Exoticalot People are voting emotionally.

Beanbioca As Good As It Gets

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Petri Pelkonen Edvin Laine did it first and brought Väinö Linna's Tuntematon Sotilas to the big screen.The year was 1955.Tuntematon Sotilas (1985) is directed by Rauni Mollberg.Linna's novel is a classic, which I read last year.And so is the first version of the novel.They show it on every Independence Day (Dec 6) here in Finland.This year, that marked the 94th anniversary of our country, made no exception.I didn't watch it this year, but instead I borrowed this new version from the library.The cast consists of some known names, and there are also a lot of amateur actors.The more known names are Risto Tuorila (Koskela), Pirkka-Pekka Petelius (Hietanen), Paavo Liski (Rokka), Pertti Koivula (Lahtinen), Kari Väänänen (Lammio), Veikko Tiitinen (Kaarna), Risto Salmi (Korpela) and Yrjö Parjanne (Colonel).This doesn't get too close to the original.The 1980's war between Finland and Russia differs pretty much from the 1950's version of it.The battle scenes look good, but what I missed was the humor of the first movie.There's some, but it's not very funny.Even though it's war, it doesn't have to be so serious.Often, in horrendous situations, such as war, humor is the way to cope with it.The original is a classic, this is just a decent war movie.

Michael A. Martinez Essentially the same plot as the infinitely superior version made 30 years prior, UNKNOWN SOLDIER (TUNTEMATON SOTILAS, 1985) provides little new and is very amateurishly made. The camera work is almost completely hand-held and there is little or no lighting or attempt to make any of the visuals even the slightest bit aesthetically pleasing. Sometimes the cameraman just drifts back and forth from subject to subject with little or no reason to do so - it's like a home video made in a war zone! This is a remake in the true sense of the word. All the main episodes from the original 1955 version are redone, with a little exception as to when and where a few characters die. Like the original, it's awfully episodic but it doesn't carry any of the drama. This is the sort of story that needed the stark black and white, the locked-down camera angles, and the larger than life 50's-style acting to bring the book pages to life.The '85 version is overall quite poor and unimpressive as a war drama or action film. I went to some lengths to find it and import it into the states, and I feel as though I wasted my money. But don't let that dissuade you from watching the excellent 1955 original TUNTEMATON SOTILAS, or even better TALVISOTA (THE WINTER WAR, 1989) which is sort-of a prequel to this film... in that it shows what the Continuation War was a continuation of.

figaro8 I'm writing this 19 years after I saw Mollberg's Unknown Soldier in Helsinki's Bristol Theatre. However, seeing the original 1955 film somewhat recently, and being comparative to the Väinö Linna historical novel, it raised memories of that 1985 rendition. Mollberg certainly made a far superior film as far as cinematography and aesthetic realism is concerned. He used a familiar technique of confusion in combat by utilizing the cameraman on foot, and running. Spielberg's Saving Private Ryan had these effects in 1998, but I'm not insinuating that Rauni Mollberg invented it. Perhaps Elem Klimov in "Come and See" (Soviet Union, 1985) had these stylistic effects. That USSR film, in my opinion, is the most anti-war film ever made. As far as Finnish war films, I would recommend "Talvisota" (Winter War)(1989), and "Täällä Pohjantähdenalla" (Here Under the North Star)(1968), with a sequel in 1971 titled "Akseli ja Elina". These last three are indicative of the tragedy of the Finnish Civil War, and WW2, and how they affected not only a family, but various social classes of society in Finland. This phenomenon of class hatred exists today in Finland.Rauni Mollberg's 1985 version of the Unknown Soldier also included this biased left-wing attitude towards the soldiers, but especially officers of the Russo-Finnish wars. Essentially, in the theatre and film world of 1970's and 1980's Finland, one had to be the figurative "Communist." Fortunately that has changed since, at least a bit.Having rambled, "Unknown Soldier" (1985) and the aforementioned film reviews, really only interest certain film historians, as well as historians of Soviet-Finnish politics. I hope that I gave you some insight.Respectfully, Timppa

kuikka This film is based on Väinö Linna's novel "Unknown soldier", but the style of the movie differs dramatically from the style of the book. Linna tells his story with bitter black humour and he has war heroes, Koskela & Rokka for example. Mollberg's version has neither heroes nor humour. Instead his movie is starred by blood and terror. Linna awakens, Mollberg silences.In the genre of war movies Mollberg's work is right on top, it has both artistic and realistic merits, for instance The bridge over the River Kwai lacks the latter. The way Mollberg shows his characters is, however, little too straightforward; Everyone is described thru one mental quality, Lehto is always cynical etc. The mythic silence that surrounds Koskela grows to the astronomical. On the other hand Mollberg succeeds in filming the fear and anger.The greatest finnish film ever made.