Plustown
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Aiden Melton
The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Lachlan Coulson
This is a gorgeous movie made by a gorgeous spirit.
marieltrokan
The importance of unimportance deserving importance, is the unimportance of importance deserving unimportance.Importance is reality. The reality of non-reality deserving reality is the non-reality of reality deserving non-reality.Non-reality is fantasy. The reality of fantasy deserving reality is the fantasy of reality deserving fantasy.The fantasy, of reality deserving fantasy is reality not deserving fantasy. Reality not deserving fantasy is reality being unworthy of fantasy. Reality being unworthy of fantasy is being worthy of fantasy.Being worthy of fantasy is not worthy of fantasy: reality being unworthy of fantasy is unworthy of fantasy.Unworthy of fantasy is not unworthy and not fantasy. Unworthy of fantasy is worthy and reality. Reality being unworthy of fantasy is worthy and reality.Worthy and reality is not reality and reality. Worthy and reality is fantasy and reality. Fantasy and reality is reality being unworthy of fantasy. Reality being unworthy of fantasy is fantasy being worthy of reality - fantasy and reality is fantasy deserving reality.Deserving reality is not deserving and not reality. Deserving reality is fantasy being wrong. The fantasy of fantasy being wrong is the reality of reality being right - the purity of reality being right.Fantasy and reality is the purity of reality being right.The purity of reality is the impurity of fantasy; the impurity of fantasy is a fantasy that's corrupt.Right and wrong is a corrupt fantasy being right.A corrupt fantasy is a corruption that's innocent. A corrupt innocence is an innocent violence. Right and wrong is innocence and violence: innocence and violence is the morality of an innocent violence.An innocent violence is the illusion of violence and the illusion of innocence. An innocent violence is the reality of innocence and the reality of violence. Innocence and violence is the morality of violence and non-violence.Violence and non-violence is the morality of violence and non- violence.Violence is incapacity. Non-violence is capacity. Capacity and incapacity are the morality of capacity and incapacity.Morality is capacity. Capacity and incapacity are the capacity of capacity and incapacity.Ability and inability create ability and inability. Impossibility creates impossibility - possibility doesn't create possibility.The status of morality is preserved, because the privilege of freedom has been restricted to immorality.Morality beats immorality because morality has forfeited its right to freedom
Mihai Toma
An apparently happy and complete family with a child is about to face its biggest challenge yet when the mother stumbles upon a charming stranger to whom she is attracted. Slowly, their relationship begins to dangerously evolve, obviously pleasure-wise, while the husband becomes more and more suspicious. Their whole marriage will be put to the test multiple times but will it actually hold up, regardless of the infidelity?It's a movie which, as its title suggests, presents an unfaithful wife which falls for a complete stranger while her family is increasingly neglected. The plot is pretty straightforward, with a brief presentation of the family, then suddenly moves to the cheating part, presented with great detail and sensuality. It keeps it this way until about half of its length, when it changes the course of events with a very unexpected twist, which alters the course of events dramatically, bringing much amazement, but not in a good way. From there, everything becomes a true torture for the characters, but also for the viewer, which is forced to watch their destroyed lives struggle more and more until the moment when everything is revealed.I have to tell that while I liked the first half, although it has a pretty inexplicable intrigue, but the second one was completely wrong on so many levels. From the moment of the twist, which is as wow as it is mind boggling, everything falls to pieces, both in terms of story and viewer likeness. The characters tend to undertake a series of head-scratching decision, which ultimately leads to a very unsatisfying finale which doesn't bring anything good. It leaves everything sort of hanging, allowing the viewer to imagine the actual ending, fact which I dislike. The characters, while well described and developed, tend to do inexplicable actions which alter the course of events, the biggest one being the one from the intrigue. From the little that was presented in the beginning, the wife had absolutely no reason to betray her husband, who seemed determined to do anything for their family. Add to the equation the event from the twist and you end up with a spoiled plot which apparently doesn't lead anywhere and seems to have no consequences whatsoever. It became boring and predictable, facts which are unacceptable in this type of movie.Overall, I consider this film a missed opportunity. It presents an interesting idea with which its starts and which it develops, but it manages to spoil everything with a couple of stupid decisions which, to make it even worse, do not bring any consequences. It had good actors and sensual moments which made the first part quite enjoyable, but the second one was almost unbearable, making it a below-average movie which can be easily skipped.
mashasherifa
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Leofwine_draca
This is a suspenseful remake of a '60s French movie with plenty to recommend it: excellent acting from all the leads; a thrilly, twisty plot that keeps you guessing far past the initial set-up, and enough tension to fill two or three other average movies. The film boasts fine direction from Adrian Lyne and great camera-work, giving it a polished, professional look. Production values are spot-on and the music is particularly emotional/suspenseful.The focus here IS on the emotions, as the members of the central love triangle each face devastating consequences as a result of the love affair. Diane Lane, as the emotional heart of the film, is very good indeed (why haven't we heard of her before?) whilst Olivier Martinez is suitably dashing as the French bookseller. However, it's an understated performance by Richard Gere which holds the whole film together, making the last half an hour particularly tense and impressive. All over, this is a top-notch movie which never lets up for a second.
