All is Forgiven

1986

Seasons & Episodes

  • 1
7.9| 0h30m| en| More Info
Released: 20 March 1986 Ended
Producted By: Paramount Television Studios
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

All is Forgiven is an American sitcom from the creators of Cheers that aired from March 20 until June 12, 1986 with the premiere episode being repeated as a "special presentation" on August 23, 1986. Bess Armstrong starred in the series as Paula Russell.

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Paramount Television Studios

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Reviews

Matrixston Wow! Such a good movie.
JinRoz For all the hype it got I was expecting a lot more!
WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Edward Carney Terrific show, indeed.The writing was ahead of its time, but the show never had a chance to smooth out the rough edges. The acting was all a bit stagy and overplayed. I'm sure they would have improved if they'd even had a full season.One of the best lines came from Terence Knox's character, Matt. He was concerned that the family never had supper together. Here's a paraphrase (most likely) of the lines:Even the Borgias sat down to eat together....They didn't all get up, but at least they made the effort.
jlgreenlee I remember "All is Forgiven" mostly because I was going through a "aren't VCRs neat" phase, and decided it would be cool to tape all of the opening theme songs from the 1986 TV season. Since I've watched that tape a few times over the years, the cast of the show remains clear in my head.I think the show would've grown on people, but they probably would have had to iron out the kinks between the home life and the work life (like "Barney Miller" did), because they didn't mesh very well.One scene that stuck with me was a fight between stepdaughter Shawnee Smith and stepmother Bess Armstrong. They were fighting, and Bess thought she had the upper hand, shouting: "When you're old, I'm going to be there, dancing on your cake!" And Shawnee replied, "GOOD, because you certainly won't be able to CHEW it!" Did I mention I love Shawnee Smith? Though the "Saw" films made me see her in a whole new light.
tin4tru The few of us who saw this short run (9 episodes) show still smile when we think of it. And it was eleven years ago! I have a couple of them on tape and regret not taping all. I was just sure that a show this funny and clever and well written would go on and on and on. The cast was hard to beat, each a hoot in his own way. Carol Kane's southern got-the-vapors gal was only one highlight in casting. The first thing that was LOL funny and that made me know I was going to love these people was when I saw this scene. Paula was fried by her new, high pressure job. She needed to decompress. She had pulled off juggling her husband's and her schedule so they could go somewhere south. (remembering maracas and sombrero) As he walked in the door, she danced around singing about this vacation they were going to leave for immediately. He had something serious to say and she made him "sing it!" So, as she led him around the room, conga line style, he sang something like this; "You know my daughter.... (Si!) Her name is Sonja Russell...Well she was expelled from school today and she's coming to live here foreverrrrrrr......." Followed immediately by an earth shattering scream from Paula. Now THAT'S good TV. =)
budikavlan I loved the plot of this sitcom: a woman gets a job as a secretary at a soap opera then because of a sudden power vacuum becomes the producer during her first day on the job. Bess Armstrong is a fine actress, but the character was too average--she needed to be either crazier or stiffer. Either would have made for more comedy. One scene, however, has stuck in my memory, a comedy classic: the head writer of the show (Carol Kane) is visited by her great lost love from the past, a man she never got to dance with. She is meeting with him in an office while the others wait outside, and she asks them to hum "The Tennessee Waltz" over the intercom so the couple can dance. The music starts out VERY tentatively and they begin to dance. As the music builds and gets more confident, the dancers talk, agree to go somewhere else to get better acquainted, and leave. The hummers continue their song to the empty office, adding harmonies, counterpoints and flourishes, never knowing they're playing to an empty house.

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