Actuakers One of my all time favorites.

PodBill Just what I expected

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

richspenc I don't usually rate films from this era as low as a 5, and I more often rate 21st century movies a 5 or lower. I am not saying all 21st century stuff is bad. Movies that have come out in the 21st century that I loved and thought were great included "Black swan", "Eternal sunshine of the spotless mind", "The pianist", "Girl with a dragon tattoo", "The Aviator", and "The curious case of Benjamin Buttons". I also thought the Harry Potter films were great.Generally speaking though in my opinion, old times were better, in films and in real life. My list of great films I love from The Golden Age of Hollywood is pages long. I am not saying old times were perfect, nothing is. "Varsity show" was definitely not perfect. It was one of Busby's "slump films", which were three films he made during a bad spot during his life (the bad spot was Busby having accidentally killed someone in a car wreck and he was initially tried for murder). His three slump films were "Hollywood hotel", "Varsity show", and "Gold diggers Paris". Those three films lacked the magic of his usual wonder and had some characters in them which were more weird and stupid acting than what was in Busby's normal greatness. The opening scenes I saw a familiar face in the late 1930s college crowd. A funny looking long toothed man who I had seen an older version of as a weird TV repair man in 1962 Twilight zone episode "Whats in the box". The man who voiced Whinny the pooh in the 1960s cartoon Whinny the pooh. He was about 19 here and was one of the students among others such as Johnnie Davis and pretty Rosemary Lane. Rosemary was pretty and nice, and was joined by Dick Powell who is been in almost every 1930s Busby Berkeley film. But Powell lost his touch a little here compared to his earlier stuff. "Gold diggers 37" was the first film where Powell wasn't as great as before (his first number of that film "speakin of the weather. Lighning flash!" did not have the same magic that his songs from "Gold diggers 33", "Gold diggers 35", "Dames", etc. had), although "Gold diggers 37" did have one wonderful song with the magic like in the previous films, which was the song at the party "Let's get our heads together" (even that song had one bad little spot that didn't fit with the magic of the rest of the song, and that was when two weird guys at the bar sung a line of the song in weird voices. That one tiny moment was unfortunately a preview of what was gonna happen a bit more during Busby's slump films which included "Varsity show"). "Lets get our heads together" in "Gold diggers 37" was the last wonderful piece of Busby magic until he bounced back again (due to his murder trials being acquitted) and made the wonderful Judy Garland films, starting with "Babes in arms" in 1939. Powell here in "Varsity show" was eloped with Rosemary. She was cute and nice, but she wasn't as totally amazing and heavenly wonderful like Powell's earlier partners Ruby Keeler and Gloria Stewart. Ruby was an angel, especially "I only have eyes for you", "Like a waterfall", "Pettin in the park", etc., and Gloria was an angel in "Gold diggers 35's" "The words are in my heart"."Varsity show" wasn't absolutely terrible. It was just a slump film which lacked the magic from Busby's better times, which fortunately was the higher percentage of his career. There one really miserable guy, who was a slump film style character. First, he yelled at all the kids to get out of the theater and then they just sat down and laughed. And then he got the police, but when they got there they just sat down and enjoyed the show. Then the miserable guy got the swat team, but they only joined the police to watch. Then he got the military armed forces, then the governor. They all did the same while this miserable guy's mounting frustration grew while no one else shared it. Most people knew that shows in the 1930s were nice to watch. This film was, I will call it mediocre.

museumofdave For die-hard Berkeley fans only--this collegiate musical is certainly more a mirror of it's time than most, with lots of college men over 30 clad in beanies swooning in song over long-skirted coeds; simple plot--all the students want to present the hot new rhythms of the New Varsity Show, but the fuddy-duddy professor (Walter Catlett in usual sputtering mode) won't let them. Enter former alum and Broadway Star Dick Powell, all dimples and smiles, intent on Saving The Day With Music! The whole enterprise is a build up to the sensational Busby Berkeley finale with hundreds of dancing coeds in astounding geometrical designs; unfortunately, the less-than-memorable music is not by Al Dubin and Harry Warren (who composed the Gold Diggers series).According to Tony Thomas's Busby Berkeley book, and reliable film historian Leslie Halliwell (and numerous other sources), this should be a 120 minute film; why has Turner, usually the standard for accuracy, released an 80 minute print--40 minutes shorter? Some collector, somewhere, must be sitting on an old studio print and, if anybody is able, the intrepid folks at Turner will track it down and we can see what will probably make this the dynamic vintage musical it should be.

dougdoepke No need to repeat details exhaustively provided by other reviewers. I caught the 80-minute truncated version on TCM and it's a shame despite the lively cast and Berkeley's big production number. Comparing the playlist with what's on screen, most of the musical numbers that survived the edit appear condensed into the closing medley of songs—hardly a fair representation. And what's left intact is musically pleasant but hardly memorable. Generally, the same can be said of the truncated movie as a whole.(In passing—note the rebellious college students impatient with the stodgy musical tastes of their elders. Seems like musical rebellion among the young extends further back than the 1950's and Elvis. More obscurely-- note how the kids at one juncture perform a brief sit-down strike to make their point. The year is 1937, the same period as the historic General Motors Sitdown Strike of 1936-37. Looks to me like a topical reference even in a movie piece of fluff.)

