Linbeymusol Wonderful character development!

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Raymond Sierra The film may be flawed, but its message is not.

wes-connors As our story opens, otherwise normal New York gadabout Douglas Fairbanks (as Daniel Boone Brown) has been unknowingly the "guinea pig" in a bizarre experiment. For three months, Mr. Fairbanks has been secretly the subject of possibly mad scientist Herbert Grimwood (as Ulrich Metz). "The power of suggestion can destroy both mind and body," Dr. Metz explains, "But first I weaken the power of resistance in my subject by implanting psychic germs of fear, worry, superstition and kindred annoyances." Fairbanks has become superstitious and frantic, but maintains his good nature..."When the Clouds Roll By" was a United Artists showcase for its box office star. The plot collapses as episodes lead to a revelation that doesn't exactly fit the (doctor's) introduction; we have been led astray. However, it doesn't matter if you take the story as a surreal fantasy from the opening credits. Also involved are Fairbanks' courtship of conveniently placed Kathleen Clifford (as Lucette "Lucy" Bancroft), plus business intrigue involving his uncle Ralph Lewis (as Curtis Brown) and oily rival Frank Campeau (as Mark Drake). Somehow, Fairbanks and Victor Fleming fit it all together.******** When the Clouds Roll By (12/28/19) Victor Fleming ~ Douglas Fairbanks, Kathleen Clifford, Frank Campeau, Herbert Grimwood

rdjeffers Monday June 2, 7:00pm The Paramount, Seattle"Never despair, folks, everything will be Jake .. .. when the clouds roll by."Youthful enthusiasm, show-stopping feats of athletic lunacy and hilarious, eye-catching gimmicks were Douglas Fairbanks' stock-in-trade. When the Clouds Roll by (1919) opens cleverly with film of the crew as their names appear on screen.A psychologist treating Daniel Boone Brown (Fairbanks) secretly plans to drive him insane in the name of science. After a prescribed bedtime supper of onions, lobster and mince pie, Daniel is chased through his stomach and across the countryside by his bizarre meal, in a brilliant surrealist nightmare.Perpetually late for work, Daniel gets the sack, then wanders around until he literally bumps into Lucette (Kathleen Clifford), a girl as nutty as himself, and the two are instantly smitten. "Are you superstitious?" "Terribly so …" Needles!" "Pins!" Her hayseed fiancé arrives just in time to spoil their plans. A frantic chase by boat and train concludes with a storm, a colossal flood and finally, true love.

wmorrow59 It's a mystery why this delightful silent feature isn't better known and more widely appreciated. I've seen several of the comedies Douglas Fairbanks made prior to his switchover to swashbucklers and they're all great fun, but for my money When the Clouds Roll By is the best of the lot: it's funny, fast-paced, action-packed and highly original. To call it "original" is quite an understatement; this movie is absolutely off the wall and constantly surprising, even for buffs. The plot is convoluted enough to keep you guessing, and just when you think you know what's going to happen next, the filmmakers throw you another curve-ball. Speaking of originality, it's worth pointing out that a number of gags and bits of business found here were borrowed by others and used again in later years, so while this movie proved to be a rich source of inspiration for Fairbanks' colleagues who saw it in 1919, the source material itself seems to have been largely forgotten.Much of the comedy derives from the screenplay's satirical jabs at the still new field of psychology. Doug plays a good-natured young man who is harshly victimized by a sinister psychologist named Metz, who lives nearby. Why the doctor has chosen to treat Doug worse than Pavlov's dog isn't explained until late in the story (and I won't reveal it here), but let it suffice to say that Doug is subjected to a distressing series of "Gaslight"-style mental manipulations intended to convince him that he's losing his mind. The evil Dr. Metz even contrives to invade the world of Doug's dreams by controlling his diet, and the ensuing nightmare is a surreal cinematic highlight, combining such techniques as slow motion, double-exposure, and the very same "wall-walking" stunt Fred Astaire would employ in Royal Wedding in 1951, performed more elaborately in this early rendition. The dream sequence begins inside Doug's body, where we witness a battle between the foodstuffs he's been eating at Metz' behest: an onion, a lobster, Welsh rarebit, a slice of mince pie, etc., each represented by actors dressed in the appropriate costume. They duke it out on a "stomach" stage set, an effect that is both bizarre and hilarious, and a throwback to the early cinematic style of Edwin S. Porter's Dream of a Rarebit Fiend, or the trick films of Georges Méliès. We're reminded of early cinema again later when our hero reaches a crisis and thinks he's finally lost his mind for real; the title card tells us that Doug's Reason is Tottering on Her Throne and his Sense of Humor has been defeated, while his mind is being assailed by Worry and Despair. This struggle is then enacted before our eyes by performers representing these traits, like some kind of Medieval morality pageant.These quirky comic sequences are a real highlight, but meanwhile there's an earthbound plot involving Doug's relationship with a girl, his conflict with the girl's former suitor (a vulgar crook), and a scheme by the crook to defraud the girl's father. This story-line is more conventional, but greatly boosted by the surrounding craziness and further enhanced by a series of genuinely funny title cards that maintain just the right level of breezy insouciance. There's also a cute series of running gags concerning superstitions that both Doug and the girl believe in, not only still-familiar beliefs involving black cats, ladders, and the number 13, but also more obscure notions involving dropped knives and opal rings. The plot culminates in an impressive storm sequence combining miniature sets with large-scale action, all of which may remind buffs of the finale of Buster Keaton's classic Steamboat Bill, Jr. of 1928. Buster didn't use miniatures, but it looks like he and his crew might have borrowed a gag or two from Doug!I was fortunate enough to see this film at a recent public screening at the Museum of the City of New York. There was much laughter throughout, and afterward a lot of people were saying "Why haven't I heard of this movie before?" Clearly, this is a silent comedy that deserves to be better known, a movie that cries out for full restoration, more public screenings, broadcasts on TCM and a DVD release.P.S. December 2008: I'm pleased to add that this film is now available in the newly released Fairbanks DVD box set. Many thanks to the folks responsible!

David Atfield What a miracle this film is! Designed as a "cheer 'em up film" following the dark days of World War 1, this is a wildly energetic and fanciful comedy, that is truly life-affirming.Doug is his usual cheerful self, performing some amazing stunts, and lighting up the screen with his ebullient personality. Under the sure direction of Victor Fleming - making his debut as a director - the film never misses a beat, and is full of surprises.There are a couple of moments of pure fantasy, including an insane dream sequence, and scenes set in Doug's brain and in his stomach! And the whole thing comes to a wild special effects climax when a dam bursts!This gem is truly a neglected classic and deserves to be restored and released on DVD, so that we may all enjoy the cyclone of energy that was Douglas Fairbanks. 10 out of 10.