Van Diemen's Land

2009 "Hunger is a strange silence"
5.9| 1h44m| en| More Info
Released: 24 September 2009 Released
Producted By: Noise & Light
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Budget: 0
Revenue: 0
Official Website: http://www.vandiemensland-themovie.com/
Synopsis

The true story of Australia’s most notorious convict, Alexander Pearce and his infamous journey into the beautiful yet brutal Tasmanian wilderness. A point of no return for convicts banished from their homeland, Van Diemen’s Land was a feared and dreaded penal settlement at the end of the earth.

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Reviews

Nonureva Really Surprised!
Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
vikpk One star for the opening scene - promising, bedazzling view, along with a somewhat mysterious Irish narrative...And that is it. They should have ended it there to save their reputation. What follows is beyond comprehension - slow paced, boring, badly directed one-dimensional flick... There is nothing original about the story... actually there is no story. Eight criminals escape from a labor camp in Tasmania in the early 19th century. Stupidly, and under the circumstances, they don't want to go back, so they proceed with their escape into the uninhabited forest. And begin to kill and eat each other. One is left in the end, winning the cannibalism contest. And why is this story worthwhile a whole feature film? What amazes me is the fascination of the writers and directors with human depravity and degradation which somehow then ends up being glorified through the cinema art form. Of course they will eat each other -- they are criminals after all. Noble things don't come easy to these guys, how much deeper can you go? To this film's sick fascination with cannibalism we must add such enlightening bonuses as male nudity, foul language, violence and gore, and jokes about it and some god dancing with an ax as a final line... torturous experience for the viewer.
Siamois Despite moving at a slow pace and sometimes lacking in exposition, Van Diemen's Land is an impressive film. The story of Alexander Pearce's escape, along with 7 other convicts is gut-wrenching, especially when we take into account it is inspired by a true story (to which extent, we may never know). As soon as the movie begins, you are hit by jaw-dropping cinematography that definitely takes you in this very different place and time. Silences and sounds are used to good effect and the minimalist score is wonderful yet bleak. The movie does not rely on much dialogue and at times, suffers a little from thisThe characters are very life-like, even if they aren't sketched very clearly to start. You learn who these men are and what each is capable of over the course of the movie, which becomes increasingly bleak and permeated with a strange sense of evil. Not a cartoonish Hollywood-like evil but rather, the terrible things men can do and the group dynamics displayed when acts of cruelty are done. The narration by the character Pearce did not work all that well for me, and the movie felt a tad long to me due to its slow pace but this was an uneasy viewing. The genre listed on IMDb is "thriller" but this felt much more like a very, very gruesome drama. This is a film bordering on horror themes. Do not expect flashy scenes of action and clear cut good guys against bad guys.Worthwhile, even if somewhat depressing
kosmasp This is based on a true story and although I'm not to fond when movies come along with tags like that, I really liked this one. It is slow moving though and I had a bit of trouble following the movie after 20 minutes. Actually I should say, I didn't know where it was moving to ... but this is a good thing! So as you can imagine, I didn't know the true story behind this movie and if you can, don't read anything the movie or it's origin and just watch it to be surprised. Be prepared though, because not only is it slow moving, there isn't happening that much during the course of the movie. But besides being a weak point (for some), it also can be the highlight for others! I think the movie, wouldn't have worked, if it had been spiced up. I like how it creeps up on you ... So if you haven't watched it yet, either be warned or watch it to be "thrilled" (depending on what you like in a movie).
wirrrn Just saw this brilliant, grim little piece of Australian Gothic the other day as part of the 12 Perth Annual Revelation Film Festival here in West Australia.As a Forensic scientist and a horror movie buff I have both a professional and personal curiosity regarding cases of anthrophagy/cannibalism, and the Pearce case is a fascinating one- clearly the Australian public/movie industry think so too- there are currently three films and a book about Pearse, all released within the past few years. Auf Der Heide has crafted the best of all the Pearse projects- stark and uncompromising, the film doesn't shy away from the brutal fates the eight convicts escaping into the Tasmanian outback suffered- the men butchered for meat don't die quick and easy, as in many a Hollywood film. Nor is the film a gratuitous, relentlessly grim affair- there are moments of eerie, quiet beauty- a soon-to-be-victim kneeling and waiting for the axe, stares up and out at the thick, green beauty of the rain forest around him; a sequence filmed on a hillside drenched in torrential rain, and Pearse's Gothic, Gaelic-language narration: "I have looked up at God looking down; he dances with an axe in his hand..." Brilliant film- beautifully directed, filmed and acted- with Mark Leonard Winter, in particular, a real stand-out as Dalton.