Mjeteconer Just perfect...

Beanbioca As Good As It Gets

ShangLuda Admirable film.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

boobookitty17 Stumbled on this show and was curious from the start. Although it took a few episodes to give the main characters some depth I did like the fact that it doesn't play off the Police = good, and criminal=bad routine. The balance that all characters have good and bad in them appeals to me, without giving to much away lets just say some lines get murky and even crossed but its where it ends up that counts according to this series. It would have been nice to see what would of happened in the second season as there were many directions the show could have gone.The acting is pretty good, just the right amount of office politics and antics to make it interesting but not enough to make it sickly soapy. One thing some of the American cop shows should learn.Well worth a watch and with only six episodes it moves quickly and is entertaining.

robert-temple-1 This is an example of British thriller series at their finest. The scripts, direction, and acting are all top-notch. The six episodes are all largely self-contained but do have an underlying thread of a story which continues throughout, and which culminates in the final episode. It is the story of the character played by Aidan Gillen, who has had a past working undercover for many years for the police. As a result of this, he has become entangled with a web of criminal intrigue which he tries to handle in his spare time, though such awkward aspects as having a dead body in the back of his car keep arising and interfering with his new job. The main basis for the series is the creation of an 'Identity Unit' at Scotland Yard in London, set up to investigate the increasing numbers of cases of identity theft or identify confusion. There are some really thrilling and hair-raising stories here, which constitute a lively variety of cases, all interesting in their own ways. The series is never repetitive or dull for a moment. The head of the Identity Unit is played by actress Keeley Hawes, who does a brilliant job. She has to keep the traditional stiff upper lip (in her case one with bright red lipstick) whilst juggling with enormous stresses, tensions, and emotions. She is excellent at doing this, and is best of all at the end when things come to a head for her. Exercising such intense self-control and betraying her desperate feelings only by means of tiny twitches of facial muscles is no mean feat. Only a British actress could manage something like that so well. She clearly takes her inspiration from all those old British movies and stars like Trevor Howard and Celia Johnson. It is strange that such an old-fashioned girl who is a master of pre-War mannerisms (and she comes from an East End family of cab drivers, who are probably the last of the passionate traditionalists left in London) can be the lead in a series made in 2009. Surely she really belonged in 1939? She would have done well in the S.O.E. But all this really works, that is the main thing. As for Aidan Gillen, he resembles Richard Gere facially, but has a slender body and a slightly mincing walk, and if it were not for his physique and body language, he could easily be one of those Hollywood action stars. In other words, he talks the talk but doesn't walk the walk. However, none of that matters here. He is very compelling and watchable at all times. In this series he is meant to be an enigma, and he certainly succeeds in being one. Both Hawes and Gillen dominate the series with talent and charisma, and help to make it a stunning success. I can find no mention of any Series 2 being made, which is a serious production miscalculation by the producers for ITV. The supporting actors are all very good, the production values are high, and there is nothing to complain of. One merely wants to say: When do I get to see the next series, please?

Zimmerman Stein Shallow and predictable. Perfect for an American TV equivalent. The writing is obvious and sensational. The core cast's acting is abominable. The foil, Keeley Hawes is employed as a prop. Her presence is insufferably stilted. The show is a sound effects bonanza. John Lunn's music is dated, generic, and aggressively overused. The most enjoyable moments of the series are in episode five, thanks only to Clive Russell. The director, the writer, and the creator helped to make many episodes of the inspirational 'Waking the Dead', notably the final story, 'Waterloo'. But all the richness of that great show is lost to 'Identity'. This is the police procedural fallen victim to the lowest common denominator and, probably, decision by committee.

Corky1984 ITV long ago descended into a dumbed-down channel which flogged endless low-quality popstar wannabe/reality TV shows, but now and then it still comes up with a decent drama. Identity is a good series, with a strong cast and some interesting story lines. Focusing on the endeavours of the Identity Unit, which looks into identity fraud/theft etc, the show injects a bit of freshness into the well-trodden police procedural genre. The beautiful Keeley Hawes (of Ashes to Ashes fame) heads the Identity Unit, but Aiden Gillen's John Bloom is the series' key player. As a former undercover officer, he still has a foot in both worlds and is still romantically involved with a crime baron's sister. The show follows a continuous arc as he is drawn ever deeper back into his old 'undercover' world, whilst trying to reintegrate into the Identity squad. Some inventive plots keep you interested, whilst the rivalries amongst the Identity team occasionally spill over. Series 1 ended with Bloom's two worlds colliding and more or less resolved that story strand, but I'd like to see a second series made because the characters still have plenty of mileage left in them.