VeteranLight I don't have all the words right now but this film is a work of art.

Platicsco Good story, Not enough for a whole film

Beanbioca As Good As It Gets

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

jmillerdp I'm not sure why this film is rated so low on IMDb. Maybe it's just considered hip to do so, or it's just people following the crowd.This is actually an excellent thriller! And, what makes it so good is the dispassionate way it goes about its story telling. Its characters are cool in temperament, doing their jobs carefully and surgically, lending a great deal of authenticity to the high concept: A sniper has taken position to fire on unknown patrons at a Super-Bowl-type game.This approach extends to the chilling finale, which you will have to see for yourself. It is impressive and spectacular. And, the ending is unique from a character perspective.The film is made very well, from direction to script to acting. And, the crew does very well too, including cinematographer Gerald Hirschfeld, who especially mounts some awesome images in the finale. And, Charles Fox, who comes up with a chilling, dissonant theme of sorts for the sniper, and shows excellent judgment in when to provide score and when to not.This thriller is recommended for those who love taught, realistic, albeit violent, films.********* (9 Out of 10 Stars)

Chase_Witherspoon A sniper is spotted perched atop the scoreboard at a super bowl-type NFL event giving police captain Heston and his allies headaches as they attempt to covertly subdue him without risking a massacre of the fans below, oblivious to the impending danger.This is a real sleeper - slow to boil, but when the temperature starts to rise, the tension is palpable and the whole film lifts a notch in all dimensions, from the heart-pounding race to neutralise the threat (SWAT style), to the incidental characterisations deepening (Janssen, Rowlands and Bridges in particular have some strong dramatic scenes).Heston is very restrained, and well supported by the sly Cassavetes, an assured SWAT leader, Balsam as the stadium manager, Klugman as a hopeless gambler, Mitch Ryan as a priest, Janssen and Rowlands as a rocky couple, and even Walter Pidgeon in a virtually mute role as a pick-pocket. Film buffs might also enjoy seeing Robert Ginty, Carmen Argenziano, Harry Northup, Forrest Wood, JA Preston and sexy Brooke Mills in bit parts (among others).Director Peerce's plotting is deceptive; it's a shrewd build-up, just a smattering of clichés and the occasional nonsense, but it can all be forgiven with a climax you won't soon forget. Don't let the sometimes soporific first half deter you from persevering, it's an unorthodox approach, but you'll be rewarded.

ma-cortes Thrilling and entertaining disaster movie but full clichés and stereotypes with enjoyable performances from Charlton Heston and John Cassavetes . This catastrophe movie blends action , intrigue , disaster spectacle, suspense and emotional byplay . ¨Two-minute warning¨ was a successful film that grossed at box office . A psychotic sniper wielding a rifle with telescopic sight plans a massacre during a major championship game . The two protagonists , the police Captain Peter Holly (Charlton Heston) and SWAT commander Sergeant Button (John Cassavetes), learn of the plot and spend most of their time devising various ways for avoid to psychopath sniper carries out his aims : a massive killing spree in Los Angeles football stadium filled to capacity . As our heroes get stuck in the stadium before it blows up and when slaughter takes place they go into action ; as they pay tribute to policemen . There takes place a struggle between two forces , the cops and the sinister assassin and ultimately erupts when the crowd turns almost effortlessly and devours itself in a climax of panic . Exciting film that contains noisy action , unsettling scenes , thrills , emotion and turns out to be pretty entertaining . This formula suspense movie belongs to catastrophe genre of the 70s , being the undisputed king , ¨The towering inferno¨ along with ¨Earthquake¨ , ¨Roller coaster¨ and many others ; this formula disaster movie was widely developed by Irwin Allen , previously winner of numerous Oscars for ¨Poseidon¨ until the failures as ¨Beyond Poseidon¨, ¨Swarm¨ and ¨When the time ran out¨ . ¨Two-minute warning¨ results to be an intriguing and suspenseful film , there was a later version released that had footage not shown in theaters , in the original theatrical version, the sniper's motives were not known. In the later television version, it was revealed that the attack was done to cover an art robbery next door . Filmed at the height of the disaster genre from the 7os , this entry in the spectacular series profits of a strong acting by starring trio Charlton Heston , John Cassavetes and Martin Balsam . Succeeds in combining various talented actors , an all star cast came together that tie for film's top casting honors ; furthermore a top-notch secondary casting such as Gina Rowlands, Beau Bridges , Jack Klugman , Marilyn Hasset , Pamela Bellwood , Mitch Ryan , Brock Peters, David Janssen and Walter Pidgeon as a pickpocket who formerly co-starred in 'Harry in Your Pocket' , a film about pickpocket s. This edgy , paranoid film was deemed too violent to show intact on broadcast television, so they re-wrote the story and added a heist element , the re-written material minimized both the main storyline and the subplots . Colorful and gripping photography in Panavision by Gerard Hirschfeld , including persistent high-angle shots , subjective camera-work and use of long lenses . Intriguing and atmospheric score by Charles Fox . This big-budgeted disaster movie was professionally though coldly directed by Larry Peerce , an usual TV movies director . Rating : Good and entertaining , it's a fairly watchable disaster movie.

