Vanishing Point

1997
5.6| 1h31m| NR| en| More Info
Released: 07 January 1997 Released
Producted By: Fox Television Network
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

When his wife goes into a troubled labor while he is on the road over 1200 miles away James Kowalski, an ex race car driver and a former Army Ranger, attempts to elude police while trying to get home. After numerous chases he turns into a Native American reservation and reflects on his life, and his wife. He heads off to break through a police roadblock.

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Reviews

Unlimitedia Sick Product of a Sick System
CommentsXp Best movie ever!
Onlinewsma Absolutely Brilliant!
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
abhsnoopy Thsi is one of the greatest car movies I have ever seen. It combines action and suspense with high-speed, pulse-pounding, heart-racing car chases. The ending will surprise you, and , as always, Viggo is awesome. Viggo's car is awesome. If you're a car nut like me, you'll agree with me when I sat that his 1970 Dodge Chalenger with the 426 Hemi and pistol grip shifter on the 4 speed manual transmission is the most BAD-ASS car you will ever see. In the end, i think he goes faster than any other Challenger I've ever seen, and his is BONE STOCK! When he gets chased by the cops, you want to be in the driver's seat. And don't get me wrong, that cop's Dodge Charger with the Hemi is BAD-ASS too. People, see this flick!
bob the moo With a pregnant wife and very little money in the bank, former Ranger and race driver, James Kowalski needs cash to pay for a hospital place during labour. He is on a job several states away when he learns his wife has gone into a dangerous labour and sets off a full speed to get home to his wife. Pulled over early on his journey, Kowalski makes a break for it and manages to evade the police across a couple of states. However as talk radio pick up on this "outlaw hero", his profile rises and he draws the attention of an equally gung-ho cop and the power of those not bound by state boundaries. Meanwhile Kowalski tries to focus on his wife and future child.There is no doubt that the producers of this remake never expected to win any friends among those who consider the original Vanishing Point to be a classic cult film. I am not one of those people but I can understand why they would hate this film because it loses whatever strange appeal the original had and replaces it with more story but nothing really that good. The casual viewer may appreciate the more meaningful plot here but really it doesn't make it a better film – just a better structured one. With more of a plot, the remake could have done something different by making this more of a character-driven story or at least, although clichéd, made more out of the relationship between Kowalski and his pursuers or even made comments about the little man versus the Man. Instead what it does is produce a simple story where Kowalski meets people along the road in between car chases.If you want an idea of what you're getting into, if they had added a few laughs here and there then this could easily have been Smokey & The Bandit 5. The car chases lack any imagination or special effort and, although noisy, are certainly not anywhere near special enough to justify essentially building a film around them. The whole thing smacks of television movie budgets but I suppose for some people this is enough for them – some people just like to see cars drive fast and crash (and before you accuse me of being a snob, please remember that I actually bothered to watch this film). The cast don't really help although, looking back, Mortensen looks like an attraction. Sadly he isn't because he plays the role right down the middle and didn't emotionally engage me or produce anything else of interest. Like the film itself, he more or less does what he was asked to do and isn't bad but certainly isn't any good. The same goes for the rest of the cast and the only distraction was the presence of familiar faces like David and Priestly.Overall, if you like the original then you will rip at your hair all the way though this because it simply doesn't compare (and remember when I say this that I didn't really like the original all that much). If you have never seen the original or even heard of it then you're still not off the hook because this is a simple, basic affair that relies on cardboard characters, a join-the-dots plot and lots of average car chases that are noisy but lack excitement. Not really worth it all round.
masercot Yuck! And again I say...YUCK! The original version of this movie was a well directed story of a man who was already dead and driving through purgatory. The original movie had a lot to say and didn't go out of its way to say it. And, it had a naked chick on a motorcycle.This version strikes me as something that a producer bought the rights to and then abandoned out of disinterest. It looks as if a group of individuals consciously decided to fit it to the nineties and changed ethnicities and genders just to be cute. The movie is not about a burnout about to commit suicide in a last act of defiance. It is about a man trying to get to a hospital to see his wife.There was no reason for this movie to have been made other than to make me angry...
jmorrison-2 This is just plain bad. Sometimes remakes, even if they stray from the original, are good on their own. They can bring another viewpoint and achieve a certain interpretation that makes them unique and enjoyable. This was as poorly thought out and carried out as can be. This wasn't any good even standing on it's own. Viggo Mortenson is a top-notch actor, but some of his selections of roles and projects leaves something to be desired. The original "Vanishing Point" was such a thrilling, psychological adventure; this is not an adventure at all, and is not enjoyable or entertaining whatsoever. This was made from a by-the-numbers approach to film-making, stuffing in plot points that someone in Hollywood believes will please what they see as today's film-going audience. Basically, they see us as a bunch of idiots. It's insulting that someone will put this out as a feature film, and even attempt to remake a cult classic this sloppily. The manipulative plot devices, the "make-it-obvious-so-they-don't-miss-the-point" aspects, ridiculous dialogue, stereotyped characters, amateurish direction...This is plain bad....

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