Nonureva
Really Surprised!
GrimPrecise
I'll tell you why so serious
FuzzyTagz
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
capkronos
I'm a patient guy and have no problem with slow-moving horror films IF the slow-moving parts actually serve some kind of purpose, such as helping to define characters, setting up an interesting storyline, creating atmosphere or mood and/or helping to build suspense. However, when a simple shot-on-video slasher/gore film spends the first 45 minutes (!) completely gore or murder free you know you've got a problem. Aside from briefly establishing the back-story of the killer, the film spends the majority of the first two-thirds of its run-time showing a bunch of obnoxious "friends" screaming profanities at one another as they drive around in the boonies, visit a general store, go canoing and set up their camp. Again, I have no problem with dialogue as long as the dialogue is interesting and serves some purpose. Here it's not the least bit interesting and creates tedium right from the start. In fact, I have a strong suspicion that the majority of the dialogue in this film was just made up on the spot. Characters frequently and awkwardly talk over top one another like it's some kind of improv class from hell, and there's no attempt whatsoever at characterization. It's a real endurance test to even make it to the first murder scenes as the film the film doesn't even really hit any kind of stride until the final 20 minutes, when nearly the entire cast thankfully gets butchered.In the small town of Old Mines, Missouri, the townspeople are hiding a deep dark secret. The religious fanatic mayor (Ed Belt) hates people from out of town visiting the area. He views them as being impure and thinks they are possessed by demons and wants no part of them. When tourists can't take the hint to high tail it out of there, the mayor unleashes his incest-bred mongoloid son on them. The son - named Dewey or just "The Boy" - is a big, hulking, mentally-retarded behemoth dressed in overalls and a pillow case over his head, who's kept locked up in a shed until he's needed to get to "work" killing off anyone dumb enough to refuse to leave the area. In come six people; Eli (Jason Christ), Carol Anne (Julie Farrar), Buster (Chris Grega), Mia (Emily Haack), Judy (Robin Garrels) and Tim (Todd Tevlin), who fumble through their awkward scenes seemingly in a contest to see who can throw out the "f bomb" the most times. The people in town, including the sheriff (Joseph Palermo) and the killer's sister (Trudy Bequette) try to scare them off, but they don't listen. "The Boy" is then set free and goes on a rampage, also killing some other people in town along the way. "The Boy" doesn't like to use weapons much of the time and uses his bare hands to rip open heads and chests. The movie does eventually provide some gore, but most of it is at the very end. For a 75-minute film, that's otherwise pretty worthless, to wait that long to start flinging around the red stuff, is pretty much unforgivable. If you've read this far, know the basic plot already and still feel like you must watch for whatever reason, I'd recommend fast forwarding until the first murder scene occurs. The rest is a waste of time.
chexmix
I read the reviews and really wanted to like this little movie; however, a promising idea goes nowhere here, derailed by unbelievable (poorly-drawn) characters and god-awful dialogue. Believe me, I was _not_ expecting _Citizen Kane_, but if a film like this is going to work at all it can't just be thrown together to hang limp on a few showstopper gore effects. A lot of the dialogue (especially that of the ill-fated campers) seems improvised ... and poorly improvised, at that. Furthermore, there is simply no atmosphere. I'm guessing it was for lack of a budget, but the few interior scenes in this movie look like something from a Larry Buchanan effort. There's no sense of terror or dread: just miles of limp talk, then *smack* another head is cracked open.Hoping the next indie movie I watch has more heart than this one.
pumaye
This is a very good variation of the usual (can I say more than usual) friends in the woods that get stalked by a masked crazy, made with a very low budget, but generous on gore and with a couple of good chills. Six guys and girls go in a solitary wood where they find death by the hands of a brute - born through consanguine union. Shot on video, the movie is better that several of its clone (even the more expensive ones). Sure, it is not a masterpiece of terror, but the tension is good, the acting better than you may thought and even if the quality of the images is fair at best and some of the gore really ludicrous, you may watch it and have fun with your friends.
mizziah74
I wasn't really expecting much from this one, especially since everyone's been coming out with backwoods homicidal hillbilly flicks these days (Wrong Turn, House of 1000 Corpses, TCM Remake, etc), and it's a direct-to-video release (so you never know what you're going to get), but I can honestly say that this was one of the best independent horror films that I've seen in a long time!!!!The story's nothing really groundbreaking, but it's the way director Jeremy Wallace and crew pulls this movie off that's so refreshing. What I appreciate the most about the movie is that it's very straight forward and serious in its handling of the horror elements of the story (unlike that crappy Cabin Fever flick), which is something you rarely see in horror films these days. The film is very much in the vain of the great 70's horror flicks like the original Texas Chainsaw Massacre and The Hills Have Eyes. Like those films, the story is simple in nature, and yet it delivers a wonderful sense of dread and tension with a brutal dose of well-executed gore!!!I've seen Wallace's first flick, The Christmas Season Massacre, and while I thought that movie was good for what it was (horror spoof), he really took a major step forward as a director with this flick (he even wrote the simple, yet extremely effective score for the film). Wallace's confident direction is aided by some fantastic editing and cinematography by Eric Stanze (director of Ice From The Sun and Scrapbook) and a cast that's way above average for a movie of this budget level, who all turn in great performances (especially Trudy Bequette and Julie Farrar).Horror fans should definitely check this baby out! Like I said, it's nothing original, but it definitely delivers what it promises, which is more than I can say for most of the stuff coming out of Hollywood these days!
