Tiresia

2003
6.2| 1h55m| NR| en| More Info
Released: 11 November 2003 Released
Producted By: Canal+
Country: France
Budget: 0
Revenue: 0
Official Website:
Synopsis

Based on the legend of Tiresias, it tells of a transsexual who is kidnapped by a man and left to die in the woods. She is then saved by a family and receives the gift of telling the future.

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Reviews

Evengyny Thanks for the memories!
Konterr Brilliant and touching
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
galadriel-loth ***SPOILERS***Very loosely based on the Greek myth of Tiresias, Tiresia is a non-op transgender woman and prostitute. The plot is really harrowing. Tiresia is forced into prostitution by her own brother, kidnapped by an "admirer" who is apparently a rose-loving priest, tied up, isolated, blinded by her captor having her eyes punctured with a sharp instrument, dumped and left for dead, nursed back to health (albeit permanently blind) by a young woman who eventually turns out to be an opportunist, and finally killed by the apparently-selfsame priest. Through all of this vile treatment, she tries to make the best of things. In return for her inhumane treatment, the gods grant her a gift. I don't feel this movie had much to say. It just seems to be a catalog of atrocities visited on a human being. There are some inaccuracies concerning the transgender experience - or at least she is not typical of transgender women - in that I don't believe even a blinded transgender woman would wish to have her hair cut or wish to discontinue hormones and live as male or even androgyne. It is not clear that transgender Tiresia is in fact transsexual per se, but she is constantly referred to as transsexual. (She is not a transvestite though, since she takes hormones.) The movie is haunting, and it does not demean transgender people and Tiresia will be a sympathetic character to many, if only because she is a victim who, mostly, refuses to let this define her, a person who tries to adapt.
digiroud I'll never forget this movie I've seen with my boyfriend by chance, one night, on cable TV. Beginning with the highest symphony ever made (Beethoven's 7th), a burning volcano, then the cold and frightening voice of Lucas (one of the best french actors)...you just have to let yourself go in this symphonic movie, in between calm and tough unexpected moments of violence. So you stay nervous till the end, and even if you know a part of the key of the mystery before its end, it doesn't matter, as the actors keep you under their control. I wont tell more about this piece of pure art, to keep its secret. Just watch it, no matter where and how !
writers_reign Other than good, bad or indifferent it's difficult to classify this one. Okay, it's based on a Myth so the director needs to find modern equivalents but this still leaves unanswered questions. Number one must be why Laurent Lucas picked this particular hooker to kidnap. There's no indication that they had met previously and by extension that Laurent would know Tiresia was a pre-op transsexual. Number two, why do none of her hooker colleagues come looking for her and/or report her missing; given the precarious nature of sex-with-strangers it's reasonable to suppose that hookers write down and/or memorise the numbers of the cars they and their colleagues get into. Number three, where does Lucas get his money? He appears to have no job yet lives in a large several storey house - albeit dilapidated - and drives a car without a visible source of income. To these can be added others such as what, if any symbolic meaning has the hedgehog in Laurent's garden which he is constantly feeding and why - other than the fact that it fits the original myth - does he opt to blind Tiresia rather than killing her outright or breaking say an arm or a leg. Then we can throw in why does Laurent double the role of a priest in the second half of the film. Though I kept watching til the end these and other questions punctuated the viewing throughout, not the best sign for a filmmaker whose objective surely is to make you forget you're watching a film.
scott182-1 Why did this film keep me up until 6 AM this morning?? Why is this film still playing over in my head? The plot(based on a Greek mythological tale) in itself is conceptually humanistic, and decidedly modern in its themes. The plot plays out in a modest tempo, allowing the viewer to soak it all in. The film has a multitude of richness. Something shines, something shocks, something frightens, something speaks, something is seen. One of the most interesting works of cinema I have seen in a number of years, Tiresia is a challenging, disturbing yet rewarding watch. The visual language is compelling(some scenes are staged to look like an oil painting painted by Velasquez taking a surrealistic turn, others look like sketches from a Dali nightmare) but the real heart of the film beats out of the sublime performances. Brave actors who put their bodies and soul on display. Parts of the film leave you feeling voyeuristic, like watching something you know you shouldn't be but can't turn away from. Highly Recommended for those who prefer a steak of a film to a bucket of stale popcorn.