KnotMissPriceless Why so much hype?

Intcatinfo A Masterpiece!

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

SeemsSensible This movie is so similar to 1983's The Big Chill—eight longtime friends gather for a weekend at a big, rich-person's Southern mansion (except whereas in The Big Chill, the eight were friends from college, here we mostly don't know how they're connected)—that I feel like it must be an homage by Clea Duvall. I like her as an actress, so I'd hate to believe that it's just a blatant ripoff. The eight cast members are even structured the same way: The Big Chill had seven friends in their early 30s convening, with the eighth being someone a decade younger; same here. Duvall has assembled a winning cast, although Melanie Lynskey's character is super annoying. The plot is pretty thin and far-fetched: You have to wonder why Jessie (Duvall's character) wouldn't have had this "you need to get out of your bad marriage" conversation directly and privately with her sister (the Cobie Smulders character). Lynskey's character is the driving force behind this intervention, and except for one small moment, you'd never even know Jessie and Ruby were sisters.It's wrapped up a little too tidily, too, with the imperiled married couple, who seem to actually despise each other, suddenly deciding to give it a go. Not a bad movie, not really a very good movie, either...I suppose faint praise, but...you could do worse?

James Wright Solid dramatic comedy about four sets of couples with their own quirks and problems, giving a good balanced outlook at relationships and the various ways in how they can work and work out.The cast is great and the comedy is subtle. The film does a good job of addressing multiple viewpoints and informing the audience of who each character is and what they are feeling. The best aspect is probably how then each defined character interacts with each other, as well as which ones don't. Often times you get the feeling more of watching a play than a movie (in a good way).Overall I recommend this film to people who like real life stories, if you are looking for lots of laugh out loud comedy, high stakes or extreme drama then you won't find it here. But a pleasant, thoughtful and enjoyable look at relationships as they mature is delivered in very fine fashion.

Red_Identity I was very interested in seeing Clea DuVall's directorial debut. For years I have only known her as an actress (a very capable one) so I wanted to see what her skills behind the camera, and behind the typewriter if I must say, were. I definitely think there are some contrivances here, flaws that continually stick out. The film is a bit disjointed at times and unsure of where it really wants to go, and yet it still never falls apart and is quite enjoyable. Although the screenplay is very flawed, it also shows a good amount of talent in its dialogue that makes me interested in what DuVall can create next. The reason it works so well is probably because of the very talented and dedicated cast. I do recommend it.

David Ferguson Greetings again from the darkness. Clea DuVall: Actress/Writer/Director/Producer. No one who has followed her outstanding career (especially as a standout in many independent films) can be surprised that she is spreading her creative wings into all aspects of filmmaking. Her directorial debut can best be described as a contemporary version of Lawrence Kasdan's The Big Chill (1983) for today's thirty-somethings.Casting is key for an ensemble project, and it's especially difficult for a serio-comedy exploring the insecurities and inherent unhappiness that corresponds to the closest relationships. The premise here is that four couples meet at a beautiful and isolated lake house just outside of Savannah. The motivation for this meet up of old friends is a "marriage intervention" for one of the couples … something that must have seemed better in theory than it plays out in reality.The couple whose marriage is in the target zone is played by Cobie Smulders (The Avengers, "How I Met Your Mother") as exhausted mother of three Ruby, and Vincent Piazza ("Boardwalk Empire") as the long-ago-gave-up-trying Peter. The others are played by Melanie Lynskey ("Two and a Half Men") as Annie, who has continually postponed her wedding to super nice guy fiancé Matt played by Jason Ritter; Natasha Lyonne ("Orange is the New Black") as Sarah, long-time partner to Ruby's sister Jessie (Clea DuVall); and Ben Schwartz ("House of Lies") as Jack, who brings his free-spirited, much younger girlfriend Lola (Alia Shawkat, State of Grace).We quickly witness the bitterness and lack of caring that has poisoned the marriage of Ruby and Peter, and of course, it doesn't take long to spot all the cracks in the relationships and personalities of the others. Annie is a control-freak who appears to be a full blown alcoholic, while Matt is such a nice guy, that he refuses to stand up for himself and have some pride. Sarah and Jessie avoid any serious discussion regarding why they aren't living together yet, while Jessie's weakness for younger girls plays a role – as does Sarah's secret. Jack is obviously avoiding dealing with some personal issue (which we later learn) as he plays kissie-face with the no-strings-attached Lola (not Lolita).The script tries to tackle an enormous number of issues, sub-plots and characters, and while we pretty easily get a feel for each, we never understand how these people ever agreed that a group attack was the best strategy. No amount of charades, barbecue or kickball can hide the messes that define each of these folks … whether married or not.The actors have tremendous comedy timing and handle these moments much better than the ultra-dramatic moments. Cobie Smulders and Ben Schwartz are real standouts here, which is quite a compliment given the tremendous on screen talents on display. It's a group that can gracefully pull off a Subaru joke while also playing cut-throat charades and dodging thrown peaches.Ms. DuVall will undoubtedly go on to make better films than this one, but as a first project it offers some terrific moments. Sara Quinn (of Tegan and Sara) scores the film, and though some excellent tunes are included, the music was at times disruptive to the flow of the story. The film will probably hit home with a great many who fall into the thirty-something age group, though older viewers will likely prefer to re-visit The Big Chill from more than 30 years ago.