Wordiezett So much average

MoPoshy Absolutely brilliant

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

jjnxn-1 Spare tough little drama of the rodeo circuit with fine performances all around. Reminiscent in ways of The Misfits but without that film's crushing sense of disillusionment. However you can see many of the peripheral characters and perhaps Mitchum's too as following the same path as those men.Ray's direction keeps the film on a steady forward course to tell it's at times simple at others complex story. He is mightily aided by his three superior leads, all fine performers, all stars in their day but none truly appreciated for their subtle skill and all contributing some of their best work in this film. Mitchum pitches his performance perfectly, a rambler who knows no other way but is starting to wonder if what he's pursuing is worthless. Arthur Kennedy, a tremendously under rated actor, is excellent in a part that could have been eclipsed, since the real conflict is between Bob and Susan, but for his subtle shading of the role. As the main female protagonist of the piece Susan Hayward is all tough, flinty grit. Always a memorable screen presence whether playing it big, i.e. Demetrius and the Gladiators, or subdued as she is here she always carried a grounding gravitas that made her characters memorable. Her Louise is a sensible, down to earth woman who is clear in what she wants, has no problem laying it on the line and taking on anybody that gets in her way. Strangely obscure film considering Ray's reputation and the superstar standing of its two main stars probably owing to its unavailability on DVD although there are rumors of a remastering and upcoming release. Very much worth seeking out.

Robert J. Maxwell "The Lusty Men." What a deplorable title. Sounds as if it ought to star Audie Murphy, with Joan O'Brien as the mammus girl and John McIntyre as "the sheriff." But it's considerably better than that.Not that the plot is very original. An older guy takes a talented newcomer under his wing and the tyro gets an attitude. It could be Paul Newman and Tom Cruise as pool players or, more aptly, it's likely to have been drawn from a successful movie about boxing, "Champion," with Kirk Douglas.Nor is the acting especially outstanding. When Mitchum got his hands on the right role he could really swing, but here he's his usual sleepy self. Arthur Kennedy, as the talented newcomer, is good enough but the role itself is formulaic. With each successful appearance at a rodeo, busting broncos, bull dogging, calf roping, riding the Brahma bull (pronounced Bray-ma), his head expands along with his ego and he begins to neglect his loving and dutiful wife, Susan Hayward, developing instead a taste for drinking, gambling, and loose blonds. Hayward herself is miscast. She's not a slightly worn waitress from a tamale joint. That's Patricia Neal's role. Hayward projects toughness but I'm afraid she's Edythe Marrener from Brooklyn.It occurs to me that the film borrows from another pattern: the conflict between two partners in life, one of whom wants to settle down and the other who wants to keep moving and living the free life. Kirk Douglas was the rootless drifter in "Lonely Are the Brave," but he had no companion except his horse, Whiskey. A closer fit has Mitchum as the happy drifter and Deborah Kerr as the tough wife who longs for a farm in "The Sundowners." Crossing the line into the absurd, Bob Hope always wanted to go home to Sioux Falls and Bing Crosby kept coming up with plans to find a secret gold mine in the Road pictures of the 40s.There's another thing too. Mitchum is an ex prize winner at rodeos and he stumbles on Kennedy more or less by accident. Kennedy agrees to split any winnings at the contests if Mitchum shows him the ropes and teaches him the tricks. But we see NONE of that teaching. All I learned was that when you're aboard an animal in the chute and you want it to open, you shout "Outside!" And when you ride a bull you tie your left hand into place with a rope, but I already knew that thanks to a shipmate of mine in the service who was a kinsman of such a contestant. There isn't one second of Kennedy's practicing with a bucking horse or a laso. Plenty of scenes of the contests themselves, aimed at an audience who loves to see some guy thrown on his bum and mauled by a one-ton brute.So those are all the irritants. What lifts it above the average are the character touches, presumably from Horace McCoy's adaptation of Claude Stanush's novel. Whoever was responsible for the screenplay knew a thing or two about rodeos and what goes on behind the scenes. What goes on can be pretty retrograde. A man has to prove to himself and others that he's not "afraid." Kennedy often protests indignantly that he's not "scared" of being hurt.The other thing is Nicholas Ray's direction, to the extent that he can unshackle himself from the more banal parts of the script. Mitchum dies at the end. But he doesn't declare his love for Hayward on his deathbed. That love, which has only been intimated, goes unspoken. The death itself is bloodless. And instead of grimacing, then closing his eyes and rolling his head on its side -- the side facing the camera -- as almost all Hollywood's dying people do, he rolls AWAY from the camera onto his side and clutches Hayward's hands. The camera drifts up from Mitchum's naked back to Hayward's face. It's only from the change in her expression that we know he's given up the ghost. There are a couple of other scenes, equally nuanced, and if Ray had been able to get more out of Mitchum and had someone with brains and sensitivity buff the script, it could have been a very good movie indeed.

