Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Janis One of the most extraordinary films you will see this year. Take that as you want.

virek213 As has been known for decades, going back to the immediate start of the Cold War in the wake of the end of World War II, nothing ever grows in dark, secret places other than perhaps mushrooms. And yet our own United States government, which three hundred twenty million of us place our trust in, is a rat's nest of secrecy beyond anything that we could ever imagine in an old-school Communist state like Stalinist Russia or the Red China of Mao Tse-Tung. This has been especially true since September 11, 2001, where our national security state has not only kept as much highly sensitive information from the public as it possibly can, but has also severely punished anybody who blows the whistle on incompetence and criminal venality inside the national security state, and what President Eisenhower most famously referred to as the Military/Industrial Complex. This is the subject of director Robert Greenwald's 2013 documentary WAR ON WHISTLEBLOWERS.As shown in this 67 minute-long film, blowing the whistle on government dissembling has troubling consequences for the people who do it, whether they are inside the government itself, or inside the news media, which is supposed to be that mythical Fourth Estate, keeping the government honest. The most famous whistleblower in U.S. history, at least up until Edward Snowden, was Daniel Ellsberg, the former Pentagon employee who, in 1971, leaked the Pentagon Papers to the New York Times and the Washington Post, and so inflamed the Nixon Administration that, in the words of Henry Kissinger, he became "the most dangerous man in the world." Both Ellsberg and journalist Seymour Hersh, the man who broke the horrible 1968 My Lai massacre in Vietnam to the world at large in late 1969, are interviewed by Greenwald here. But the main focus of WAR ON WHISTLEBLOWERS is on four specific whistleblowers who uncovered specific acts of malfeasance: Franz Gayl; Thomas Drake; Michael DeKort; and Thomas Tamm. Each of them uncovered things that the public would otherwise never have known about, and in each case they personally suffered for their efforts Gayl, bought to the attention of those in high places in the Pentagon about the vulnerability of Humvees to IEDs (Improvised Explosive Devices) in Iraq, which led to new and far better-armored MRAP vehicles being developed and deployed. Gayl, however, suffered a great deal for his trouble.Drake uncovered the fact that the NSA's claims of not spying on Americans without a warrant was, to put it quite mildly, not exactly true. Not surprisingly, the FBI and the national security apparatus gave him an enormous amount of grief.DeKort uncovered information about the Coast Guard's fleet of ships and boats having radios that were susceptible to catastrophic water damage and hulls that were vulnerable to fatal damage. He bought what he knew first to YouTube and then to "60 Minutes", and managed to survive the scrutiny.Tamm worked in the Justice Department for victims of the 9/11 attacks and developed protocols of "probable cause" to conduct wiretaps against suspected terrorist agents, only to find out that his superiors were going well beyond what was allowed under due process.As WAR ON WHISTLEBLOWERS shows, the idea that such activity is tantamount to treason is just a ploy by the national security state to cover up activities that at the very least acts of incompetence, and at their most extreme can create blowback years later. These people are oftentimes necessary for our own personal protection specifically, and the protection of our way of life and our freedoms in general. Greenwald admonishes us to never forget their intentions, and to question government authority without exception.

leefrnk I don't regularly review movies. But this thing deserved some special attention. I love nonfiction, social commentary, and documentary. And this one caught my attention, so I watched it. I'm not sure if this is a spoiler, but be warned; they insisted on ten lines of copy. I obliged.What started out as a film which would look like an interesting documentary about whistle blowers exposing government misdeeds (and admittedly could be technically classified as such) quickly digressed into a well funded, shameless promotion for more military equipping and funding which in fact is at an absurdly high level already considering the fact that "the machine has come home" and is now aimed at the same civilian public that this costly war has blindly impoverished and imprisoned. Perhaps the only redeeming quality as a documentary was that in the opening titles it does actually mention several legit whistle blowers whose stories, all be them well known, are indeed well worth looking into. So have a notepad handy for later research if you are going to check it out. On the other hand I felt that the footage of Edward Snowden was only used in an attempt to lend legitimacy to this obvious military industrial propaganda, and I doubt it had his blessing or permission. I sincerely feel he's being exploited here. The film has elevated production values, excellent music which tugs the emotional strings, crafty editing, and a clever narrative and slick post work. For a about a fourth of the movie, I was taken in, and then I was like: "wait a minute here, is this all it's all about? new toys for soldiers?" well that's fine, but at least give it a title to match, guys. One positive note: An unintended effect of the film may be: the audience should realize that the folks who create war are in the business of killing soldiers. Reducing the population on all sides.

gavin6942 War on Whistleblowers: Free Press and the National Security State highlights four cases where whistleblowers noticed government wrong-doing and took to the media to expose the fraud and abuse.While it was great to get interviews with folks like Seymour Hersh, this had the feel of a promotional film that encouraged more folks to come forward. Because of this I have given it 6 rather than 7 or 8, because I felt like it had only one side and one motivation.Granted, I am on the same side and any push for transparency is a good thing. But there is a difference between a political ad and a documentary, and I am not sure if this film is aware of that.

luciusdark I love documentaries on whistle blowers like Julian Assange (Wikileaks), Edward Snowden, and the group Anonymous. I also love docs on corruption - corporate and government. While there was some criticism of the Bush administration, this movie mainly criticized Obama.While they did cover the MRAP delay, they didn't go into the government contractors like Blackwater (gun running, murder, and prostitution), Haliburton, KBR, Daimler AG, Seimens, etc..They did a good job on the delaying of MRAP because of the money behind the Hummer, but they didn't follow the money - they just blamed the administration. In my humble but biased opinion, it was more right wing politics than investigative journalism. Just my opinion.