Two Tickets to Broadway

1951 "Get set for a Racy Romp up and down the Big Street!"
5.5| 1h46m| en| More Info
Released: 20 November 1951 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A young woman (Janet Leigh) leaves her small hometown in Vermont and travels to New York City with hopes of becoming a Broadway star.

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RKO Radio Pictures

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Reviews

Vashirdfel Simply A Masterpiece
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
tavm After years of first reading of this movie in a Laurel & Hardy filmography book (They were supposed to appear in this but Stan's illness after Atoll K prevented it. They were replaced by Smith & Dale who I had never seen before.), I finally watched this on a DVD I checked out from the local library weeks ago. In summary, it was quite enjoyable on its own merits though it seemed a bit long during the last 30 minutes when a bit too many numbers were being performed. Still, I liked Tony Martin's singing, at least when he went for more pop tunes though I was amused when he performed "There's No Tomorrow" which would later become Elvis Presley's "It's Now or Never"! Also pretty entertained by Janet Leigh's singing and dancing. Interesting fact: One of Ms. Leigh's early films was a straight part in Words and Music which was supposed to be a bio of Rodgers & Hart where Mickey Rooney performed "Manhatten". Here it's performed by her and Martin with some added lyrics mentioning "South Pacific" which was a current musical by Rodgers & HAMMERSTEIN! She's not bad doing either singing or dancing which was choreographed by the legendary Busby Berkeley. The best dancing is by Ann Miller, of course, every time she spins and taps up a storm! Eddie Bracken and Gloria DeHaven are the comic couple and they're quite funny throughout. I also liked a funny number concerning Bob Crosby and his famous brother who appears as a mannequin but then comes to life at the end though we don't see if that actually was Bing by that point though it certainly looked like him from behind! As for Smith & Dale, well, I thought they were funny enough though part of me can understand why they didn't make too many movies during their lifetime. In summary, I mostly enjoyed Two Tickets to Broadway. P.S. That Indian number at the end is definitely not politically correct today!
Andrew Schoneberg Designed partially as a showcase for RKO owner Howard Hughes girlfriend, Janet Leigh. Hughes could afford to import quite a lot of first rate talent in the effort, mostly from best in the musical business MGM. Current or former MGM talent included Leigh, Ann Miller, Gloria DeHaven, and Tony Martin, along with musical number director Busby Berkeley. Leigh proved herself competent as a singer and dancer, and is certainly pleasant in personality and a pleasure to look at.In the musical numbers featuring the four "girls", Gloria DeHaven is the standout (sorry Ann Miller fans). DeHaven sings superbly, handles the dancing with aplomb, has just the right mix of charisma, humor, sincerity, and takes a back seat to no one in the beauty department.I thought the musical numbers well staged and mostly very pleasant (exception the very banal Pellican Falls school song). The comedy of Smith and Dale, I could live without, if you'll excuse the expression. And Eddie Bracken is too frenetic and broad in his comedy for my taste.Though none of the songs became a standard, a couple are excellent; I especially enjoyed "The Worry Bird", and "The Closer You Are" has a gorgeous melody.All in all, the film is the equal of many of the lower budget MGM musicals, and that ain't bad at all.
vldazzle Tony Martin was the only singer/actor who I EVER had a crush on, so I totally disagree with the reviewer who said that he's only fit for gangster roles (REAL women don't want a man who looks pretty like a woman)! I graduated HS in 1955, so I was younger than Janet Leigh in 51, but I loved his big hit "I get ideas". As to the film, he did not look as good as I remember in publicity pictures (there was not the extent of distribution back then so I do not remember ever seeing him in film). I agree that his acting was not superb, but not much worse than Gene Kelly, tho' the dancing could be better. In those days the studios tried to make their people as versatile as possible. I think I'll save this one on DVD just for old times sake (of my old crush) because (with that "Big Chief Hole in the Ground" musical number), it will probably not get much exposure in the future. It is not at all PC (it's almost offensive even to me). It is surely offensive to native Americans.
didi-5 I hated this film when I first saw it, perhaps thanks to a truly embarrassing performance from Tony Martin (a good singer but not the world's greatest actor). Janet Leigh, Gloria de Haven, and Ann Miller want to make it big in show-business, and come through their vaudeville roots to stage a revue that they hope will be taken up by the Bob Crosby Show. There's some pretty good musical numbers along the way but the film creaks and drags badly in some sections (although the girls are consistently good). Crosby has a number all about 'brother Bing' which is fun. And there's a good support role from Eddie Bracken.On subsequent viewings I have warmed a bit more to 'Two Tickets to Broadway'. It isn't all bad and there are certainly musicals out there which are worse. But I still can't watch Tony Martin in a number in Indian dress without cringing ...