The White Sun of the Desert

1969
7.7| 1h23m| en| More Info
Released: 14 December 1969 Released
Producted By: Mosfilm
Country: Soviet Union
Budget: 0
Revenue: 0
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Synopsis

The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "convinces" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town...

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Reviews

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Teodor Georgiev It's immediately clear why White Sun of the Desert has earned a place in history as one of the best Russian films of all time. It is an excellent blend of comedy, drama, and action.The film opens up with a contrasting set of scenes between the main character's homeland and the desert he is currently in. In a matter of seconds, we understand why Sukhov is frustrated at his situation, and sympathize with him when he screams how badly he wants to leave. Excellent camera-work helps convey this. Indeed, when we are in the desert with Sukhov, time seems to pass more slowly. When he finds Sayid, we pause with Sukhov before giving him water, and even more until digging him up. Meanwhile, as soon as Sukhov is dreaming, music picks up and we feel his happiness. Along with music, there is excellent lighting, which really comes out as Sukhov is talking to the museum curator. The camera does a fine job capturing scenes under the sun, and views actors from perfect angles.What I loved was that the film never took itself too seriously. When Vereschagin. refuses to eat his caviar, he looks more like a child than the famous Vereschagin. He's much more real afterwords, having shown us both noble and amusingly silly parts of his character. At the same time, this does not mean he cannot be admired; his final fight is one of strongest moments in the adventure, and we cannot help but cheer for him.Perhaps my favorite part of this movie is its ending. There is the sadness of Vereschagin's death, true, and we aren't sure if Sukhov makes it back home, but the overall feeling is still happy, and hopeful. The audience is encouraged to believe that whatever happens to Sukhov, he has already won. I preferred this much more than the blatantly sad ending of Ivan's Childhood, or the uncertain finale of Commissasar. It is the film's strongest suit; Sukhov might very well die before getting to see Katerina again, but it would only be a death in the literal sense. In the more noble figurative sense, he is already triumphant, and will live on forever in the minds of the people he saved. The movie is a must-see because it achieves this level of nobility in its main character, while maintaining an action-plot and comical side-characters.
Armand in fact, memorable. for fight scenes and special humor. for images of desert and Manichean script. for its poetry and, sure, for the slices of absurd. it is not original or great. it remains only unique. or, only, a kind of legend who testify the vision, ambition and sensitivity of a period. it is a Soviet movie but after years and years, it remains out of date. fresh, seductive, with few chains with classic western but deep different, story of a military like new Ulyses, it is touching and really not bad. and presence of the three old men as human clock for events, the women and young soldier are memories for entire life. for me, this fact is essential.
rotildao At the time when the movie was released, the actor John Wayne was practically gone from the big screens, and his replacement sort of saying was Clint Eastwood as far as most people know. Now, let's think for a minute and follow Phillip K. Dick's concept of reality and space in time, The Man in The High Castle, and let's just imagine as if communism was the ruling system in the world, instead of Nazis. Now, take off John Wayne, add some Clint mixed with Spaghetti, and lots of "red" tomato sauce, and we have Beloe solntse pustyni. The movie is really good, don't get me wrong, and it shows the disparities and some of points and reasons Russia tried to implement communism in the middle eastern parts of its boarders at that period. It has great photography, good acting and story. I understand also that is easy to minimize the reds nowadays for all their mistaken and illusionary views of the past, but, I also believe that no matter what kind of political system we (humans) adopt, there will be always someone trying to glamorize with either satire, or psychological schemes of how the human mind really works, or how it fakes, escaping to fantasies and such and such...If commercial formulas work for us, we are in business. Who? All of us. We all have our quotes and participation interests in play. No matter what side of the coin you fall, we are easy to read, easy to buy, and lie to ourselves.My vote is 8.5
grob248 Needless to say, this film carries an enormous cultural significance for the Russians. Today, Russian press even hails it as the first Russian/Soviet action film, although "Piraty XX Veka" is much better suited for that title. Besides, this movie is not the kind of action that people are used to nowadays. There is no point in going over the film's story line because it is very simple and focuses on good vs. bad guys (Soviet style, that is) during the Russian civil war. I imagine that any person who hasn't lived in the former USSR will not find much to worship here. And yet, it is truly a masterpiece that sort of happened to be made without any grand intentions, but was able to strike a chord with the entire nation. It's all very simple and naive, but the film's characters, the things they say, the theme song, it all clicks together perfectly. And the best thing about it is that neither time nor political fluctuations (like the demise of the Soviet empire) doesn't detract its magic. It just became more sarcastic, or nostalgic, depending on your perception. "White Sun of The Desert" is undoubtedly a classic of the Soviet cinema.