Exoticalot People are voting emotionally.

ChanBot i must have seen a different film!!

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

a_chinn Although not Robert Mitchum's best film (that would be the brilliant "Night of the Hunter" or "Out of the Past"), but it's one of my favorites of his films. Mitchum plays a moonshine runner (think a young Boss Hogg and Uncle Jesse) caught in the middle of moonshine war with the mob and some hard-nosed feds. The film was co-written and produced by Mitchum, and is rumored to have also directed much of the film. He also sang the film's theme song! The film had a chance to be even cooler with the part of Mitchum's kid brother being written for Elivis, who reportedly wanted to appear in the film, but Colonel Tom Parker demanded a huge salary that exceeded the entire budget of the small production. If you have to ding this very likable film, the story is a pretty corny one of Mitchum trying to keep his kid brother (played by his dead ringer real-life son instead of Elvis) while fending off Federal agents, rival moonshiners, and romancing nightclub singer Keely Smith.Still, Bob Mitchum running 'shine is pretty hard to resist, especially when you have some amazing stunt work from legendary stuntman Carey Loftin, the guy behind the car chases in "Bullitt," "Vanishing Point," and "The French Connection." This is easily THE definitive moonshine picture and a must see for fans of this type of picture.

wes-connors In backwoods Tennessee, slick cigarette smoker Robert Mitchum (as Lucas "Luke" Doolin) wins a car chase with federal agents. Fresh out of the Korean War, Mr. Mitchum illegally transports whiskey made in his father's still. As the story progresses, it appears those were bootleggers working for Mitchum's rival, not federal agents. A powerful whiskey racketeer wants to drive Mitchum's family out of business. Hold on, it may be that Mitchum isn't a veteran, after all, because Alcohol, Tobacco and Treasury Department leader Gene Barry (as Troy Barrett) later asks Mitchum's son why his father did not serve in the army. Wait, that's not Mitchum's son turning up his collar in high school, it's his brother James Mitchum (as Robin "Rob" Doolin). Mitchum wants his son out of the family business, which has been bootlegging, way back to their ancestors in Ireland..."Thunder Road" is a great title, especially for a "drive-in" movie. There are a lot of scenes where you can pretend you're actually "in" the on-screen car. No doubt, many guys sat there, spinning their steering wheels. With any luck, one's date got anxious and slide over in the seat, during the chase scenes. Other than that, this Mitchum production is dire. The star looks out of place as a "hardnosed hillbilly" (although "Thunder Road" certainly needed his name in the cast). Mitchum and some of his co-stars may have benefited from some rehearsal time, before facing the camera. The story could have been re-tooled to have the star be a more age appropriate WW II vet, who secretly fathered young Jim Mitchum with girlfriend Francie (contemporary singer Keely Smith). This would give the limp and stilted relationship between the elder Mitchum and Ms. Smith some life...Federal agent Gene Barry doesn't do much to warrant his second billing, but he's dependable. Other multi-TV series favorites Mitchell Ryan (in his first screen role, as Jethro "Jed" Moultrie) and Peter Breck (as Stacey Gouge) are likewise agreeable, early in their careers. Several sources state Elvis Presley wanted to accept the role played by Mitchum's son, but was prevented from doing so when his manager asked for an exorbitant salary. After 1956, it's difficult to believe Mr. Presley would accept a secondary role in this picture, and sing tunes co-written by Robert Mitchum. Perhaps his salary request was a polite way of turning the project down. Interestingly, Mitchum re-recorded his movie theme song and had a big hit record. "The Ballad of Thunder Road" never made the US top ten, but sold steadily enough to be considered one.**** Thunder Road (1958-05-10) Arthur Ripley ~ Robert Mitchum, James Mitchum, Gene Barry, Mitchell Ryan

dougdoepke Whatever the film lacks, which is a lot, focus on the imagery -- duelling hotrods, a dangling cigarette, country two-lanes, and a precious load of illegal booze, family honor, and a good woman. This is movie myth-making at its near purest, so what else could a ducktailed Elvis- clone of the 50's have wanted. Girls may have swooned over treacle like "A Summer Place", but hot-rodders packed this drive-in classic bumper to bumper. Sure, it's badly produced ($50 budget, tops), badly acted (even Mitchum struggles with the hopeless Keely Smith), and features one of the worst canvas backdrops on record (the water-wheel scene). Still it has the King of Cool gunning down the asphalt (don't let the sleepy eyes fool you), pits rugged individualism against angry collectivism (organized crime and big govn't), and opens with a throbbing title tune (composed and sung by Mitchum) -- topped by a look and feel unlike the usual Hollywood contrivance. And who can forget those forlorn headbeams searching their way through an existential void. The imagery was compelling and caught the edgy mood of a drive-in crowd feeling their own way through a world of teenage angst. Few would grow into the mythic shoes of road-warrior, Luke Doolin, but a lot sure wanted to try. Which is why this primitive slice of small-screen black-and-white continues to resonate, even into the big-screen myth-making of souped-up starships, evil empires, and computerized magic.

jjnxn-1 Decent if unremarkable drama of a moonshiner and the feds who are trying to shut him down. A real study in star power with Robert Mitchum commanding the screen with seemingly little effort. An interesting contrast can be made between him and his son James, making his screen debut here, their appearance is so similar that you would think their performances would have a hint of the same similarity. The senior Mitchum owns the screen with an easy charm and magnetism while the young Mitchum is stiff with a vacant stare. Keely Smith contributes a couple of terrific numbers sung in her unique style but she also comes across as uncomfortable and mechanical in any scene which doesn't require her to sing. A huge drive-in hit in its day, it's easy to see why since it has a very laid back, low budget feel.