The Lookout

2012
5.7| 1h26m| NR| en| More Info
Released: 09 September 2012 Released
Producted By: France 2 Cinéma
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Synopsis

When police is about to apprehend a famous gang of bank robbers, an elite sniper opens fire from a roof, thus facilitating the flee of his accomplices. However, one of them is seriously injured, which compromises the plans of the thieves.

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Reviews

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Leofwine_draca I'll admit, THE LOOKOUT starts off on a strong footing, with an expertly-choreographed piece of action charting the fall-out from a bank robbery. It harks back to the glory days of a similar sequence in HEAT, and has you on the edge of your seat as the minutes stretch out. Unfortunately, once this is over, the rest of the film never even comes close to that quality.The direction of the film is to capture the disintegration of a group of bank robbers as they variously betray and bump each other off, while a dogged cop remains hot on their heels. And sadly, it's nowhere near as interesting or exciting as it sounds. This is one of those films that fails to feature even a single remotely sympathetic character, so that you wonder throughout why you're watching.That wouldn't matter if the calibre of the script and film-making were exceptional, but the truth is that they aren't. There's a kind of humdrum, seen-it-all-before sense of weariness about the whole production, best summed up by Daniel Auteuil's yawn-worthy cop. The sub-plots are muddled and the characters uninteresting, so that by the time the end eventually comes around you'll be wondering why you're supposed to care.
trow61 I wasn't expecting too much from this film given the previous reviews. That said, other reviewers seemed to really quite enjoy it but, at the same time, awarded a low score?! I didn't find it too predictable (which is my pet hate), though that's largely because I didn't expect it to stray into another genre. The acting, direction, and production were all good. The action was surprisingly brief, which I liked too - more realistic than the twenty minute free-running/car chase scenes to which we're routinely subjected.OK, this film probably employed a sub-plot or two too many, was morally questionable, and, was a bit fanciful, but hey, that's French crime thrillers for you?!
rexmorpheus Freshly absorbing and intriguing, confusing at times, but eventually gets his goal: keep the edge of their seats. Occasionally gives the impression that the movie tries to tell two different stories or more and some subjects seem not to transcend in the development of the story... say that the ending was predictable, which is hard, I am of the idea that would have given more credibility to the story, the fact that criminals were in some Balkan region and not an Italian, however, at the end get absorb you. A good work of Michele Placido (aka Corrado Cattani), but can still offer something more, has the ability. Great collaboration of Mathieu Kassovitz (The Crimson Rivers).
GUENOT PHILIPPE I enjoyed this french action packed thriller. I would say it is a strange film, weird. Not because of the acting or directing, but because of the story itself. When the movie begins, you can't guess what's going to happen next. No way. There are many subplots and also sub characters. and some sequences seem have been let on the cutting room floor. Some lines sound strange; for instance, what the hell a character like Oilivier Gourmet's one - a sadist - would have done with the hoods who capture Mathieu Kassovitz, just before Francis Renaud saves him?It remains unexplained...Yes, I consider this is a weird film, but I like this. This is unusual. I love this kind of story lines.The ending is rather exciting but although predictable.I guess the director was influenced by Jean Pierre Melville, he picked Bourvil's character's name from LE CERCLE ROUGE - commissaire Matteï. Daniel Auteuil's character is interesting in his hopeless quest of vengeance.A bittersweet film that deserves to be watched.