SpuffyWeb Sadly Over-hyped

Dotsthavesp I wanted to but couldn't!

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Spikeopath The Long Arm is directed by Charles Frend and written by Janet Green and Robert Barr. It stars Jack Hawkins, John Stratton, Dorothy Alison and Michael Brooke. Music is by Gerard Schurmann and cinematography by Gordon Dines.Detective-Superintendent Tom Halliday (Hawkins) heads up an investigation into a number of safe cracking robberies. Which in turn turns into a murder investigation.Out of Ealing Studios, this is a little cracker of a police procedural detective mystery. The flow of the investigation is natural, not given over to wild implausibilities, and always the air of mystery is potent. On the outskirts of the investigation there's a running thread about how policemen's wives/girlfriends suffer in their own ways, their men are married to the force, and this is delicately handled by the makers. While the moments of wry levity are not misplaced. Production is spiffing, with a number of London locations vibrantly used and given a film noir sheen by Dines (The Blue Lamp), while Frend (Scott of the Antarctic) keeps it tight and interesting whilst getting grand perfs from the cast - notably a wonderfully regal Hawkins.So if you are looking for an old time British policer that doesn't insult your intelligence, then you need look no further. 8/10

Tweekums This 1950s crime drama opens with a burglar opening the safe of Stone & Company; he trips the silent alarm and the police are there before he can escape. He isn't caught though; he even opens the door to them claiming to be the night-watchman and suggests it is a false alarm. In the morning when the theft is discovered Detective-Superintendent Tom Halliday is put in charge of the case along with his new sergeant, DS Ward. At first it looks as though it must be an inside job as there burglar had a key and there were only two keys in the office but none sound like the man the police spoke to. Halliday has a hunch that the thief must have experience but had not been caught so looks into similar cases looking for a link; they learn that a string of outwardly unconnected cases elsewhere in the country share one thing in common; each involved a safe made by the same company. The urgency of the case in increased when somebody is killed as the thief and his getaway driver flee another robbery. When their damaged car is found there are few clues; just a copy of The Daily Mail with what looks like the word 'Grange' written on it; it is this one clue that will take Halliday and Ward to Manchester and North Wales before they realise the identity of the man they are after.Anybody expecting plenty of action may be a little disappointed as apart from the man being run over and the final capture of the criminals there is little in the way of action. Instead we see the police following the clues and this is the strength of the story; the way the newspaper was traced from the car to a remote area of North Wales was particularly fascinating. Jack Hawkins and John Stratton put in solid performances as Halliday and Ward; they worked well together and even injected the occasional touch of humour to the proceedings. There is some nice location work; it is clear they went to Wales rather than just filming in the countryside with a few appropriate signs added. The only real weakness was the relationship between Halliday and his son… did children really talk like that in the '50s? Overall a pretty good film and well worth watching if it is on TV.

malcolmgsw This film epitomises the way the British police were shown in the cinema of the 1950s.Working long hours with long suffering wife and child.Often working more like Sherlock Holmes than a modern detective.Doing things that would horrify modern Socco police.Taking a compact out with a cigarette box.Scratching blood stains off the front of a car by way of a pen knife.Relying on lucky breaks,such as the way that the getaway car is found.Also it has to be said that the ending has been made exciting by what would be considered slipshod police work.For some unexplained reason the burgular is not cuffed so he is able to get free.This initiates the chase,where rather improbably,Hawkins,clings on to the bonnet of a car travelling at speed.However i have to say that Jack Hawkins always rises above even mediocre material.Here as in many of his films he is constantly smoking,which contributed to his sad and untimely passing.

ianlouisiana To give you some idea how small the world of British TV and movies really is,seven of the actors featured in "The Long Arm" went on to appear in either "Z Cars" and its spin - off "Softly,softly"(or both) and the marvellous Arthur Rigby was a cornerstone of "Dixon of Dock Green". Here they all enjoy a Policemans's Holiday in a rather exciting Jack Hawkins feature that packs in a lot of action in a relatively short time. Sharp and well - scripted,it features many actors beloved of 1950s moviegoers who seldom disappointed their admirers.Mr Hawkins' name on the poster could certainly put bums on seats and he was at the height of his pulling - power in 1956.His strange mixture of kindness and irascibility hit a chord with the British audience and he picked his parts accordingly.As Supt Halliday he has the 1950s senior detective off pat.Not afraid to wield power,sure of his place in the order of things but,overall,decent and fair - minded. Noir - ish but in no way an early "hommage","The Long Arm" is a superior offering in the police - procedural style that will please lovers of British Crime Movies from the age of innocence long before the "No Comment" interview was invented.