Cubussoli Very very predictable, including the post credit scene !!!

Fairaher The film makes a home in your brain and the only cure is to see it again.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

kijii If you have Netflix streaming, you really should see this fascinating documentary!! Though I lived through the 50s and 60s, I don't remember Nina Simone (born in 1933 in North Carolina as Eunice Waymon) except in a very obscure way: an expatriated American icon of some sort. Yet, she had unbelievable talents that broke all boundaries of instrumental and vocal performing. From childhood, she was trained in classical piano and was ready to become the first Black Woman to perform in Carnegie Hall. However, due to her life circumstances, she became something else. She became someone with totally unique abilities—abilities and feelings that transcended all types of music, poetry, and social activism. Yet, she had a very tragic life that is a story in itself.I have never seen a documentary that so perfectly captures a life of a very complicated person as well as this one did!! What's equally amazing is that there were so many video clips available (from so many different venues and over so much time) to use in putting this story personal story together. How does one talk about Nina Simone and her life? How do you classify her music or performing skills? Is it classical piano—gospel—jazz—soul— folk—social activism —poetry—or what? She wrote many songs that only she could written: she was the first black American to really express, in music, what so many people could only express in words (Malcolm X, James Baldwin), plays (Lorraine Hansberry) or poetry (Langston Hughes). And--as a black WOMAN--she expressed the anger that black men could not hope to at the time as in "Mississippi Goddam."Her songs are also about freedom as well as her search to find her black identity as in "To be Young Gifted and Black" (inspired by Loranie Hansberry's play).I'm convinced that the only way—or at least the best way--to BEGIN to understand Nina Simone is through this great documentary that follows her life from her childhood to death in the south of France!! Both her daughter and her former husband are narrators of the documentary, which gives us even more insight into her struggles.

evanston_dad Two of the 2015 Academy Award nominees for Best Documentary Feature dealt with artists (specifically singers) who were ultimately undone by their self-destructive tendencies. "Amy" told the sad story of Amy Winehouse, whose struggles with addiction and eating disorders cut her life and career tragically short. "What Happened, Miss Simone?" is about Nina Simone, who used her music to fuel the anger of the civil rights movement until her flame burnt out. Both women changed the nature of their art form; both women were taken from the world much too soon.But for all the similarities, the stories of the two women are quite different. Amy Winehouse is a pathetic figure. We watch as she passively lets fame destroy her. Nina Simone, on the other hand, is full of rage, rage that vents itself through her music. If Winehouse lets strife happen to her, we get the sense that Simone brings it on herself. It's as if she can't handle the anger that a sense of injustice toward the world stokes inside her and destroys herself as a way to be rid of it.Watching Simone sing "Mississippi Goddamn" while seeing images of the Civil Rights movement, images evocative of the recent violence toward blacks perpetrated by law enforcement officials throughout the country, brought home to me how far we still need to go in our efforts toward racial equality and why the slogan "Black Lives Matter" should be heeded by all.Grade: A-

Blake Peterson Nina Simone is a national treasure. Don't lump her together with the Arethas, the Donnas, the Esthers; she was a soul singer of tremendous originality and personality. She didn't have to enthusiastically remind a man to r-e-s-p-e-c-t her, to rely on anybody besides herself to let her potent baritone shake the bodies of the public — whether a song she shared with the world was written by a pop professional or her and herself alone, Simone's voice never allowed, and still doesn't allow, for casual listening. You want to jump up and find a pair of expensive soundproof headphones just so you can absorb the stealth of her voice and her Baby Grand. Nothing can compare."What Happened, Miss Simone?", directed by documentarian Liz Garbus, captures everything most adored about Simone and the things that made her a particularly flawed human. There are plenty of moments left for us to sit back and let chills creep up our arm through astonishing concert footage, but there are also moments that let it be known that Simone, though a national treasure, was a woman continuously suffering with inner demons left untouched throughout most of her career.New aspects of her complicated life are brought to us through several interviews, mostly with her daughter (who drops a bomb by informing us that after the dissolution of Simone's marriage to her father did she become an abusive wrecking ball). The film goes all the way back to Simone's lonely childhood, in which she dedicated most of her time to her demanding classical piano career, to her final years as a performer. What happened in- between is much more compelling than I ever expected; I knew that Simone began as a crooner in the diva category, eventually turning her attention to Civil Rights (as evidenced by remarkable songs such as "Mississippi Goddam" and "Strange Fruit"), but I didn't realize how much she suffered in her life. She was an undiagnosed manic depressive for the majority of her career. Her husband/manager hit her on a regular basis. She almost faded into homelessness after her mental disorders completely took over in the 1970s."What Happened, Miss Simone" is such a good documentary because it as much idolizes Simone as it does sees her at a ground level; some documentaries view their subject as a star, never slowing down to cover the details that might make them look bad. But Garbus' knack for balancing wonder with sorrow (highs and lows are at the most shattering during Simone's performance at the 1976 Montreux Jazz Festival and her daughter's admission that she was suicidal because of Simone's abuse as a teenager) is supreme, making for a well-rounded doc both informational and unglamorous. It represents Simone for who she really was, and though I would prefer a potential feature length, perhaps focusing on a particularly harrowing point in her life, "What Happened, Miss Simone" goes over everything we could ever want to know about Simone. There's just a feeling of unplaceable skimpiness, as though Garbus wanted to make an on screen biography, paying more attention to some things than others. But I can hardly complain — I liked Simone then, and I like her even more now. Presently, however, I feel like I understand her. No longer can I listen to my favorite Simone LP, "Pastel Blues", in the same way.

Baruch Zeichner "What Happened, Miss Simone?" pulls you right into the life of the little girl, Eunice Waymon, who becomes Nina Simone. Through skillful use of archival audio and film, interviews and other contextual materials, and clearly with a genuine appreciation and love for the subject, Liz Garbus has found the thread that strings all of this material together; the genius and passion of a driven artist. Hearing the familiar songs with their stories, and learning about Nina's life journey, all somehow fits powerfully with contemporary racial issues in the US. This film can serve to educate, and inspire, as we continue to navigate the tortuous path to justice. Thank you for making this film, and bringing Nina Simone to even more people.