SoTrumpBelieve Must See Movie...

Pacionsbo Absolutely Fantastic

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Vlad 1 I remember seeing this as a little me back in the 1980's.If I remember correctly Beck was underground someplace and is cornered by 2 guys or whatever. One of the guys says to him "I just broke up with my girlfriend" and I think his partner says "yeah he just broke up with his girlfriend-why don't you help him out" or something to that affect. Then due to the magic of television- the camera pulls out as the viewers see a struggle ensue-then the picture fades to back leaving me as a young viewer to wonder-what was happening? As a grown-up I know what was happening- he was getting violated against his will by other men. That one sequence has had a profound place in my mind ever since- It is fatefully stored in my mind with all the other bits and pieces of stuff I would rather forget...I am so glad this is available in some form again, I must revisit this movie again with older-eyes!

zardoz-13 'The Rape of Richard Beck" combines elements of "Dirty Harry" and "Deliverance" in a message-oriented, urban crime melodrama about two hardcore homosexual hoodlums that sodomize an off-duty police detective at gunpoint when he cannot produce any back-up. Basically, it's a rape movie for guys about guys that espouse a callous, chauvinistic attitude toward female rape victims. Neither former ballet dancer-turned-director Karen Arthur nor producer-scenarist James G. Hirsch deviate an iota from the social problem/crime drama formula in this outstanding role-reversal rape movie. No, they don't depict the actual simulated sodomy between the cop and his two thuggish assailants, played with menace by Nicholas Worth and M.C. Gainey. Most of the action that takes place between Beck and his assailants occurs in close-ups and medium shots. The act itself takes place off-camera so that everybody retains their dignity. After all, this was a prime-time network featured 1985 made-for-television movie. Nevertheless, the impact of the rape on the cop's life evokes a reevaluation on his part about helpless women raped because he thought that they brought it on themselves. By the end of the action, Beck is teaching sensitivity training classes to cadets at the police academy."The Rape of Richard Beck" takes an obnoxious, hard-boiled cop and forces him to endure sodomy and then live with the consequences. Mind you, this isn't something you want to sit around and watch with a bunch of drunks. Detective Richard Beck's transformation when he loses his gun is 180 degrees. Indeed, at the beginning of "The Rape of Richard Beck," the filmmakers make a subtle point that perhaps Beck is a little too big for his own britches by trying to be a one man army. Beck compares modern-day cops to 'tribal warriors' of another age going out on 'safari' in 'the jungle' to apprehend criminals. Meanwhile, Beck's partner Blastig (George Dzundra of "Basic Instinct") thinks that Beck is crazy to jeopardize their lives when they are off-duty, especially because he has 37 months left until he receives his pension. If anything, Beck's hubris is that he's supremely overconfident about himself. He thinks that he is larger-than-life and exempt from all the rules. Indeed, he makes up Beck's Police Rules about being a cop. Ironically, the very same thing that Beck had accused women of doing by bringing her rape on themselves, he does himself when he embarks on his so-called 'safaris' to nab lawbreakers.Aside from this horrific twist, "The Rape of Richard Beck" is a well-made but standard, police procedural that argues a good case about misguided (male) perceptions of rape (women) victims. Earlier, Beck felt that female rape victims brought this molestation on themselves and then did help matters by refusing to identify the suspect and prosecute. By having the unthinkable happen to an abrasive, masculine cop who has trouble coming to terms with himself after the fact gives this film its dramatic punch. Richard Crenna, better known for his comedy TV role on "The Real McCoys" and his supporting bits in the "Rambo" movies, received an Emmy for his first-rate, top-notch performance as the violated detective. This performance is a far cry from his spaghetti western "A Man Called Noon," his French crime thriller "Un Flic," and his turn as a criminal in "Wait Until Dark." The sodomy for the sensation minded doesn't occur into about 40 minutes into the plot. Earlier, we learn that Beck is divorced. His son Joey (Jonas Marlowe of "Children of the Corn") and his daughter live with their mother Carolina Beck (Francis Lee McCain of "Patch Adams") and Beck comes around to take his son on fishing trips with his father Chappy Beck (Pat Hingle of "Hang'em High"). Beck spoils his son and his ex-wife doesn't appreciate his shenanigans. We only see Beck's current girlfriend once after the rape occurs and Beck suffers from a nervous breakdown and destroys the dinner that she had carefully prepared. Indeed, in the underground room where the crime transpires, we only see unsavory tough guy Nicholas Worth of "Heartbreak Ridge" and a younger, thinner M.C. Gainey of "The Dukes of Hazzard" corner a cop, disarm him, batter him, then seize him by the hair and pull his head back as one character reaches to unzip himself. Later, we learn that a janitor witnessed the rape in its entirety and refused to interfere for fear that he would receive similar treatment from them. Initially, Beck behaves like a female rape victim. He lives in the land of denial, but rape counselor Barbara McKee (Meredith Baxter Birney of "Ben") sees through his masquerade. Eventually, these two who had never tolerated each other join sides to catch a rapist."The Rape of Richard Beck" is one of the few TV movies or theatrical features that examines the impact of rape on a man, but the grim subject matter and prime time sensibility prevented the filmmakers from delving too deeply into any man's worst nightmare. You'd think that a TV movie of this magnitude would have merited a better presentation on DVD, but the copy that I bought appeared under a different, more generic title "Deadly Justice" on a twin-bill with an early Mark Harmon adventure opus "Tuareg: The Desert Warrior."

