GamerTab That was an excellent one.

Crwthod A lot more amusing than I thought it would be.

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Scott LeBrun This adaptation of the Dean R. Koontz novel fails to really get any sparks going; in fact, were it not for some sex, nudity, and profanity, one might swear it was done for TV. The low production values don't do it any favours, nor does the attempt to fit the story into a standard hour and a half length. It's mildly effective, at least in the early going, but the filmmakers ran out of money at some point and came up with a conventional ending that is equal parts silly and squirm inducing. Even the big reveal here comes off as somewhat banal. Even the actors don't seem to really believe in the material.Victoria Tennant ("Flowers in the Attic") stars as Hilary, a journalist who less than three minutes into the film is attacked in her own home by Bruno (Canadian actor Jean LeClerc of 'All My Children'), whom she recognizes as a man whom she'd recently interviewed. Things get bizarre when first he seems to have an alibi for the night in question, and later, when he's attacked her for a second time and she's supposedly killed him, he turns up alive and well. Hilary and well meaning nice guy detective Tony (Chris Sarandon of "Fright Night" '85 and "Child's Play") decide to solve the mystery on their own time, tracing Bruno back to his home town of Lee Valley. They discover some pretty twisted stuff.Just judging by the material here, this could probably have inspired a somewhat better film, but it simply lacks style and doesn't have much punch. Tennant and Sarandon are passable but they've been better utilized in other things. Saving the picture to a degree is LeClerc, who creates a great screen psycho. Viewers who've seen their fair share of Canadian made movies will recognize supporting players Keith Knight ("My Bloody Valentine" '81) as the creepy Avril, Peter MacNeill ("A History of Violence") as misogynistic detective Frank, Jackie Burroughs ("The Dead Zone") as exposition provider Mrs. Yancey, and Vlasta Vrana ("Shivers") as a sheriff, as well as the ever endearing Eric Christmas ("Porky's") as cranky lawyer Rinehart.An effort from the legendary Canucksploitation producers, John Dunning and Andre Link ("Happy Birthday to Me", the aforementioned "My Bloody Valentine"), "Whispers" manages to remain watchable but is forgettable once it's over.Five out of 10.

geoffandheather Unfortunately, Koontz seems doomed to die without seeing a decent adaptation of his work. Whispers follows the original book very closely, seemingly until the production company ran out of money. All of the sets in the first half of the movie were meticulously recreated from the book - something which has been lacking in many other Koontz films. Despite its other (numerous) downfalls, I continued to watch in anticipation of some really great scenery. Wrong. By the time the detectives show up at the crack head's apartment (in the book), the movie is out of funds, and one of the most suspenseful scenes from the book, is ruined. Where the book offered grisly discovery, a search and a chase through the guys apartment, the movie offers the backseat of the guys car.Let's face it - Koontz writes without a budget in mind, because imagination is free. If a Koontz novel ever gets made into a decent movie, no one will go and see it, because they have been let down so many, many, many times before. This is why Dean Koontz's Frankenstein is now just Frankenstien - if you had seen your work butchered that many times, you'd get out early if it looked like happening again!

callanvass boring flick is lame and stupid all around with lame script poor execution and rotten acting did not help this lame flick it bounces unevenly between thriller and horror and does neither very well avoid * out of 5

gridoon A terminally dull mystery-thriller, which may sound pretty sound theoretically but plays out very poorly. The ludicrous script is full of (MINOR SPOILER) people dying and then coming back to life when the plot requires them to, and the director doesn't seem able to work up any energy and suspense. The gooey sequence that kind of "explains" the film's title is the only halfway memorable one in this tiresome film. (*1/2)