Adeel Hail
Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Guillelmina
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Bob
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
TheLittleSongbird
Not quite as great as The Red Balloon and not as well-known, but White Mane is almost as good and does deserve to be better known than it is. It is a gorgeous-looking film, with the marshlands being both handsome and austere(emphasising the wildness of the two main characters and their adventures) and the black and white photography really is some of the best I've ever seen. White Mane is sensitively scored with a lovely whimsical tone, while the narration is thoughtfully written and poetic, telling the story without trying to explain too much. White Mane has a very sweet and touching story, the wonder of childhood is really charmingly depicted and the film shows also the beauty of nature that will leave one inspired. What was also appealing was the relationship between the boy and the horse which is what anchors the film, a familiar idea but you really do feel the friendship and love between the two. The pacing is deliberate but that said White Mane never came across as dull personally, the relationship between the boy and the horse, the way the film looked and how easy it was to get into the story and its emotions were utterly transfixing. Albert Lamorisse's direction is sensitive and in keeping with White Mane's poetic tone and the acting is great, especially from Alain Emery. He looked adorable and gives a spirited and touching performance, there are scenes where he doesn't say a word but his body language, eyes and face are genuinely telling throughout. The horse was clearly well-trained as well, and the chemistry between the two of them was magic. All in all, immensely charming and beautiful but also sadly criminally underrated. The Red Balloon is slightly better but if you loved that film you will find a huge amount to love about White Mane. 10/10 Bethany Cox
Atreyu_II
Albert Lamorisse is mostly known for his beloved classic 'The Red Balloon', but before that he made this 'White Mane', which is almost as good. Although 'White Mane' is not absolutely perfect, it certainly is and feels authentic. I could say this is a must for anyone who loves horses. It is, that I can't deny. But in my book one doesn't necessarily have to love horses to enjoy this. It's all a matter of liking this sort of films.This short film is about a wild stallion in a wild region of France and his friendship with a fearless and adventurous young boy. The film tells how they meet and how they develop their friendship. This boy becomes the only human really worthy of the stallion's trust.The beauty of the cinematography is one of the best things about this. What we see is pure and natural, a "wilder" France not often seen in movies (that is, as far as I know). The boy is wonderfully portrayed by Alain Emery. The boy and the stallion have a perfect chemistry.This should definitely be on Top 250.
zetes
I was introduced to Albert Lamorisse's wonderful The Red Balloon way back in grade school, and it's just something I never forgot. It was the first French film I ever saw, though I didn't know that at the time. It's too bad that Lamorisse didn't make this earlier film without dialogue, as well, because it would be just as well known as its brother. It has so little dialogue and narration as it is, it's just a shame Lamorisse didn't consider the universality that a lack of dialogue would give the film. I think I might even like White Mane a tad better than The Red Balloon. The simple story is about a wild stallion named White Mane who is being hunted by a gang of ranchers. The hunt is observed by a young boy (Alain Emery), who becomes fascinated with the horse. When the ranchers fail to capture White Mane, the boy goes after him. Lamorisse began his film-making career as a documentarian, and this film reminds me a lot of some of the faux-documentaries made by Robert J. Flaherty, particularly Louisiana Story. The black and white cinematography is some of the most gorgeous I've ever seen. If not for an abrupt and unsatisfying ending, this would rank among my favorite films ever.
rstauber-1
I was almost seven years old. My paternal Nana took me to see this movie in the Chicago Loop in 1952. White Mane was a short film accompanying the latest version of Heidi which she wanted me to see on account of my Gramps being of Switzerdietsch extraction and all. Aside from a vague recollection of poor Heidi stashing hard-rolls up in her closet, I don't remember the movie in any detail. I guess it was pretty, ya, mit edelweiss and everything. White Mane, on the other hand, left a lasting impression on me as a kid: self-sacrifice for love of another being. The realization that the consequences of some actions could result in DEATH. A new concept of DEATH for a seven-year-old. Greed can result in death...and so forth. In short, the ending of the movie (SPOILER COMING NOW) where the kid rides his beloved White Mane into the Mediterranean to avoid capture by his pursuers (c.f., Masada, etc.) freaked me out. But in a good way, and with a lesson. Sort of like Invaders from Mars taught me to distrust the military and by extension the government, and The Night of the Hunter taught me to be wary of anyone calling himself "Preacher," and Lolita taught me to distrust anyone with two last names! And Psycho taught me never to bathe....I guess I'll have to watch White Mane again to see if I remembered any of it right.
