The Thing: Terror Takes Shape

1998
7.7| 1h23m| en| More Info
Released: 08 September 1998 Released
Producted By: Universal Studios Home Video
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Budget: 0
Revenue: 0
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Synopsis

An in-depth look at the making of John Carpenter's cult classic sci-fi horror The Thing, telling the story of a group of researchers in Antarctica who encounter a parasitic extra-terrestrial life-form that assimilates, then imitates other organisms.

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Reviews

SnoReptilePlenty Memorable, crazy movie
Noutions Good movie, but best of all time? Hardly . . .
ScoobyMint Disappointment for a huge fan!
Reptileenbu Did you people see the same film I saw?
Platypuschow The Thing was years ahead of it's day, it was a stupidly original science fiction horror movie that looked amazing and delivered on near every single front.This feature length documentary on the films creation is a decent enough effort though I'd have appreciated an additional 30-60 minutesFeaturing interviews with a select group of cast and crew (Many notable people including Keith David are sadly mising). We hear from the likes of leading man Kurt Russell & the films mastermind horror legend John CarpenterThe documentary covers the movies origins, how several of the special effects were created and the initial public response which alike many cult classics wasn't that favorable.Though The Thing is an outstanding film this documentary simply doesn't cover enough and though I'd say its essential viewing for fans it could/should have been a lot more thorough.The Good:Decent enough interviewsSome interesting storiesThe Bad:Too shortSome stories were too vagueThings I Learnt From This Documentary:Nobody has the right to be as cool as Kurt Russell
poe-48833 Superb look back featuring most of the major players, from the producers (who are rarely to be found in such documentaries) to the "talent" (the actors). THE THING is one of the few genuinely MYSTERIOUS movies that draws you in from the opening moments (the chase across the snow) and manages to hold you riveted until the final fade out- thanks primarily to director John Carpenter. (It's amazing to me that no one's written a detailed biography of Carpenter: surely his insights into low budget movie-making alone would be worthy of study- not to mention his childhood forays into filmmaking and self-publishing and his work on the Academy-Award winning short, THE RESURRECTION OF BRONCHO BILLY.) (Better still: Carpenter's AUTOBIOGRAPHY would be even better...)
Scarecrow-88 John Carpenter's THE THING was one of the first dvds I ever purchased and I can remember feeling so thrilled that there was actually a feature discussing the making of one of my favorite films growing up as a kid horror junkie. I come from a generation(..an 80s child)who "experienced" THE THING as something we had never seen. The visual effects gave me nightmares and the creatures scared the hell out of me. As I got older, I wasn't as scared as impressed, appreciating how well made they were. THE THING, unless you are the type who complains about gore effects(..like critics were doing at the time of it's release), set a standard in effects that motivated imaginative filmmakers and technicians since. Unfortunately, I feel, like many others, that the "CGI age", contributed to by the likes of THE MATRIX and it's ilk, took away from what made films like THE THING so special and powerful, were to ability to experience authentic practical effects made by the hands of men, and their imaginations. When you watch this thoroughly engrossing and fascinating documentary, you come to realize just how involved so many were into bringing THE THING to life..it's no wonder, considering the great talent who were a part of this production, why the movie turned out so well. I still feel that THE THING is far more than JUST an effects movie. But, you learn a lot about how the film came to be and some rewarding interviews contribute to how THE THING was created, how the efforts of many breathed life into a sci-fi horror classic that remains potently shocking. I do feel THE THING holds up today, decades since first hitting theaters to an audience unprepared or willing to accept it on the terms Carpenter and others unleashed it to them.Rob Bottin(..the master behind most of the effects work) provides some of the most interesting anecdotes along with actors such as Richard Masur and Chuck Hallahan talking extensively about how difficult, but enjoyable it was to bring such a film to life. Bottin is so enthusiastic and down-to-earth, you just would love to work with such a guy. He provides some of the most revealing and humorous points about the film's making. We learn about an aborted idea using stop motion animation(..seeing a little bit in the doc)and about how life-threatening such a location was in driving to and from the set during a rather dangerous winter. A real fan of the film should get a kick out of THE THING:TERROR TAKES SHAPE, because it tells you so much about the trials and difficulties associated with getting a film right, dwelling on the toughest instances the cast & crew faced along the way.
TBJCSKCNRRQTreviews On the DVD of The Thing you'll find this making-of documentary, that was put together almost twenty years later. While this does indulge in the silly gimmick of every chapter name utilizing the title card of the film itself, it is an excellently put together, very entertaining and quite informative piece. It consists of interviews with cast and crew, both groups having plenty to say and being a joy to listen to, behind-the-scenes footage, concept art/examples of how stuff did look or could have and finally clips from the movie, as well as from a couple of others. A specific highlight is Rob Bottin, whose hard work(and I mean that, he actually went to the hospital from exhaustion after they wrapped) helped make the piece as amazing as it was and is. He did just about all of the special effects, and he's a blast to listen to and watch. A comic book fan who was in his early twenties when he worked on the production, he's got a certain manic enthusiasm to him. He is a lot of fun, for both the anecdotes and the breakdown of some of what he created. In general you get to hear a lot about how it was on set, and how they achieved the many tricky aspects. It never becomes too technical to follow for people who don't live and breathe Hollywood, and it never lingers too long. Coming in at 83 minutes, feature-length, almost an hour and a half, this manages to remain worth the energy and time spent on it, throughout. The pacing is spot-on. There is a little love-fest going on, but mostly, it stays on point. I would say that for anyone into John Carpenter and this of his directorial efforts in particular, this alone is reason enough for getting the disc. I recommend this to any fan of him, anyone else who was employed on it, and the silver screen release itself. 10/10