Terrell-4 Why watch Varsity Show? Two words: John Bubbles, the man Fred Astaire said was the greatest tap dancer of his generation. John Sublette (John Bubbles was his stage name) and his partner, Ford Washington Lee, were Buck and Bubbles, with Buck primarily at the piano and Bubbles dancing and singing. They were major stars in vaudeville. I can't explain dancing any more than an infant can explain milk, but I know the good stuff when I see it. John Bubbles combined tap, a sort of fast shuffle and ingenious rhythm into something I wouldn't argue with Astaire about. He has a couple of short numbers in this inane college musical and one Buck and Bubbles short production number to "Have You Got Any Castles, Baby?" They make watching the movie something special. Among the aged aspects of Varsity Show that you have to get past to enjoy the tap artistry of John Bubbles are...the jokes are so corny even Iowa wouldn't take credit for them...the pacing is just about as matter-of-fact as that bland title...several of the students have long since past their college years...ironically, Dick Powell seems too young for the part...and Fred Waring as the drama teacher is so sincere, so constantly smiling and so solicitous of the students as to be creepy. Still, the Richard Whiting and Johnny Mercer songs aren't bad. "We're working Our Way Through College," sung by Powell and the students as they stride through the campus, is bouncy and funny. "We're working our way through college / To get a lot of knowledge / That we'll probably never ever use again. It's swell to tell what parallel and parallax is, / But after graduation will it pay our taxes?" For those fond of choral music there's Waring and his Pennsylvanians (they're in the movie as college students) doing some fine singing. Aficionados of college pep songs will hear a bunch of them at the big smash close. And for those with a morbid fondness for stories about alcoholics, there's Ted Healy in a major role and Lee Dixon in a minor one. Healy, who's the reason there was a Three Stooges, wound up in Hollywood as one of the highest paid comedy actors. His specialty was the big grump. Let me tell you, he was good. He also was a big-time alcoholic. He got into a drunken fight the night his first child was born (the year Varsity Show was released) and died several hours later. He was 41. Lee Dixon was big and blond, an eccentric dancer in the early Buddy Ebsen style. He was handsome enough with an open, quizzical kind of face. He towered over everyone else. He was 23 when he made Varsity Show and played one of the students, had a few lines and a couple of brief dance steps. By the early Forties he was drinking so heavily no one wanted to take a chance on him. Rodgers and Hammerstein offered him the part of Will Smith in Oklahoma! after extracting the promise he wouldn't hit the bottle. He received great reviews with his two numbers, "Kansas City" and "All Er Nuthin'" (with Celeste Holm as Ado Annie). All was well for a year or so, then he started sneaking drinks, then more and more. That was that. He faded fast and died at 39 in 1954. What's the moral to Healy and Dixon? You've got me. The story? The kids at Winfield College are putting on the annual varsity show but their professor adviser insists that there'll be nothing "swinging" or "modern." A group of them decide to go to New York and ask Chuck Daly (Dick Powell), famous Broadway producer and Winfield graduate, to take over the show. They've got a lot of great songs and ideas. They don't know that Daly has had three flops in a row and is broke. We can skip the next hour. The show is a smash, on Broadway no less, with a Busby Berkeley finale. Chuck wins a co- ed's love with Rosemary Lane the co-ed. She's second billed after Powell. Her sister, Priscilla, is third billed and gets a song to sing and a few dance steps to share with Dixon. Priscilla Lane has never done much for me, but here, at 22 and in her first movie, she's a cutie pie. College musicals always seem to give off that indulgent condescension that so many adults reserve, usually to their regret, for the young. Still, some can be a lot of fun. There are three I like a lot. Too Many Girls has a book as inane as Varsity Show, but it has a great Rodgers and Hart score and a terrific Lucille Ball performance. Best Foot Forward has a fine Hugh Martin and Ralph Blane score, including that rouser, "Buckle Down, Winsocki," plus Ball again, and a great cast that includes June Allyson and Nancy Walker. Good News is a lot of fun, just as corny as the rest, but June Allyson is appealing, Peter Lawford avoids being appalling, and best of all there's Joan McCracken and Ray McDonald dancing. "Pass that Peace Pipe" is a showcase for both of them, especially McCracken.