The Squeeze

1978 "Hot rocks... Hot lead! VAN CLEEF is caught in..."
5.2| 1h39m| en| More Info
Released: 25 October 1978 Released
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Country: Italy
Budget: 0
Revenue: 0
Official Website:
Synopsis

A retired safe cracker is recruited by a young conman to return to the "business" for a million dollar heist.

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Reviews

Grimerlana Plenty to Like, Plenty to Dislike
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Dana An old-fashioned movie made with new-fashioned finesse.
wes-connors For one last heist, grizzled safe-cracker Lee Van Cleef (as Chris) is lured out of retirement by cocky young Edward Albert (as Jeff). Later on, both men are acquainted with sexy Karen Black (as Clarisse). As events proceed, everyone's life is put in danger, and you can count on some deception among the ranks. With these three in the cast, you would expect a good run for the money, but the picture falls flat on its face. It starts off well, and gets bogged down by musical interludes, as the cameras wander around New York City looking for action. At one point, supporting cast member Lionel Stander (as Sam) says, "Shazam!" Alas, there is no magic.*** The Squeeze (10/25/78) Antonio Margheriti ~ Lee Van Cleef, Edward Albert, Karen Black, Lionel Stander
calzephyr-1 This movie is great if you're having a bad movie night with friends and like to MST3K it up. From the goofy disco music throughout (it's not even cool disco music) to the bad acting, this movie is almost a waste of time - except if you have friends around to make fun of it! The plot has lots of double crosses and I think it could be remade very well.The copy we have came with 100 trivia questions on it that were unintentionally funny. For example, a giant CORRECT! or NO! pops up on the screen. Or, after showing a clip, the question afterward is "What is the number on the police car?" The quality of the copy was very poor and the sound quality is absolutely terrible.
bensonmum2 A retired safecracker (Lee Van Cleef) is lured out of retirement by the son of one of his buddies who is in trouble. The job - steal a load of diamonds from a warehouse safe. Things go terribly wrong. Van Cleef is wounded and everyone else is dead. Now, Van Cleef must elude the man who set-up the job, the man who owns the warehouse, and the police. It seems that Van Cleef's only ally is a crazy woman (Karen Black) who is the only other resident in an abandoned apartment building.Over the years I've noticed that when the material he's faced with isn't first rate, Lee Van Cleef can overact with the best of them. And that's what he does here. There are many scenes where Van Cleef makes some of the most ridiculous faces for no purposes other than overemphasizing his point. It get very distracting. But in The Squeeze, he's outdone by Karen Black. She chews scenery like her life depended upon it. I just had to laugh a couple of times (inappropriate times) because it was all too funny. I suppose that most of the blame for the acting weaknesses could be traced directly to the script. The characters are given some really lame lines.The story itself is quite nice. There's one double-cross after the next. The ending really caught me off guard. Just when I thought I had things figured out, I was hit with another loop. The plot is the primary reason I've rated this movie as I have. If you're a fan of heist films, much of The Squeeze will appeal to you.I would be remiss if, even in this short review, I didn't mention the soundtrack. The music is pure (bad) 70s disco. The main theme song is especially annoying and presents everything that was wrong with music from this period. Even worse, it's stuck in my head - Oh the Pain!
Sorsimus Lee Van Cleef at his most facially challenged plays a retired safeman, who comes back from Mexico to New York to do one job for a friend's kid.Includes most of the cliches one would expect from a "last gig"- film, but redeems itself with nice NY locations, comedy (some intentional) and Lee Van Cleef. Recommended as a time- passer.Released on video in Finland in the eighties.