Perry Kate
Very very predictable, including the post credit scene !!!
Donald Seymour
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Isbel
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
ma-cortes
The picture is set in El Maestrazgo, province of Castellón, in the Autonomous Community of Valencia, there a young girl Alma (Ana Castillo) decides to put away their differences to other family members and undergo a hard mission . When a tree was cut , the grandfather suffered deeply in his soul . Each day Alma's grandfather leaves a little stone in the place where olive tree was planted . Meanwhile, her grandfather is in failing health , his grandfather gets seriously sick, he has emphysema and depression from the ancient tree was cut . Although Alma's grandfather never is referred by his birth name. This tree was bought by a powerful company , this enterprise that acquired the olive three is identified as RRR Energy International . Alma hires the help her uncle nicknamed Alcachofa (Javier Gutiérrez) and a friend called Rafa (Pep Ambròs ) to transport an ancient olive from Dusseldorf ( distance between Dusseldorf and the town where they live are about 1,650 kilometers (1,030 miles,) Germania , to Spain . Alma wants to get the huge Olive before it's too late, which means traveling from his home in the rural Comunidad Valenciana to Germany .But she just hopes that she can finish the trip the way he started it . On that trip, she affects and is affected by her partners and those she encounters . As with other issues in his life, she needs to make the trip on his own terms, which means on her own , her uncle and a friend . The only thing that matters to her is to get the main objective , to bring the valuable and enormeous tree to Spain . She will stop at nothing to get it .
This is an interesting and thought-provoking film dealing with adventures and misfortunes carried out by a trio of obstinate people who start an emotional travel to recover a family tree . A brooding and attractive road movie full of drama , suspense , agreeable relationships among protagonists , and brief touches of humor . Enjoyable as well as provoking screenplay by Paul Laverty , reportedly based on a real story
Top-notch main cast such as Anna Castillo as a good , idealist girl , a youngster who needs to do things on his own terms , undertaking a his strange journey to mend an unfair situation .
Very good acting by Javier Gutiérrez as uncle Alcahofa whose birth name of the character never is revealed, he is an unfortunate man who explains a debtor debts him about 90,000 Euros , but finally helps her niece . And Pep Ambròs as Rafa a good friend who falls for her . Adequate and colorful cinematography by Sergi Gallardo . Emotive and sensitive musical score by Pascal Gaigne .The motion picture was originally directed by Iciar Bollain . She has worked as a leading actress in selected films like The South (1983) by 'Victor Erice', Malaventura (1988) by 'Manuel Gutiérrez Aragon , Land and Freedom (1995) by Ken Loach, it became an acclaimed audience's and critics' choice ; Leo (2000) by 'Jose Luis Borau' that won the Best Actress nomination Goya Spanish Academy Awards and Nos Miran (2002) . She is a prestigious producer , writing and directing since then both documentaries and fiction films. In 1995, she wrote and directed her feature film debut, ¨Hola, ¿estás Sola?¨ (1995), awarded with Best New Director in Valladolid Festival and was nominated for Best Directorial Debut by the Spanish Film Academy. The film became one of Spain's 1996 box office hits. Flowers from another world(1999), was her second feature film and was awarded at Cannes Film Festival 1999, Best Film in the International Critics' Week ; ¨Take my eyes, 2003¨, was her following film as writer and director, winner of 7 Goyas Spanish Academy Awards, including Best Film, among many other international awards. Her next feature film is ¨Mataharis (2007)¨ , ¨Katmandu¨ and this ´El Olive¨ at her best .
Kirpianuscus
...who has many chances to be yours. because the subject is more than familiar. the script - wise reflection about contemporary society and its clash against tradition, about a sort of love who only the grandparents and grandchildren knows it, a trip who has as purpose a form of justice who escapes to definitions. a confession - film. because, it is so easy to discover yourself as Alma. so, a tale. a simple one. but useful. for remind . an old man, his olive tree and a gesture changing everything. that is all.
Mike Todd
Wasn't sure what to expect with this one, but I was immediately convinced by the solid acting performances of all the main leads in what turned out to be an interesting examination of the bonds that hold family together. Sold for the purposes of short term economic gain, a 2000 year old heirloom olive tree, the love of grandfather Ramon and granddaughter Alma, is sold to a German multinational. The resulting grief of grandfather and granddaughter on experiencing this loss results in the prior losing the will to speak and the latter suffering what can only be described as post traumatic stress. What results is an engaging drama come road trip across Europe shared Alma, her uncle and friend, to return the tree to the now ailing Ramon. A journey which is sufficiently long enough to allow this small group to get to know each other, talk about the reasons that brought the them to that point and to come to terms with past and present family decisions and relationships. Indeed, there is enough time for some additional distraction, humour and small drama which adds to an otherwise straightforward plot. What the film lacks in complexity and any satisfactory feeling of stakes is compensated for by the excellent acting of the main characters which convinces us of Alma and her personal journey to right a perceived wrong. So good is the central performance that doubts about Alma's quest solely being about her attempt to help her 'yayo' are raised, leaving the lector to wonder whether her quest is as much about her own need to find peace than she would openly admit to. The cinematography on show is not particularly inspiring, especially in the second half of the film, but occasionally panoramic views of the beautiful olive groves of Castellon burst out allowing the movie to breath a little. Otherwise, claustrophobic settings of farm houses, flats, cafes and a truck dominate the majority of the film. The unfortunate result is a rather TV rather then cinematic feel to the movie. Better is the music, which captures the moods of loss, some sprinkling of hope and ultimately helps the script capture the themes of traditional values of Spanish family, tradition and the responsibility each generation has to protect the heritage passed down to it from the prior. Overall, an above average melodrama, which leaves the viewer with more to think about than you might have thought likely coming into the cinema. Best watched in Spanish with subtitles.
Ruben Mooijman
Alma is what you call a wild girl. She has partly shaved her hair in a decorative pattern, sleeps with boys she hardly knows and throws eggs at the cars of people she doesn't like. But she has one weak spot: her grandpa. Not only is she extremely fond of him, she also sympathizes with his silent protest against the sale of the oldest tree in the family's olive grove. Since the tree was sold, he refuses to speak and marks the spot where the tree stood with little stones.Alma, sensing that her grandfather's death is coming near, starts a search for the sold tree. Through the company who organized the sale she discovers that the tree is now standing in the lobby of a big energy company in Germany. In a whim, she convinces her uncle and a friend to retrieve the tree, in order to let her grandpa die in peace.The film has a nice plot, but is also a clear warning against the excesses of capitalism. The central theme is that there are things that cannot be expressed in monetary value. When Alma's grandfather is told that the tree is useless because nobody buys expensive olive oil anymore, he answers that the tree doesn't belong to him, 'it belongs to history'.On a second level, the film shows Spain after the financial crisis. Alma's uncle is a ruined man, who has used the proceeds of the tree to bribe the local mayor, in order to get a permit for a seafront restaurant that has since gone bankrupt. The film starts with a practical joke: Alma calls her uncle, pretending to be a bank employee collecting the outstanding debt. That's a nice joke, but with a clear message.The screenplay for the film was written by Paul Laverty, a writer with a keen sense for social justice who has written several social dramas for Ken Loach. In some of these, the emphasis was too much on the social aspect, but in El Olivo the mix between the character interaction, the social comment and the human emotion is just right. Talking about human emotion: anyone who is not touched by the last scenes, has a heart of stone.
