The Playbirds

1978 "Mary Millington joins the Blue Squad and blows her cover!"
4.3| 1h29m| en| More Info
Released: 06 July 1978 Released
Producted By: Roldvale Ltd
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

In order to unmask a pathological killer who is targeting the beautiful centrefolds of Playbirds magazine, a sexy policewoman Lucy Sheridan puts her life and reputation on the line by sleeping with millionaire publisher Harry Dougan. The Chief Superintendant and Police Commissioner are keeping a close eye on her, but time is running out fast.

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Reviews

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Catangro After playing with our expectations, this turns out to be a very different sort of film.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
videorama-759-859391 I really think this film has really taken a bum rap. It's sad to think, two of the main actors actually committed suicide, one shortly after this. I loved the saucy and cheeky nudity, full frontage, in a film that barely ceased to exist as a Roadshow title. As a thriller it really works. Some nutter is murdering sexy bare bodied girls who feature in the nudie magazine, Playgirl, where each month brings a cover girl victim, so it's not long before authorities figure the pattern, only this psycho is really clever, his method of kill- inflicting strangulation, bringing among suspects, one, a young photographer, with a bit of a dirty S and M record who does nudie sessions with models, one involving a rocking horse, you will never forget. So they send in a undercover cop posing as a budding model, where now things get quite risky. There are some terrifying edge of seat moments, if watching on a first view. I really like how Londoners make these B grades, whether psychological and sexual thrillers, or just saucy sex films, and The Playgirl Murders is quite tightly plotted. How's this? The chief detective who him and his partner work the murders, loves to have a bit of a gamble, where too another suspect, likes betting the horses too. This chief detective who used to play Frank Spencer's warring neighbor in Some Mother's Do Ave Em' would rather do this, than work a murder scene. The undercover cop audition was funny and sexy, and TPM really has it's moments. I really like this film a lot. Pity no one really agrees with me on this one. Jazzy soundtrack.
morrison-dylan-fan Recently,when I was looking at the filmography of Harry H.Corbett,I spotted a film that sounded like a very enjoyable Giallo-style mystery film called Cover Girl Killer,as I read up about the film,I found out that a film made in the seventies,which had a very similar plot,and also had a good amount of Sitcom stars had just been brought out on DVD.With having now seen the film,I feel that it did not get anywhere near to the potential that it could have reached.The plot: When police go to investigate a murder of a model,they discover that she has had a number written on her head.As they look into her career,it is revealed that she has posed nude for an occult-themed center fold in a magazine,which was published on the month that matches the number that was written on her head.Due to not wanting to raise any suspicious,the detectives decide to send an undercover police officer,to work at the magazine as a model.Although,when it is announced that she has been chosen to be the next center fold,the detectives start to wonder if they may have given the killer his next opportunity...View on the film: The people that I feel easily deserve a huge amount of praise for this film,is the DVD company Odeon Entertainment.Whilst the film is very low- budget,Odeon has treated the film with a huge amount of respect,which has included a surprisingly very impressive remastering,that has made the film look very shiny and (almost) new.My main disappointment that I have with this film,is that for having a plot that should offer a huge bundle of thrilling moments,the film is shockingly very dull,with the plot moving at an excruciating slow pace,even though the movie is only 90 minutes.Thankfully the cast is able to put a few bright moments into the film,with "The Major" from Fawlty Towers and Windsor Davies bringing a sense of fun,in the short scenes that they are featured in.The film is also helped by its lead star Mary Millington,who lights up the film with her excellent charm. Final view on the film:A extremely disappointing story,that completely destroys any potential that it should have reached.
lazarillo If you're British, this movie no doubt has a lot of baggage attached to it. Two of the lead actors committed suicide soon after, and it was made right at a time when the once vaunted independent British film industry basically imploded. If you're not British, however, this movie is. . .well, pretty damn weird actually. A fanatically religious, horse-obsessed maniac is killing the nude cover girls of "Playbird" magazine. The police are frustrated in their efforts to stop him, so they send a sexy police woman (Mary Millington) under the covers to crack her case--I mean, undercover to crack the case. If you just want to see a lot of naked dolly birds, you certainly won't be disappointed. There are numerous scenes of the magazine's photo shoots, most of which involve a hilarious satanic/witchcraft-oriented theme. And the