political-terror I just watched Two Minute Warning on DVD, and believe the film can be viewed from two different perspectives, either as a schlocky popcorn flick or as I prefer a stinging indictment of the American dream.The film presents a collection of reflective ciphers of or chasing after: The American dream, set against a backdrop of an important Super bowl game which acts as thematic frame upon which to hang parallel characters. The sniper is a metaphorical cultural surgeon, as the film opens with him snuffing out a middle-aged cyclist, replete in synthetic modern tracksuit, the cyclist is of course still chasing after the American dream. An injury burnt ball-player with vivacious young and demanding girlfriend can be viewed as a dream casualty; initially hungry exploiter now almost exhaustively exploited for the purpose of entertainment to which American football occupies one of many sporting dream pinnacles.Jack Klugman is desperately chasing his vision of the dream via high risk stakes gambling, with money which is not his own, putting his life at risk as he literally tries to get rich whilst almost dying, trying. Then we have David Jansen and his girlfriend who are entangled within a tired and respect-less relationship with Jansen more interested in running off to Las Vegas for some gambling after he proposes to his beleaguered girlfriend with what in all probability will be a quick and doomed marriage.Archetypal young family guy: Beau Bridges heads the prototypical dysfunctional family that decades later would be fodder for: The Jerry Springer Show, as we witness father chastise his barely long haired youngest son for being wise when the kid rebukes his dad's imposing conservatism with "everyone can see" in response to being told that his hair is too long. Bridges later attempt at model citizenry by informing the police that there is a sniper in the coliseum backfires on him with the brave boys in blue attempting to cart him off somewhat ambiguously for further questioning, do the police believe he may be a suspect in cahoots with the sniper or are they just trying to stop a panic situation, too late, as by this point the dream culture cleansing has begun with Jansen's girlfriend arbitrarily spared a prolongation of their mutually unsatisfying relationship.The enclosed and insulated television crew, media spinning the ball-game with their customary brand of all-American labelling; as we are all too aware of today, their egos quietened as the carnage unfolds; reality crashing through their subjectively controlled and packaged, vicarious version of reality. An unsuspecting long haired teenager who has clambered up, out of the designated seating area makes himself a target of the now twitchy, prior hung-ho, swat boys who heavy handedly remove him from his perch, upon suspicion of what may be contained within his rucksack, triggering fear that he may be the snipers accomplice; supplicate topical paranoia. Long-haired young men do not fit the profile as signed up card carrying pursuers of the American dream.Assorted ill reflections upon the dream pop up through-out the picture. Robert Ginty (who would later play a similar kind of Exterminator) as the happy-go-lucky yet avaricious novelty hat seller who fleeces cash-strapped Bridges, embarrassingly obligated to fulfil expectations of the dream when his youngest son announces that his father has no money; plays out the father to son baton handing of the dream, be who you want, have what you want, when you want it.The lone alcoholic proffering his poison for the solicitation of Jansen's eager to facilitate lady-friend, her eye on her dream, garments of wealth and prosperity, coverting her true longing. The respectable looking Walter Pidgeon failing to pickpocket the film's singular paid up ball-game viewer to be held in esteem by the filmmakers, that of a doctor beguiled by a female onlooker acting as chaperon to an insecure male counterpart who wishes not to be seen in public without requisite female date, trappings of his American dream. During the ensuing human crush we witness said doctor saving the life of his new found lady fan; clinging to life from a stairwell of white concrete.The sniper's supposed target, that of the man who sits atop the American dream, never arrives. When the bullets begin raining down on this most veneer thin picture of national conservative pride the true spirit of American humanity bulldozes through in an everyman for himself helter-skelter stampede; as a supposedly civilised gathering reverts back to the days of the rush for land the gold rush the oil rush the arms rush the space rush the global greed rush of collapse.Little wonder why this film bombed on its theatrical release, striking a deep resonant chord within the American psyche. Witness today American's on IMDb's discussion boards label up the film with outraged impotent cries of "Utter Crap" The picture of themselves reflected back through this now time-capsule piece of effective culture and ideal mirroring.What of Charlton Heston I hear you say, well he represents moderate conservatism, committed by a sense of duty, but willing to provide the trigger happy swat'ers their neccessitation for existence of pumping lead kicks' as a final solution. The larger than life Heston is surrounded by this carnival of human frailty.