The Journey to Kafiristan

2001
6| 1h41m| en| More Info
Released: 27 September 2001 Released
Producted By: VPRO
Country: Switzerland
Budget: 0
Revenue: 0
Official Website:
Synopsis

In 1939, the author Annemarie Schwarzenbach and the ethnologist Ella Maillart travel together by car to Kabul, but each is in pursuit of her own project. Annemarie Schwarzenbach, who was among Erika and Klaus Mann's circle of friends in the 30s, is searching for a place of refuge in the Near East to discover her own self. Ella Maillart justifies her restlessness, her need for movement and travel, with a scientific pretext: she would like to explore the mysterious Kafiristan Valley and make a name for herself with publications on the archaic life of the nomads living there. Both women are on the run, but political developments and their own biographies catch up with them again and again. Their mutual journey through the outside world, which runs from Geneva via the Balkans and Turkey to Persia, is compounded by the inner world of emotions with a tender love story.

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Reviews

AniInterview Sorry, this movie sucks
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
JC PATER Just a note to acknowledge other reviewers' disappointment in the absence of a proper treatment of Persian culture and language in the film. True--but at least there's the architecture, and shadows and blue tiles...Apart from this one 'defect', Die Reise nach Kafiristan is apt and subtle on many counts--period history and politics, womanhood, the lure of travelling, literature, friendship.The photography and the editing are at times masterly and the quotations - though there are one or two by Italo Calvino - would remind anyone with any bit of 'ear' that Annemarie Schwarzenbach was a fine writer.
dehqaan Whatever the merits of the film, it is poorly researched. As others have pointed out, the movie shows locals in Iran speaking in Arabic, rather than Persian. That is enough to lose credibility for anyone who has the slightest knowledge of the area or the country. The landscape could not be more different from the actual.Other factual errors: A train is shown to be operating in Afghanistan, while Afghanistan does not have railways. The Turkish ambassador is wearing a Fez (the red hat), whereas the Fez was banned by Turkey much before the time in which the movie is set. The Turkish ambassador's daughter is actually dressed as an Indian, and Indian classical music is playing in the background in many scenes. I suppose the filmmakers meant to show an exotic woman, and sari was what they decided would make her exotic.
Philip Van der Veken When the movie started and after reading the title, the first thing that I was thinking was: Where could Kafiristan possibly be situated? I really didn't have a clue and I didn't think that it had something to do with the language. I know German and since my own language (Dutch) is very close to it, I was convinced that it wouldn't be a country or a region that we use a completely different name for. But than again, this was only one of the many mysteries about this movie..."Die Reise nach Kafiristan" tells the story of two women who decide to travel together by car to Afghanistan in 1939, but each is in pursuit of their own project. Annemarie Schwarzenbach is an author who wants to find out more about herself and Ella Maillart is a Swiss ethnologist who has traveled the entire world to meet and study new tribes and people. Both women have a completely different nature and there is only one thing that really bonds them: Their eternal restlessness and the urge to leave the world of politics and a possible war behind them. But history keeps catching up and they never really can escape.I'm convinced that many people will not like this movie and if I'm honest, neither did I in the beginning. The reason for that is quite simple. This movie isn't some easy entertainment that offers at least one solution to every question that it asks. No, the makers of the movie have decided to stay very vague by only giving you a hint of what they are trying to say. Dialogs are left uncompleted and sometimes the women don't even speak at all, feelings are never really expressed, but are always present and obvious for the viewer who wants to see them... That's of course not something that you will see in every movie and it sure takes some time to get used to.After a while I really started to like this movie. The landscapes look nice, but they are only there to emphasize the feelings of desolation and complete isolation. In my opinion you have to try to see the beauty of the touching psychological 'landscapes'. It's in their minds that the women go through deep valleys and over high mountain tops as their feelings sometimes clash, but are very parallel at the same time. I know that sounds a bit weird, but that's about the best explanation I can give to it. I guess you just have to watch it for yourself to fully understand what I mean.As a conclusion I would like to say that this is a very nice psychological road movie that will be loved most by an audience who is used to watch 'alternative' cinema. Don't try this movie when you are only used to watch Hollywood blockbusters, because you just will not like it then. Personally I'm quite used to watch this kind of movies and I must say that this is definitely one of the better in the genre. It's too bad that it sometimes was a bit slow, but I still give it a 7.5/10.
Luuk-2 This film is probably not to everyone's taste. Yes, it is slow, yes, the plot is paper thin, but ... it is a film to day-dream about, it transports the willing viewer to far-away lands on a wonderful journey made by two women on the eve of WWII. The exteriors provide a nice backdrop to the inevitable journeys of self-discovery of the two protagonists. The fact that the tension between tends to stay below the surface is never fully expressed only adds rather than distracts from the interest. In fact, I would say the subtle way in which possible storylines are suggested rather than made explicit only enhances the movie, and this is reinforced by its lack of closure. Strongly recommended.

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