Tonight We Sing

1953 "The greatest treasure of entertainment in your lifetime!"
6.2| 1h49m| en| More Info
Released: 26 January 1953 Released
Producted By: 20th Century Fox
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Budget: 0
Revenue: 0
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Synopsis

Tonight We Sing is a 1953 musical biopic film, directed by Mitchell Leisen, based on the life and career of the celebrated impresario Sol Hurok. It stars David Wayne and Ezio Pinza.

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Reviews

Karry Best movie of this year hands down!
KnotMissPriceless Why so much hype?
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
G. Pollen When I first saw this film in 1953, I was 14 years of age. The violin playing of Isaac Stern so impressed me that I applied to join the school orchestra the next day. Within a year, I won the school's music prize. I joined the British Army's band and served a full 22 years. I now arrange music for Concert Wind Band and orchestra. It's a delightful film full of superb performances by artists, sadly, no longer with us. It has remained my favourite film all these years. 20th Century Fox have finally brought the film out onto a DVD (and not before time). The story is very loosely based on Sol Hurok - with Hurok as the film's adviser, I would imagine you see only what Hurok wanted you to see. Still, a very enjoyable film and well worth getting the DVD, if only for the superb performances of Isaac Stern, Roberta Peters, Ezio Pinza and Jan Peerce.
TheLittleSongbird I adore opera and classical music in general, and after seeing Ezio Pinza singing "the Coronation Scene" from "Boris Godunov" featured on the documentary "The Art of Singing:Golden Voices of the Twentieth Century" I told myself I must see it. The result is a flawed but very underrated musical biopic based on the life and career of impresario Sol Hurok.The story I do admit is a little schmaltzy and occasionally uninteresting, the script sometimes feels a little cobbled together and the film does start off a little slow. But the performances, production values and especially the music more than make up for any misgivings.The film is in general beautifully shot, the cinematography is very nice and the sets and costumes in especially "the Coronation Scene" are colourful and lavish. The music is extraordinarily delightful, one review summed it up perfectly, it really is a treasure trove. "Boris Godunov" and "Faust" are operatic masterpieces, and "The Dying Swan" was close to heart-rending.I for one liked the performances. David Wayne may initially be an unlikely choice for Sol Hurok, who as an impresario had exceptional talent, but he still manages to do something special with the role. The scene with him causing a scene about the big dinner bill was quite amusing. Anne Bancroft is lovely as Emma Hurok, and Isaac Stern plays with sensitivity as violinist Eugene Ysaye. Tamara Toumanova dances with real grace as the legendary Anna Pavlova, and Roberta Peters and Jan Peerce sing beautifully.My favourite though was Ezio Pinza's Chaliapin. Pinza was a wonderful bass, evident in Don Giovanni, with a rich noble voice and imposing stage presence. He sure had a lot to live up to, as Chaliapin quite rightly was a singing legend, who along with Boris Christoff is considered the definitive Boris Godunov. Pinza sang and acted beautifully, his singing as always was sublime in such a demanding and dramatic role.Overall, this is a very good and underrated film. 8/10 Bethany Cox
edkindred I was sixteen years old when I saw this movie and was enthralled with the singing of Pinza, Peerce and Peters. It was hard to sit still to the playing of Isaac Stern. Anne Bancroft was lovely to look at, maybe a little wooden then but this was a terrific experience. I wish someone would discover a print and at least show it on the tele.
jamwood The movie itself is pure schmaltz (exemplified by tenor Jan Peerce's voice emanating from the face of a "Hollywoodier" actor), but the music is a treasure trove. The great Pinza portraying the great Chaliapin! One legend playing another? Not to mention Isaac Stern as Ysaye, and Toumanova as Pavlova. Wow! I know my Moussorgsky, and Pinza's extremely rare outing in the Russian original of "Boris" is impeccable. Best of all, I have heard a dozen versions of the final trio from Gounod's "Faust," including the thunderous Christoff-Gedda-de los Angeles rendition, but the Pinza-Peerce-Peters tour de force in this movie leaves me gasping for air. A travesty that no video is available. Someone on the Internet offers a print for $400+, but I neglected to bookmark and cannot relocate the source.

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