version has over the later 1995 film version directed by Ang Lee is that due to its length it allows more important scenes to be shown. This good BBC version keeps in the visit of Edward Ferrers to Barton Cottage and of Willoughby to see Marianne when she is ill. It also deletes the third sister Margaret, which I think is to the good. It is important when doing Jane Austen not to over act, as suppression makes for tension, and in this the actors do a fine job. The scenes between Elinor Dashwood and Lucy Steele are excellent, seething and polite at the same time. Julia Chambers as Lucy Steele is excellent and equally as good as Imogen Stubbs in the 1995 film.The male actors are not all bland, Donald Douglas gives a jolly performance and Peter Gale is perfectly unctuous as John Dashwood, but also sympathetic, caught as he is between a domineering wife and mother in law. Bosco Hogan and Robert Swann are a bit dull however.This is not a sumptuous Hollywood version but fine on its own terms.

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