The Silver Chair

1990
7.1| 2h44m| G| en| More Info
Released: 18 November 1990 Released
Producted By: British Broadcasting Corporation (BBC)
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Eustace, along with a new companion named Jill Pole, is brought back to Narnia. The pair are told by Aslan they must search for King Caspian's missing son, Prince Rillian.

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Reviews

Ehirerapp Waste of time
SpuffyWeb Sadly Over-hyped
Claysaba Excellent, Without a doubt!!
Contentar Best movie of this year hands down!
Mr__Underhill I agree that this last in the series was an improvement over the others, though still a bit slow moving. I bought the DVD mainly because it had Tom Baker in it. He seems a bit uncomfortable in the role at first, but gradually sinks into it. The trouble is that Baker's version of "the Doctor" in Doctor Who was so upbeat that when attempting to play the glum Puddleglum, I actually caught him suppressing the big toothy smile that he is famous for. His frog-like frown worked very well, though it took him a while to integrate the glumness naturally into his speaking performance. There are actually two others that I think could play that role quite nicely. One is Ozzy Osbourne. The other is Joey Ramone of the Ramones(though he passed away a while back).I would also like to comment on one other note that others have ignored so far. While C.S. Lewis intended the books to have a Christian message, he at least had the decency to be subtler in execution so that more general audiences could enjoy the books. The BCC films, on the other hand are as subtle as a New Testament smacked across your forehead.Just out of curiosity I checked the original ending of Silver Chair against the film, and I was correct in my guess that the screenwriter had changed it. The book does NOT include Aslan's ending line from the film where he says that he also exists in the human world, but that the kids MUST learn his "other name."There wasn't a moment in the series where the screenwriter didn't go out of his way to remind adult viewers that this is about Jesus, and not magic as would be the case with a movie like Harry Potter or Willie Wonka and the Chocolate Factory. The nice thing about Lord of the Rings is that I could just sit back and enjoy it as a story without feeling preached at. Sometimes the Narnia books did that, but the BBC films boiled too much of it down to the preaching.
LT-10 The Silver Chair, BBC's final journey into Narnia, is a solid and enjoyable entry.Visually and Technically it is the series greatest achievement. The Underground World and it's people have been created excellently, as well as other sequences such as the giant's bridge. Of course we're still going to have those animals in costume. I really don't have much of a problem with this, but still, we don't need to flaunt hedgehogs that have no relation to the story. The Silver Chair is the only film in the series that has areas where the writing needs a little perk up. The pacing is fine until the last 30 minutes. It becomes almost hard to follow, and lost my attention a bit. Despite that the first 2.5 hours are absolutely addictive.Locations, as always, are perfect. They are dead on to C.S. Lewis' books. I hope to get to some of these places in my travels. The locations for all the Narnia films are perfect.Its kind of a shame that finale of the Narnia series is a bit of a let down, but a message still comes through. "I have different names in your world..." Probably one of the rare times children's entertainment actually gives you chills. Acting- 2/2Locations- 2/2Script- 1.5/2Visuals- 1.5/2Total---> 7/10
loach10 The Silver Chair is perhaps the most consistent of the commendable trilogy of BBC Narnia adaptations of the late 80's, back in those dim distant days when the BBC was committed to quality children's drama. Revisiting the production Ten years after first viewing I found myself warmed anew by the charm of Narnia, which the trilogy more than adequately conveys, and am quite frankly saddened by some of the cynicism of some reviewers towards the economical budgeting. The acting is excellent throughout, Tom Baker much deserving of praise for is simply superb performance as the perennial pessimist 'Puddleglum'; a truly crafted and nuanced portrayal of one C.S Lewis' most endearing characters. Equally the respective child actors put in commendable performances, I much liked the slightly more forceful interpretation of the character of Jill, and Ronald Pickup's Aslan remains resplendent. Perhaps Kellerman's Green Lady is a little OTT for any mature viewer, but the younger viewer will revel in her pantominesque acting.The atmosphere of the TSC is altogether more dark than some of the earlier outings, Richard Henders manic performance as the crazed Rillian as his the child actors almost visibly reeling in horror, and the scene where Kellerman's Green Lady bewitches the children, "There never was a Narnia", is seditiously sinister. What a shame the tension of the scene was somewhat dispelled when Kellerman transforms into a very unthreatening rubber snake which, despite my defence of the budgeting, really was palpably absurd.The Chronicles of Narnia really are crying for a modern adaption, to captivate a whole new generation of children bored into catalepsy by inane 'S-Club 7' type melodrama. Indeed, I'm heard whisperings of a Movie production of 'The Lion the Witch and the Wardrobe', inspired perhaps by the movie success of Tolkien. A Hollywood Narnia would indeed by very interesting, perhaps at last Aslan will bound across the screen to remedy my memories of the all to static Aslan of the BBC productions, and the Green Lady will actually turn into a serpent! I only hope the casting and acting is as good as is in these BBC classics!
Spleen This is much better than the BBC's earlier forays into Narnia, partly due to the book it's based on. It's set in the bare, unpopulated wastes to Narnia's north, so the drab scenery is not a defect. Nor is the absence of extras. Puddleglum, C.S. Lewis's best Narnian creation, is played by Tom Baker, who fits the role as well as anyone on Earth. In general the acting is better in `The Silver Chair' than it was earlier on. Direction is crisper, costumes are more convincing: everything has improved. I have commented harshly on `The Lion, the Witch and the Wardrobe', and most of those comments apply here as well, but never to the same extent. This is actually okay television. Of course, an adaptation of the Narnia books should be much more than that.

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