Hellen I like the storyline of this show,it attract me so much

Executscan Expected more

Cleveronix A different way of telling a story

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

NateWatchesCoolMovies One Way is an interesting, unpredictable sort of genre bending thriller that shouldn't be judged by its cover, which makes it out to be an action flick. Not even close. It's the story of several different characters who intersect by the mistakes they make, and the lengths they go for redemption and revenge. In the opening sequence we see a young girl pursued by a pack of perverted hooligans through the woods. After being sexually assaulted, she is visited by a hulking military general (the excellent Michael Clarke Duncan) who seems to be her guardian angel, brutally dispatching the youths with an automatic machine gun. The story then switches randomly to a cocky, adulterous ad executive (Til Schweiger trying hard not to ham it up) who's in crisis with his suspecting wife, arrogant boss (Art Hindle), and his boss's son, a vile prick with a penchant for sexual assault himself. Lauren Lee Smith plays the older version of our heroine in the prequel, whose continuing story collides with Schweiger's predicament for some really surprising thrills that take you by surprise. It's a really unique setup, without any sort of warning or conventional intuition as to where it's going to take us, and eventually gets to some dark places of morally frightening danger. Smith is excellent in the intense lead role that requires some harrowing work, which she pulls off without a hitch. Sebastian Roberts is a snivelling little piece of human garbage as the boss's son and Schweiger's brother in law, and provides an antagonist that you just love to hate, and gets what's coming to him in a a disgusting sequence that lets just say, sneaks up on you....from behind. Michael Clarke Duncan is only around for a few scenes but makes his usual impression, and is unforgettable as the sympathetic general. Eric Roberts shows up out of nowhere in the third act, nailing his role as a slick defence attorney, and Kenneth Welsh kills it as the rival lawyer. Stephanie Von Pfetten is heartbreaking as Schweiger's put upon wife who has deep issues of her own that come piling out in a devastating courtroom sequence. If you enjoy thrillers that spin a left field, unconventional narrative where you never really quite know who's who or where things are going, give this one a watch. It's a unique treat.

criticeye1 One Way is a unique film focusing on emotional justice – it's about knowledge that everybody carries inside – about what is right and wrong. Unfortunately being right doesn't equal being given justice. Especially when it comes to women's abuse, there is a huge discrepancy between what people feel the deserved punishment would be and what sentences the legal system gives. One Way is an intense film, that portrays betrayal, violence against woman and friendship. Taking this into consideration, it's a miracle that at the end of the film there is positive hope for the protagonists that they'll face a better future. An unpredictable story, that keeps the tension rising till the last shot. Me and my wife saw it together and spoke about it the whole evening. It's out on DVD now... check it out!

Claudio Carvalho In New York, the competent creative director of Birk Advertising Eddie Schneider (Til Schweiger) is living a successful moment of his professional life and is engaged and has just proposed Judy Birk (Stefanie von Pfetten), the daughter of the owner of the company where he works. Eddie is also a wolf and very successful with many women, and is having an affair with a neighbor of the street where he lives with Judy. When he gets the account of the greatest American airline for his company, he is promoted to partner and he celebrates with his assistant and friend Angelina Sable (Lauren Lee Smith) in a lunch party in a restaurant. After hours, when they are in the garage, Angeline notes that she had forgotten her car keys in the office, and when she returns, she is violently raped by the despicable brother of Judy, Anthony Birk (Sebastien Roberts). On the next morning, when Eddie arrives in the garage, he finds the traumatized Angeline on the floor and he takes her to a hospital. He returns to the company and Anthony blackmails Eddie with pictures of his many affairs. Eddie has to take a side between his career and engagement and his friendship with Angeline."One Way" is a great movie supported by a magnificent screenplay that uses elements of thriller, crime, drama and even soap opera. The intriguing beginning, with a girl being gang raped by four teenagers and an enigmatic general rescuing her is absolutely original and brilliantly explains the character and traumas of Angeline, magnificently performed by Lauren Lee Smith. Sebastien Roberts is perfect in the role of a cynical scum and I confess that I loved when Angeline uses a sexual device to rape him. Til Schweiger has also a great performance in the role of an ambiguous character divided between his career and the loyalty for his friend, but he redeems in the end refusing to blame Angeline. The sweet Stefanie von Pfetten fits perfectly to her characters and her confession about a family secret in the end is the great twist of this movie. Eric Roberts has a minor but efficient participation in the role of Eddie's lawyer. In the end, I really liked "One Way" a lot and I do not understand why it is so underrated in IMDb User Rating. My vote is eight.Title (Brazil): "Pacto Quebrado" ("Broken Pact")

martecormann My husband and I saw "One Way", the new movie of the German actor Til Schweiger. There were no coughing, no feet-stamping and no murmurs to hear during the whole movie. Even at the end the silence continued. Than my husband broke it, saying: "Man, what a good movie was that!" The story and the pictures are very intense. They catch the viewer's whole attention which you can hardly escape.The topic of the movie is rape. It's about guilt and atonement.About law, morals and justice.In a today's criticism I read the sentence: "Sometimes it is the start of a movie that gives rise to doubts. In "One Way", the movie of the Swiss Reto Salimbini, a girl is followed by several men and raped brutally, as a black figure wearing a uniform (Michael Clareke Duncan) appears and butchers the wrongdoers with a machine gun. The plot changes from this revenge-fantasy to the New Yorker world of the publicity expert Eddie (Til Schweiger)…" Now I ask myself seriously: What is so disconcerting about the imagination that the victim imagines the death of the men that are raping her? Isn't it even understandable somehow? The visualization in the movie makes the fantasy visible for the viewers - and uncomfortable. "One Way" is consequently shown from the rape victim's point of view, which is definitely not a daily mean.In an other criticism it is said that the rape scenes are shown very drastically. So I watched them critically. My judgment: I have seen more drastically rape scenes in movies and on television before. But what is really hard to the spectator is - during the whole rape the camera is filming the victim's face. Vivid, oppressive and frightening.The pictures do not allow any evading and phrases like "…somehow she wanted that, too…" or "It's not as bad as it seems…" are absolutely wrong and out of place. The victim is injured with great physical and psychological pain.Is it a woman allowed to take revenge if she has been raped, humiliated and emotionally killed? If she can't trust her pretending best friend or in justice? In "One Way" two raped and humiliated women experience emotional justice in the end and an initial slime ball develops into a better man. This is more than reality can (unfortunatly) sometimes offer.Fill the movie theaters and watch it! It's worth it! Marte Cormann, www.kinoplausch.de