Isaac5855 This bold and thought-provoking TV movie centers on a bigoted and sexist police officer (the late Richard Crenna) who has always believed that rape victims "ask for it", but finds himself re-thinking his belief after he is sexually assaulted himself. This was definitely new territory where TV movies were concerned but it was done with care and taste. Crenna's gutsy performance won him an Emmy Award in a disturbing film that raised quite a few eyebrows. I was impressed with the filming of the actual assault scene. A scene that could have been cheap and exploitative was done with style without compromising the integrity of what was going on in the scene. A serious adult movie experience for those who like a component of challenge in their entertainment.

Noirdame79 After a few years of fruitlessly trying to find this film, I finally won the jackpot when I found it on DVD (with the title "Deadly Justice") and at a decent price!!! I had read Video Movie guides and all of the reviews for this movie were very positive and encouraging. I knew that with the late, great Richard Crenna on board (truly deserving the Emmy he won for this performance, and he was the king of TV movies) this was a must-see.For the time, this film was quite daring (with the exception of such movies as "Deliverance") and very realistically acted. Crenna is fantastic as the chauvinistic, inconsiderate, hardened cop who believes that sexual assault victims "bring it on themselves". His attitude does not serve him well when he is re-assigned to the Sex Crimes Unit in his precinct. He cracks offensive jokes after trying to remove a nude rape victim from a phone booth who is incoherent with fear. He undergoes a transformation and an attitude adjustment after he is beaten and brutally attacked by two criminal sadists. Thankfully, because this movie was made for TV in the mid-80s, we are not exposed to the graphic details of the rape, nor are any given later on in the statements that Richard Beck makes. But, truthfully, we don't need to be shown. We know what he's gone through, as he experiences everything that rape victims face - and perhaps, because he is both a straight male and a cop - even more. He realizes that people look at him differently, especially his partners and most notably, his father. His dad cannot understand why Beck didn't do more to stop the attack, and Richard realizes, after going through the denial phase, that what happened to him was not his fault, despite what people say. He flashbacks to the assault, alienates his girlfriend, and has to answer embarrassing questions (as all sexual assault victims who report the crime do), like, has he ever had homosexual relations before? His ordeal transforms him into a more aware and sensitive individual who sees that the medieval attitudes toward rape need to change. What I thought was a nice touch was his rescuing a woman from a rapist, his ex-wife and children being the most supportive of him, going over his partner's objections of identifying his attackers, and finally, speaking to the cadets in the Police Academy, spreading awareness, concern and knowledge.It was also great to see two 80s TV moms in the same film (Meredith Birney of "Family Ties" and Joanna Kerns of "Growing Pains"). Pat Hingle was great as Beck's father, and Frances Lee McCain was compassionate as Beck's ex-wife. But the biggest honors go to Crenna, for his realistic and excellent portrayal. His talent and presence is, and will continue to be greatly missed, but his impact will live on. I highly recommend this film. You may never look at sexual assault the same way again. RIP Richard.