The Secret Life of Plants

1979 "An incredible world of beauty and terror with a haunting music score by Stevie Wonder."
7.2| 1h35m| G| en| More Info
Released: 09 December 1979 Released
Producted By: Infinite Enterprises
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Budget: 0
Revenue: 0
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Synopsis

A documentary about the study of plant sentience with original music by Stevie Wonder. Utilizing time-lapse photography, the film proposes that plants are able to experience emotions and communicate with the world around them.

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Reviews

ThiefHott Too much of everything
Lucybespro It is a performances centric movie
GurlyIamBeach Instant Favorite.
Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
jazz prof I saw this film when it was briefly released in 1980, in Berkeley, California; and I've watched this film many times since (having downloaded a copy from bittorrent). Seeing the film will help people understand Stevie Wonder's misbegotten album, _Journey Through the Secret Life of Plants_, which was released in 1979 before the film had even appeared. Somehow, with the help of the film's producer, Michael Braun, Stevie Wonder composed a score for a movie he could never have seen. The film does have its glorious moments: lengthy sequences in time-lapse photography show plants growing, unfolding, and transforming. For these, Stevie Wonder provided closely-linked music (from "Earth's Creation," "The First Garden," and "Seasons"). Other Stevie Wonder songs are tied in with the movie. The first song on the album, "Same Old Story," is virtually impossible to comprehend unless you have been introduced to the work of Jagadis Chandra Bose, a 19th-century Indian physicist who devised delicate equipment to monitor electric impulses from plant tissue. Stevie somehow condenses Bose's work, and that of George Washington Carver, into a few rhyming quatrains, producing poetry more humorously garbled than anything else he's written. "Venus Flytrap," not surprisingly, follows the adventure of a fly dumb enough to be caught by an insect-eating plant. "Outside my Window" accompanies organic gardening, while _Black Orchid_ is given an interpretive dance by Eartha Robinson, clad in a full-body green suit. 'Race Babbling"--heard in only a few short sequences--contemplates one of the consequences of time-lapse photography: if plants unfold in unspeakable slowness, what must the restless activity of humans look like to plants? Anyone who has seen the later _Koyaanisqatsi_ (1983) will recognize the disturbing effect of speeded-up human life, underscored by Stevie Wonder's dissonant music. All these sequences are linked together by the music to Stevie Wonder's title piece, "Secret Life of Plants," which appears in various disguises until finally revealed at the end of the film in Wonder's only appearance. He wanders across bleak, rocky landscapes and fields of flowers without his sunglasses (the same sequence that produced the photo in the album), and even rows a boat!Other than these sequences, the film itself is dull: ineptly edited, tedious in its explanation of scientific experiments (including some absurd ones conducted by Soviet scientists), and narrated in a dull monotone that will remind one of high-school filmstrips. it's easy to understand why Paramount Pictures decided to drop the film. (The director, Walon Green, went on to fame as the screenwriter and producer of _Law and Order_ on TV.) It's just too bad today that the film is unreleased on DVD, since it is the only way to fully understand an inspired, if overly ambitious, project by Stevie Wonder.
LongWhiteCloud Albert Einstein once wrote, Imagination is more important than knowledge. Why? Because it is movies like this will test your ability to receive ideas and knowledge that exists outside of your belief system.Resist the temptation to shut down your mind, and open yourself up to possibilities which 'traditional' science is reluctant to acknowledge. If you wonder why films like this are pushed to the back of our collective human psyche, you find there is formidable motivation to not entertain new science and ideas as it fundamentally questions the foundations on which conventional (mechanical) science is based.Science does not move humanity forward per se. It provides 'evidence' to support ideas that have long already existed. Hence why Einstein said IMAGINATION is more important than knowledge, as it is our ability to think outside the square that allows us to evolve consciousness while science scratches its head trying to explain it within its existing paradigm. Meanwhile the paradigm has changed."All truth passes through three stages. First it is ridiculed. Second, it is violently opposed. Third, it is accepted as being self-evident." Arthur SchopenhauerThis is so true. Think about it.It does however drag on at stages, and bless Stevie, it wasn't his best work. If it was revamped for today's audience and pace, it would've got a 10!
d-millhoff The Secret Life of Plants is a long, rambling documentary built around New Age pseudoscience - seeds communicating with distant stars, laughably dubious "experiments" such as a telepathic cabbage identifying the "murderer" who mutilated a fellow vegetable, etc.But if you can get past the crackpot stuff, it's an audio-visual treat. Spectacular cloud forests, stunning macro and time-lapse photography, and an astounding original soundtrack by Stevie Wonder.The soundtrack stands on its own, and is available on CD; the movie remains unavailable on DVD or VHS, but turns up occasionally in art house theatres.
dcenters The Secret Life of Plants is worth viewing, if only because it is so hard to come across it. It originally appeared in theatres in the USA for about two weeks (and then only in "artsy" theatres), and reappeared once for a week several years later. It is not currently available on video.The story is a documentary of research that shows fairly conclusively that plants are actually aware of what goes on around them, even miles away. It is somewhat humorous in the methods it uses to prove the secret life of plants, but thought-provoking in the conclusions it arrives at. The most wonderful thing about the film is the soundtrack. This is original music composed by Stevie Wonder. There is even a scene in the film of Stevie singing one of his songs in a boat on a river. This scene is very moving, as Stevie is blind and yet able to know where he is going. The scene is the climax to the movie, and metaphoric as to what has been presented about plants, that although they don't seem to have senses as human beings and animals do, they are quite well aware of what is going on around them and where they fit into this in the evolutionary process.