SpuffyWeb Sadly Over-hyped

VeteranLight I don't have all the words right now but this film is a work of art.

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

semioticz When Maneer Chrome (Ewan McGregor) is hired by a wealthy patron Thomas Smithers (Pete Postlethwaite) to create out of "chaos" a magnificent garden that reflects the family's aristocracy, Chrome has no idea that Mrs. Juliana Smither's (Greta Sacchi) 'kissing cousin', James Fitzmaurice (Richard E. Grant) has plotted to bankrupt the family so that he can finally have Juliana for himself.While that is the apparent main plot, there's an intriguing ongoing subplot. Seems the Smither's daughter, Thea/Anna (Carmen Chaplin), thrives in the wooded 'chaos' with a home life that is so stringently ordered & controlled during the Romantic era. Chrome's going to completely destroy Thea's (as she calls herself instead of Anna) refuge: nature in the woods behind her home. This brings her to the brink of insanity, or so her father believes. Therefore, he calls in a (sadistic) physician (Donal McCann) to "cure" the young woman of her "ailments." Chrome is the only one in the picture who realizes that Thea's probably the only sane member of the family. So, in order to show her that he understands her need for the wild & freedom of nature, he builds into the garden a spring just for her. While this begins to endear him to her, Lady Juliana has begun to pay seductive attention to Chrome & the smitten Thea witnesses this. Juliana's attempts to seduce Chrome while her husband is away doesn't escape the notice of her pathologically jealous cousin James, either. Philippe Rousselot directs Tim Rose Price's screenplay.This is an odd show that would seem more like a film coming from Lynch, Cronenberg, Nero or Waters. I keep watching it out of intrigue with the story's intricacies.

Amy Adler Thomas (Pete Postlethwaite) and his beautiful wife, Julianna (Greta Scacchi) live in England around the beginning of the 19th century. They used to reside in town but have since moved to a large estate in the country. This has upset Julianna, as she loves company, games, and excitement. To help smooth things over, Thomas plans to have a gorgeous formal garden installed near the house for Julianna'e enjoyment and as a place for her to entertain guests. He hires Meneer (Ewan McGregor) to plan the gardens, at almost unlimited expense. Secretly, however, Meneer is not the famous gardener he is supposed to be but, rather, an impostor. A cousin of Julianna's (Richard E. Grant) has arranged for Meneer to pose as the horticulture expert because he wants the young gardener to bleed the finances of Thomas dry, to settle old scores. Thomas and Julianna have a beautiful only child, a daughter, Anna (Carmen Chaplin), for since Anna's birth, Julianna has been barren. Anna is decidedly independent and outspoken and often chooses to walk the grounds by herself. This causes her father to believe she may have mental problems and he subjects Anna to a doctor's unusual and unorthodox treatments. Anna has strong feelings, too, about whether the natural beauty of the grounds should be sacrificed for a contrived showplace of formal gardens. So, how will this garden grow? Will Meneer complete his mission or will he be found out? This is a lovely film, with a nice cast and a terrific, unusual story. Although set back in time, the tale shows quite well how human nature changes very little over the years. Money lust, deceit, and revenge are as natural as breathing, for some folks, causing suffering to those around them. As the main heavy, Grant is wonderfully evil while Postlethwaite, Scacchi, and McGregor fulfill their roles nicely. Chaplin, however, although very pretty, gives a rather weak performance overall. As for the scenery and the costumes, they are of the finest caliber, making for a view that is visually compelling, and the direction is faultless. Why not kiss off the mundane entertainment choices, of an evening, and watch this captivating, gorgeous, extraordinary film instead? You will most likely pat yourself on the back for doing so.

linda The movie was pretty good. It was entertaining and kind of cool. The great thing about is was that it was unpredictable. The plot is exciting. the story is complicated yet not to hard to follow. The movie manages to give you a feeling of the surroundings and the characters somehow get to you. Sometimes, however, you found yourself thinking that the very thing Phillipe tried to achieve was strangeness and inordinate... which somehow in the end really remains unachieved as the movie turns out to be pretty trite.Anyway, Ewan McGregor does an excellent acting job. And the movie is worth seeing.

hedgiewan I really really want to like this; it just doesn't seem right that you can make a movie with Ewan McGregor, Pete Postlethwaite, and Richard E. Grant and have it be that bad, but bad it is. Imagine a Peter Greenaway wannabe with an IQ of 67 attempting to produce a Jane Austen short story as a darkly melodramatic full-length movie. You have better things to do with your time than watching this film.