The Kissing Bandit

1948 "The Boldest Spectacle Ever Told in Song, Spectacle and Technicolor!"
5.3| 1h40m| NR| en| More Info
Released: 14 November 1948 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

Ricardo, the milquetoast son of a Mexican bandit, would rather lead a quiet life in Boston. But the family would rather that he follow in his father's footsteps and become "The Kissing Bandit".

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Reviews

Exoticalot People are voting emotionally.
GrimPrecise I'll tell you why so serious
Acensbart Excellent but underrated film
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
TheLittleSongbird Frank Sinatra was a wonderful performer, and made some good films where he shone in. 'The Kissing Bandit' is not one of them in either case.'The Kissing Bandit' is not unsalvageable by all means. The production values are as lavish as can be, with particularly beautiful photography that clearly loves Kathryn Grayson. It has one great song in "Love is Where You Find It", the one song that's truly memorable and the only one to stir any genuine emotion where Grayson sings her heart out and digs deep into the soul to deliver the impact needed.The other highlight is the electric dance number "Dance of Fury" with Cyd Charisse, Riccardo Montalban and Ann Miller, the most energetic the film gets and the highlight of the film. There are three good supporting performances, those of Mildred Natwick, Billy Gilbert and particularly J. Carroll Naish.Sinatra however is ill at ease and looks miserable throughout, it was abundantly clear that he didn't want to make 'The Kissing Bandit' and although he would constantly joke about it being his low-point one can't help thinking that he was actually being serious. He does sing as mellifluously as ever and his phrasing and breath control are impeccable. Grayson shines in "Love is Where You Find It", but she has performed with much more charm and spark as well as being in better voice elsewhere that suited her operatic voice far better. The two generate very little chemistry together, and due to their two different singing styles they don't blend and at odds stylistically and vocally. Montalban shines only in "Dance of Fury", he has little to do in the rest of the film.Worst thing about 'The Kissing Bandit' is the daft, paper thin which makes the film drag badly story which meanders all over the place. The script is similarly witless, while the direction is far too stolid, only coming to life properly in "Dance of Fury". "Love is Where You Find It" aside, the songs and music are at best very forgettable, no matter how well Sinatra sings it "Siesta" is particularly mundane.All in all, Sinatra's worst and easy to see why it was such a major flop. 4/10 Bethany Cox
zetes MGM musical starring Frank Sinatra and Kathryn Grayson. Sinatra plays the son of a businessman who had a secret identity as the Kissing Bandit in California. When his father dies, Sinatra moves from Boston to California to take over the business - and the Kissing Bandit identity. The problem? He's kind of a wuss. During his first raid, he's too afraid to kiss Kathryn Grayson, the daughter of the governor, which causes her to seethe with jealousy. The Kissing Bandit has an awfully low IMDb rating at 4.7, but I didn't think it was that bad. It's certainly no worse than a good chunk of MGM musicals made around the same time. Sure, we could wish it were better, but it's cute enough, funny enough and it has some pretty good songs. Grayson is absolutely adorable in it. The film also includes Cyd Charisse, in what might be her lousiest dance sequence ever (obviously the choreographer's fault) with a whip to charm Sinatra, and Ann Miller and Ricardo Montelbahn (along with another uncredited dancer) share a fine dance as "fiesta specialty dancers".
silvrdal Okay, so it's not West Side Story, but The Kissing Bandit is darned cute. There were so many silly musicals throughout motion-picture history, I'm surprised that this one is getting such a bad rap.The 1940's, regardless of how thinly the stories were laid-on, was the most beautiful decade in history for films. The remarkable lighting, set, and costume design of the '40's can make just about every movie enjoyable. Sinatra and Grayson are delightful; any scene in which Kathryn appears is worth watching just because she was so adorable and lovely. Mildred Natwick's role isn't very vivid, but she's a wonderful actress no matter how small the part.If you don't care for the silliness of the "filler", just fast-forward to any scene with singing, dancing, or an actress -- Heck three of the most beautiful and talented women in film are all in the same movie. Just enjoy the pretty colors and all will be well... sleep... sleeeep...
Neil Doyle The lavish production values and a few good comic performances from J. CARROL NAISH, MILDRED NATWICK and BILLY GILBERT are not enough to save THE KISSING BANDIT from a witless script.It's an MGM musical in which there are only two compensations: KATHRYN GRAYSON effectively warbling "Love Is Where You Find It" and an interesting Spanish-style menage-a-trois dance routine performed vigorously by RICHARDO MONTALBAN, CYD CHARISSE and ANN MILLER.There's a Zorro-like flavor to the inept storyline that has FRANK SINATRA masquerading as his bandit father, "the kissing bandit," and wooing the lovely governor's daughter, Grayson, who has the camera in love with her most of the time. Sinatra looks uncomfortable throughout and one can't blame him but he does manage to croon a couple of ballads in his easy style.It looks as though MGM had the use of leftover sets from THE PIRATE, but the color photography, sets and costumes are lavish enough on their own to elevate the film to passable entertainment for Sinatra fans and those who fancy Grayson's rather shrill soprano voice.Summing up: The dance trio (Montalban, Charisse and Miller) easily steal the show with their fascinating Spanish dance.