police don't just take the first attractive volunteer for the undercover job--no, they have to have to "audition" ALL their female staff members for the job before settling on Millington. The movie is obviously sexist (which is par for the course), but it's also surprisingly unpleasant and borderline misogynist. All the girls are topless or naked when they're murdered, for instance (except for one girl whose mini-skirt conveniently rides up while she's being strangled). The most disturbing scene perhaps is one particular magazine pictorial of a naked "witch" being "burned" at the stake which goes horribly awry when the killer comes along and (literally) adds fuel to the fire.What's most amazing about all this is that there really is (or at least, was) a "Playbird" magazine, and its publisher was the producer of this movie! It's certainly hard to imagine Hugh Hefner, or even Larry Flynt, producing a movie where his own centerfolds are slaughtered in such an often unpleasant manner. (Apparently, all the censorship of sex and violence in Britain over the years hasn't resulted in the sexual attitudes there being any more wholesome than anywhere else--perhaps the opposite). I would also guess the publisher/producer owned a race horse or had some great interest in horse racing--how else to explain the killer's bizarre obsession with horses, which otherwise seems pretty unrelated to anything (or maybe this movie was inspired by the Richard Burton film "Equus" the year before?).The best (and perhaps only) reason to see this is that it is a good showcase for cult actress Mary Millington. Millington certainly had a nice body, and viewers (like numerous male and female characters in the movie) will become VERY familiar with it. Her generally awkward acting, however, gives no indication of why she became a such a cult figure. On the other hard, it's even more difficult to see why the British moral authorities considered her such a threat to society that they had to harass her to an early demise. I definitely would not recommend going through the time and expense I did to see this movie, but if you happen upon it, it's a good chance to see Millington in action and it's KIND OF interesting in spite of itself.
Peter Hayes The cover girls of a famous sex magazine are murdered one-by-one and the easily baffled British police can only think of one solution: To send one of their own in undercover.In the late-70's/early-80's there was a Betamax versus VHS battle which VHS won hands down. When the battle was nearing an end Betamax users threw in the towel and converted flooding the market with old cheap machines with all the tapes that came with it. Through this history I got to see Playbirds not once, but twice. I hated the 70's - a horrible time for me and this country (the UK). The British film industry had died (to be reborn as a big budget television industry and US workshop) and the video revolution hadn't fully taken off. The only thing getting the punters interested was horror, sex and bawdy comedy -- preferably mixed so that you could justify seeing it more. UK sexual censorship was hard-line, so the films were soft -- as well as cheap and cheerful.(Playbirds is - indeed - cheap, but they forgot about the cheerful part!)I am glad that another reviewer pointed out that this is a remake/rip-off because I had thought that the producers had come up with an original idea! Indeed with a bit of rewrite and more talent (or even people that care) you could just about film this as a straight Hammer-style B picture.There are two camps involved here - the eye-candy talent who know they are not going anywhere and the proper actors who are slumming it, probably as the films producer (David Sullivan) put it "so they didn't have to sign on the dole that week." Being an actor is a frustrating and humiliating business anyway, but this must be like being put on a medieval rack.*THE BAD*The film is low budget and clunks from scene to scene with a care usually reserved for television. The treatment of the girls is quite cruel in that while there is a murderer about no one seems to really care too much about it. Even the police can't quite get themselves to wide awake about the case. Suspects are lined up and listed (by an early computer) but the feel is more like a Hammer Horror where sudden death can be forgotten about quickly.*THE SAD*It was hard to see Alan Lake without thinking about the tragedy of his later life. Killing himself after losing his well known wife Diana Dorrs to cancer. Same with the nominal lead Mary Millington (the undercover cop) who killed herself rather than be squeezed in a vice created for her by the Inland Revenue (see didn't think she should pay any tax) and the police who were on her trail for a variety of crimes, including (according to Sullivan) drug trafficking. What a happy ship!*THE MAD* For unknown reasons the protagonists stop the film to watch horse racing - something that has nothing to do with the plot. To indicate that Millington is up for the undercover job she is required to take all her clothes of in the police station (Scotland Yard?) itself while the two detectives look on! Yes Playbirds is pretty dreadful, and features pretty dreadful people both sides of the camera. The deaths of the cover girls are treated as a bit of a joke and the whole show ends with a sour and very cruel plot twist.