Times and Winds

2006
7.3| 1h51m| en| More Info
Released: 29 September 2006 Released
Producted By: Atlantik Film
Country:
Budget: 0
Revenue: 0
Official Website: http://www.timesandwinds.com/index_eng.html
Synopsis

In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.

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Reviews

Hellen I like the storyline of this show,it attract me so much
Cubussoli Very very predictable, including the post credit scene !!!
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Pierre Radulescu A tiny poor village of a few hundreds, surrounded by rocky cliffs. Goats and olive trees, as everywhere in the region. The Black Sea can be seen from the cliffs, having the changing color of the sky, gray when it's windy, blue when it's sunny. Poverty of the place continuing in the majesty of the landscape, village life mastered by the moods of nature. The five times of prayer, midnight, morning, noon, afternoon, evening, are just brief moments to realize that you are at the mercy of what time brings.This is Kozlu, the birthplace of Turkish director Reha Erdem, and Bes Vakit (Times and Winds, made in 2006) is about this village and these cliffs, about the moods of weather and the times of prayer, and about these people.It is a movie full of love for this universe while devoid of any sentimentalism. The magnificent surroundings, the cliffs and the sea in close distance, pictured with awe, the poor village pictured with love, you feel this tenderness flowing from the screen; where the movie becomes unsentimental is when picturing the moods of people. They are his people, the guys of his village, the director is one of them, it is his universe. It is here love and lucidity. From the elders to the young, they are too challenged by these times and winds, to find space for kindness to one another. The elders are authoritative to the point of arbitrariness, the children grow up feeling the unfairness of the elders, hating them, childishly wishing their death. Three children of some eleven, twelve years are the main characters of this movie. On the threshold of puberty, a coming of age through frustration and resentment, balanced eventually by the miracles of nature they are witnessing. The unexpected coming and going of storms and winds will slowly teach them about the relativity of everything. The animal mating will be an abrupt lesson about the ultimate simplicity of love. The birth of a baby will show them the beauty of life despite all odds. The approaching of death of the father will make the boy suddenly and painfully realize what fear means, the terrible fear of loosing his father, how stupid his hate has been, his wish to see him dead.
gradyharp BAS VAKIT (TIME AND WINDS) is less a narrative film than a suspended contemplation on the cycle of life, the passage of time, and the persistence of family traits. It is a work from Turkey of rare beauty visually, musically, and natural grandeur. Writer/director Reha Erdem is a poet as well as an accomplished filmmaker. Three young children are approaching the torrents of adolescence, each carrying emotional scars and family histories that will forever alter the way they reach adulthood. Omer (Ozkan Ozen) is the son of the local imam who climbs the minaret five times a day to chant the call to prayer: Omer's younger, smarter brother is favored by the father and Omer copes with the loathing for his father by planning his death. Yakup (Ali Bey Kayali), Omer's closest friend, has a crush on his teacher (Selma Ergeç) but is deeply disillusioned when he spies on his own father (whom he has always defended against his grandfather's abuse) attempting to court his teacher. Yildiz (Elit Iscan) is a girl under-appreciated by her mother and is stunned to overhear her parents coupling. The three children attempt to engage in a normal childhood, reacting tot he beauty of the natural surroundings of their poor little village to the point of learning animal husbandry first hand! They befriend another young orphan Davut (Tarik Sonmez), the town shepherd, when he sustains physical abuse from his guardian. The sensitivity of the children's reflections of their parents' maladaptive behavior creates a bond that sustains their daily trials. There is not a lot of narrative here, but the sensory pleasures of the film are immense. Divided into sections labeled Night, Evening, Afternoon, Noon and Morning, the film follows the marriage of the calls to worship that clock the lives of these people with the atmospheric cinematography by Florent Herry and embellished by the sumptuous musical score by Arvo Pärt. It is a long film (just short of two hours) that takes its time to unfold the mysteries of coming of age and it is a film that will haunt the viewer long after the credits have ceased. In Turkish with English subtitles. Grady Harp
Howard Schumann Two pre-teen boys and a girl endure pain caused by the inbred generational habits of their parents in Reha Erdem's minimalist Times and Winds. Set in the remote village of Kozlu in Northern Turkey overlooking the sea, the film reflects the traditions of the culture in which it occurs, showing how parents repeat the mistakes of their own parents and those that came before them. Times and Winds is shown in five parts beginning with night and ending with morning, mirroring the daily time that is divided by the sound of the call to Salah, the compulsory ritual prayer, performed five times each day after ablution. The film stresses the importance of religion and prayer in the life of the simple villagers but it is apparently not enough of an influence to prevent them from mistreating their children.Omer (Ozkan Ozen) holds feelings of bitterness towards his father, the local imam, who not so subtly favors his brother and is not hesitant to say how much smarter the younger boy is. Omer dreams of ways to kill his father – opening the window over his bed so his cough will worsen, emptying the capsules of the medicine he is taking for his illness, pushing him over a cliff, or simply getting together a group of local scorpions to pay him a visit. Omer's best friend Yakup (Ali Bey Kayali) is upset when he sees his grandfather constantly demean his father, calling him useless and lazy. Yakup also has a crush on his teacher (Selma Ergec) and refuses to wash the thumb that is stained with the teacher's blood from a foot mishap. When the boy sees his father furtively peeking into the window of his teacher's house, he is devastated.The boys' female cousin, Yildiz (Elit Iscan), has a strained relationship with her mother who favors her younger sister and uses her as a household slave. Though sexuality is barely touched on in the film, Yildiz is brought to confused tears when she hears her parents making love. Other scenes show the children's embarrassment when they watch animals mating in the field, reminiscent of the film Japon by Carlos Regadas, whose poetics seem to have been an influence in this film. Another boy, Davut (Tarik Sonmez), an orphan who is the town shepherd, shows the scars on his back to the town council after he is physically beaten by a villager, but can only cringe when they tell the offender that what he did was wrong but exact no punishment.Times and Winds has a poetic look and feel with beautiful pastoral scenes of the Turkish countryside in summer captured by cinematographer Florent Herry, but shots such as the children sleeping outdoors are repeated once too often to maintain interest. While the music of Arvo Part lends atmosphere, it is overly dramatic and is used to the point where it becomes irritating and distracting. In a film of this nature where there is little narrative drive, it seems that the ambient sounds of nature would have better served the director. Times and Winds has strong performances from its non-professional cast and contains some poignant moments that can be powerful, but Erdem seems to be trying too hard and the film lacks flow and the kind of emotional pull to make it truly memorable.
woodvillelite-1 On day 6 of our Toronto Film Festival I have found my gem of the year. Last year it was "Cafe Transit" and this year "Times and Winds".Story follows several preteens in a small Turkish village. One boy imaginatively plots his father's death who mistreats him, one boy loves the village school teacher, and one girls life will change with the pending birth of new sibling. It is a story of the death of innocence meaning childhood and the journey into responsibility and adulthood. If I heard right, (??) the director said he either lived there/grew up in that village at one time. The child actors are wonderful for first roles. I seriously loved this film, very gently moving at most times with moments of the harshness of life thrown in.Also, movie is originally titled Times Five (or Five Times) which indicates the times they go to pray but they went with Time and Winds for the English translation.This was the 3rd Turkish film I have seen this year and can't get over the spectacular scenery in all the films. Makes you want to go to Turkey on a holiday.