KnotMissPriceless Why so much hype?

Kailansorac Clever, believable, and super fun to watch. It totally has replay value.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

EmHud The thing about short films is that they are "short" for a reason. The difficult thing is to create something with meaning -- something that after the 17 minutes is over, the viewer is left with something they didn't have before. Sometimes film directors do not even possess this skill. I have to commend Don Hertzfeldt for his original idea and use of aesthetically pleasing images and representation of the future world: colorful, intangible, imaginary. This specific short film raises many philosophical questions regarding who we are as a generation and whether our consciousness is transferable.

Michael_Elliott World of Tomorrow (2015) *** 1/2 (out of 4) Don Hertzfeldt's rather unique and original animated short deals with a young girl who is visited from the future by her third clone, which takes her into the future and show her how the world has changed in the two hundred plus years.I'm watching this short a couple days before the Oscars are actually announced and I must admit that I'll be shocked if something beats this. Well, it's the Oscars so I guess anything is possible but this is a rather clever, original and unique little gem that manages to be rather smart throughout its 17 minute running time. The animation itself is rather laid back but I thought this approach actually worked extremely well and especially when you consider that it's the screenplay and story that is really selling the material. Both Julia Pott and Winona Mae are extremely effective with their voices and really sell the characters quite nicely.

MisterWhiplash If you were to watch Don Hertzfeldt's very funny and still wildly outrageous short Rejected from 2000 and go to his latest film, World of Tomorrow, you would see a monumental level of growth as a filmmaker. This isn't to say that he's moved on from having crudely-drawn characters (by design, and delightfully so as absurdly cute, absurdist what-the-f*** things), and that's part of his style. But if you go from one to another there's a level of sophistication to the presentation that has developed. This also isn't to say that Rejected isn't genius on its own level, but watching World of Tomorrow is simply mind-blowing, shot to shot, and that it presents science fiction concepts with such a dead-pan expression emotionally (the voice of the older 'clone' of Emily is just this way) while expressing such seemingly limitless imagination.We're basically taken, from one older adult clone to her much younger counterpart from the past, into what the future will hold. There's (messy) time travel, there's the 'art' of gathering up old memories that drift along like paintings that can be put on the walls, and there's things like people being put into glass containers to be watched by people like in an exhibit throughout their lives. Oh, and there's not the internet but the OUTER-net, where people just drift along through the neural-connections and some, indeed, become lost.This is extremely, massively heady stuff, but because of the context of it being between a little girl with notions like "I had lunch today" and "wiggle wiggle wiggle", and that this older clone has gone through a life of her own but with the sort of self-reflection that is very sad, we can relate to it. Or, at least, I could, and it just hit me on a profound level that is hard to describe after one viewing. Information is given out quickly, but nothing is too confusing if one is tapped into its peculiar, visionary science fiction head-space - there's even at one point a poem read by the older Emily about what it means to be a robot (a 'bad' poem, which is acknowledged).The level of humor is still there for Hertzfeldt that one sees in Rejected or his Third Dimension shorts or any given work he's done. But something about World of Tomorrow is even more striking than his other work, and it may have to do with how he goes from one concept to the next, each shot and set piece with equal parts crazy veracity and almost simplistic grandeur (those shots of the "rich" people of the future uploading their consciousnesses as black boxes going out into space). This mix of incredibly complex and incredibly simple strikes the perfect balance and yet for the seemingly ridiculous angle of how the older Emily interacts with the younger Emily there's an immediate emotional bond, and even an ending that is incredibly emotional.All I can say is if you have netflix, or a few bucks to spare on Vimeo, watch it and see if it affects you. For me, it's among the greatest short films ever made.

white_water Don Hertzfeldt jump into digital animation is just further proof that he is one of the greatest living American filmmakers. The fact that Hertzfeldt works alone, this is just something he created (outside some voice acting) just by himself, on his computer is insane. Hertzfeldt creates a better sci-fi story than let's say Interstellar with barely any budget and just in 16 minutes.It really makes you wonder what Hertzfeldt is capable of. If he can do things like this just on his own, what would he do with a team of people working for him and if he had a budget. World of Tomorrow is one of the greatest animated shorts ever, and it just goes beyond on being just an animated short.