The Saint In Palm Springs

1941 "-And he's not here for his health! Crime expert gives high society a shock!"
6.2| 1h6m| NR| en| More Info
Released: 24 January 1941 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

George Sanders makes his final appearance as crook-turned-detective Simon Templar, a.k.a. "The Saint," in The Saint in Palm Springs. The gimmick in this one is a set of rare stamps, smuggled from England. Wendy Barrie is the true heir to this treasure, and the Saint is engaged to protect her and the stamps. Our hero meets Barrie in a posh Palm Springs resort, where a gang of homicidal thieves have converged to relieve the girl of her inheritance. Three murders and one kidnapping attempt later, the villains are foiled by the Saint, with the aid of his onetime partner in crime Pearly Gates (Paul Guilfoyle). The Saint in Palm Springs is the sixth in RKO's series of films based on the character created by Leslie Charteris.

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Reviews

Scanialara You won't be disappointed!
Smartorhypo Highly Overrated But Still Good
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
dougdoepke That old smoothie George Sanders is about the only reason to catch this otherwise disappointing edition of the Saint. The rare stamp premise is promising, but the screenplay proves choppy and lacking in suspense. It's not at all clear that this is supposed to be a whodunit. But, if it is, then the suspects remain regrettably under-developed. Thus, what revelation comes at the end is rather confusing and not much of a disclosure. It's as if the script decided to change direction halfway through-- perhaps, political events in Europe were again heating up. After all, the year is 1940, and the movie business is well known for chasing international developments. Anyway, the pick-pocketing montage with Pearly Gates is amusingly done, showing that actor Guilfoyle could do comedy as well as sinister eccentrics. Also, there's one eye-catching set, a well-designed resort courtyard that's nicely utilized. Otherwise, the staging and set design are lackluster at best. In fact, the big-Joshua-tree exterior at the climax, along with the several process shots, almost screams "phony". I'm not trying to nit- pick, just to point out that this entry lacks care in both the story department and the technical end. I suspect Sanders recognized this during the shoot and thus added to his decision to leave the series.
ksf-2 George Sanders again plays "The Saint" Simon Templar, in the murder mystery series, helping to solve some crime, while whistling and trying to avoid jail time himself. (Roger Moore would play the title character in the very successful TV Series in the 1960s). Sanders, with his quick, proper British accent, is probably best known for his roles in "All About Eve", or "Rebecca". Good story, but WHY do they keep taking the valuables that everyone is after out of the hotel safe ?? It gets a little confusing later in the story on who actually has the coveted valuables, but maybe that's part of the mystery. Also some competition over Templar on the parts of Elna Johnson (Wendy Barrie) and Margaret Forbes (Linda Hayes). It would be interesting to know if ANY of it were filmed in the Palm Springs area, as there is liberal use of stills and backdrops. Pretty good story, some clever scriptwriting, but the ending is a little silly. --- note that many of the actors in the background were also used in "The Falcon" films, another Sanders mystery murder series from RKO.
tedg Spoilers herein.There are a few things I really enjoy in thinking about film. One is comparing remakes and sequels to their originals. Its odd how some work and some don't. And those that work often work for completely different reasons. The Alien series are four films as different from each other as any are from this.Another joy is comparing projects that fail that have almost the same recipe as those that succeed, or are thought to succeed. This movie features William Powell in pretty much the same character he had in several projects at about the same time. Many, like this one, had A-list actresses. The writing isn't particularly different from one project to the next.It seems almost that 'The Thin Man' was accidentally good. And this, accidentally bad.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
ADAM-53 George Sanders has often been quoted as calling the Saint and Falcon films the "nadir" of his career. Looking at "The Saint's Double Trouble" it is easy to see why he felt that way (badly scripted, poor supporting cast, etc, etc) but his four other Saint entries, at least, are well up to scratch. If this one is a little slack in the chase and gun play departments, never mind. It is an old-fashioned "whodunnit" and Sanders and Paul Guilfoyle (as Pearly Gates, a series regular) seem to enjoy themselves in this tale of missing stamps (worth a fortune) and suspicious characters at a luxury Palm Springs hotel. The plot may bear absolutely no resemblance to Leslie Charteris's short story, but never mind; it is a pleasant little cocktail with which to waste an hour or so. By the way, you're guaranteed not to guess whodunnit, although the chief suspects are shown quite often. No one except Sanders would think of this amiable film as a career low-point; it's a pity he didn't make a few more like this as his career went on.