The Spiral Staircase

1975 "There's always another twist to..."
4.7| 1h26m| en| More Info
Released: 31 January 1975 Released
Producted By: Raven Films
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

A mute young woman is stalked by a serial killer at her uncle's mansion.

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Exoticalot People are voting emotionally.
Sameeha Pugh It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.
highwaytourist In 1945, a suspenseful classic film called "The Spiral Staircase" chilled audiences with its story and atmosphere. Set in the beginning of the 20th. Century, it told the story of the beautiful and mute servant of a wealthy, elderly widow who's threatened by a serial killer of disabled women. Here, the story has been updated to the present, which meant that the filmmakers didn't have to spend money on costumes and sets to reflect the time it took place. The overall plot remains the same, but the flat direction and script causes it to be about as suspenseful as an episode of "Murder She Wrote." There are a few red herrings as we wonder whodunit, but it doesn't make us care. It's not really a bad movie. It features a cast of starts who were big back in the day, so the acting is satisfactory. The mansion where the story takes place is rather baroque and makes a pretty good setting. And the original story remains excellent. The problem isn't that the film itself is terrible, but that given the quality of the source material and the original film, it's a major disappointment.
sol ***SPOILERS*** Listless and dull remake of the 1945 spine tingling psychological thriller of the same name "The Spiral Staircase" with the gorgeous, no matter how much she tries to look Plain Jane, Jackie Bissett as Helen Mallory in her first and only non speaking role despite getting top billing in the movie.When she experienced both her 10 year old daughter and husband killed in a fire five years ago Helen went into shock and ended up losing her voice. With Dr.Rawley, John Ronane, trying to restore Helen's voice he sends her to the prestigious Sherman's Institute for more advanced treatment. As things turn out there's this psycho running around town who's obsessed with culling out those of us in society not worthy or perfect enough to live! This in order for him to create the perfect human, which he feels he is, race by eliminating all its imperfections! This mentally deranged lunatic has had his eye out for Helen in feeling that she's a threat, by being mute, to the advanced evolutionary process of the human race! This nut-case has already murdered five other "inperfect" young women and is now targeting Helen to be his next victim!As you would imagine the psycho finds his way into the Sherman's Institute in his attempt to murder Helen but, luckily for her, a number of complications arise that makes his job a bit more difficult. One of them is the head of the institute Dr. Joe Sherman, Christopher Plummer, being involved in a three way love affair with his brother Steven, john Philip Law, over the sexy Blanche, Gayle Hunnicutt. This psycho for some weird and insane reason, despite Blanche being about as perfect as any women can be, also feels that Blancheis a drag and burden on he human race, in the air she breaths and food and water that she consumes, in her not being quite perfect enough to be kept alive! There's also Dr. Sherman's diabetic and dying mother Mrs. Sherman, Mildred Dunnock, who this murderous psycho, as a sidelight, also plans to murder. Not that Mrs. Sherman is in his way but because she's, like both Helen & Blanche, not worth living!***SPOILERS*** Wherever suspense there is in the film is left for last with the killer psycho finally revealing himself, to the total non surprise of those of us watching, and going after a trapped and terrified Helen. The psycho killer who had so many opportunities to murder Helen all throughout the film yet, in him being the "Perfect Human" that he thinks that he is, ended up blowing every one of them. Not much of a surprise ending like the 1945 version of the movie was it still had enough terror and suspense in it to lift "Spiral Staircase II" a notch or two above the dull as dishwater like script that proceeded it.
preppy-3 Remake of the 1946 classic. Helen Mallory (Jacqueline Bisset) has been rendered mute after seeing her husband and only child die in a fire. She is now staying at her uncle's mansion and getting treatment. However there is a killer on the loose who kills people who have disabilities. Is Helen next? Pointless redo. The original is a classic--what's the point or remaking it? I caught this on TV late at night back in the 1970s. I had seen the original and was interested in seeing how this stood up. Sadly it turned out to be pretty bad. Despite a great cast (Bisset, Christopher Plummer, John Phillip Law, Elaine Stritch) this is pretty slow-moving and dull. There's virtually no suspense or atmosphere and it looks like it was made on a very low budget which hurts. The cast tries their best but even their considerable talents can't liven this up. You can safely skip this one. See the original.I give it a 3 because the cast does try and Bisset looks stunning (as always).
Jonathon Dabell The original The Spiral Staircase, made in 1945 in black and white by director Robert Siodmak, was one of the finest killer-on-the-loose-in-a-spooky-mansion films of all-time. This 1975 remake is a very poor attempt to update and remake the original. There is less tension this time around, as director Peter Collinson allows things to proceed at a sluggish pace. Even the performances are weaker, despite the fact that this film has a comparatively star-studded cast for its era.Helen Mallory (Jacqueline Bisset) has been unable to speak since she witnessed her husband and child being killed in a house fire. Her doctor, Dr Rawley (John Ronane), has tried for several years to help her recover her speech but without success. He is very concerned for Helen's safety, as a serial killer has recently been at work in the city and all the victims share one thing in common – they are all disabled in some way. Helen goes away to her uncle's nearby mansion, which also doubles as an institution for the handicapped. Here she finds herself in the company of her uncle Joe Sherman (Christopher Plummer), his secretary and lover Blanche (Gayle Hunnicut), angry brother Steven Sherman (John Philip Law), a strict nurse (Elaine Stritch), housekeepers Mr and Mrs Oates (Ronald Radd, Sheila Brennan) and the ill, old bed-bound Sherman mother (Mildred Dunnock). A ferocious thunderstorm plunges the house into a power-cut, and before long it becomes apparent that the serial killer who has been preying upon handicapped women is one of those trapped inside the mansion. It is now Helen who finds herself next on the killer's list, unless she can find a way to survive….This is such a reliable, some might say "archetypal", story that all it needed was some thoughtful lighting and a well-judged sense of pace in order to work. But sadly director Collinson has spent too much time setting up pointless and weird camera angles instead of concentrating on the basics of suspense. If he had gone for the afore-mentioned thoughtful lighting and the better-judged sense of pace, this would have emerged a half-decent remake. The actors seem indifferent towards the material and give performances way below their best. Bisset has the difficulty of contending with a wordless role and is nothing more than average in the part; Plummer looks rightfully bored as the professor; Law snaps and snarls ineffectually as his bad-tempered brother; Dunnock spends most of the film acting drugged as the poorly old mother of the clan. For a good hour or so, very little happens in the film and one invariably finds oneself staring vacantly at the screen, waiting with misplaced optimism for a flash of suspense. Not even the music by David Lindup manages to generate any excitement or atmosphere. When the killings finally begin and Helen goes on the run in the dark passages of the house, trying to escape from her murderous assailant, the sequence is done rather flatly with little in the way of true excitement. If you're planning on watching a version of The Spiral Staircase some time soon, the best advice I can give is that you stick with the vastly superior original!