kidboots Along with "With a Song in My Heart", "The Lusty Men" really pushed Susan Hayward toward international stardom. Her role as Louise mirrored her own real life attitude to love and marriage. She tried to stick to her marriage both in the movie and in real life and it could have been Susan saying about her own circumstances "Men!! - I'd like to fry them all in deep fat"!!! Even though the movie garnered excellent reviews and rated a movie review page in the prestigious "Look" magazine it wasn't as big a hit as her other releases.Rodeos are Jeff McLeod's (Robert Mitchum) reason for living and when he is gored by a Brahma bull he is emotionally and physically spent. He desperately wants to rebuild his life and returns to his childhood home. Remembering some "buried treasure" he had hidden under the floorboards as a kid, he retrieves it only to find an old rodeo program and a couple of coins. Wes and Louise Merritt (Arthur Kennedy and Susan Hayward) are keen to buy Jeff's home and Wes, who recognises him as a former Rodeo star, gets him a job as a ranch hand. Wes has won a few events himself and feels that with Jeff as his manager they would be a great team. Louise is unimpressed with Jeff's cool and lacksadasical attitude, she wants Wes in one piece and to save his money for a house deposit.Wes, with childhood memories of a father who was never his own boss, quits his job for a life on the rodeo circuit and what he thinks is easy money. What with busted legs and faces scarred from Brahma bull hooves, Wes is getting a taste of grim reality - and it's only their first day!!! The film creates an exciting atmosphere with wild horses, bucking broncos and leisure time spent carousing in the bars where a day's prize money could be lost in drinking and gambling. Louise sees Wes being sucked into the itinerant way of life and Jeff, after being taunted by Wes for sponging on his earnings, signs up the next day for all events, even though he is far from being in good shape. He hits trouble when his foot gets caught in a stirrup and his death sets up a pretty contrived ending where Wes, realising Jeff had only his best interests at heart, gives up the circuit for a little home in Texas.Susan gives an unusually restrained performance as Louise (except for one hilarious cat fight) in this movie that shows not only the downside but the excitement that drives cowboys to give their all in the ring. It goes without saying that both Kennedy and Mitchum give superlative performances but a couple of the women step up as well - Maria Hart and Lorna Thayer, actresses I have never heard of. Actual shots of rodeos were filmed in Tuscon, Arizona and Pendleton, Oregon with some of America's most famed rodeo stars including the appearance of Cy Taillon - "The World's Greatest Rodeo Announcer". In fact I can heartily recommend Cyra McFadden's wonderful memoir about life on the rodeo circuit as well as what it was like to be the unofficial mascot as well as Cy Taillon's daughter - "Rain or Shine".

NewEnglandPat This fine western about life on the rodeo circuit is more about drama than action but still packs a wallop, thanks largely to Robert Mitchum and Susan Hayward. Mitchum is a washed up bronc rider who becomes a mentor to Arthur Kennedy who has dreams of becoming a big time rodeo performer. Eager to buy a ranch but lacking money, Kennedy learns the ropes of rodeo performing and the three decide to travel the rodeo circuit although Hayward is cool to the idea. Under Mitchum's tutelage, Kennedy career takes off but he doesn't seem to notice the attraction between Mitchum and Hayward. Mitchum, rough and virile, looks the part of a cowboy and he and Hayward have great chemistry in their scenes but Kennedy is no cowboy and he doesn't seem to be a good match for Hayward. Arthur Hunnicutt does his usual good work in a key supporting role.