KnotMissPriceless Why so much hype?

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Kayden This is a dark and sometimes deeply uncomfortable drama

arfdawg-1 A young model and her petty thief boyfriend find their way through the English fog to a backwoods manor in hopes of looting it. What they find instead is murder, and when the model attempts to find the house again, her efforts come to naught.They've changed the title to Scream and Die for some reason. The other title was so much better.Doesn't make the movie any better. It's very slow and very dark. Could barely see the characters. It's not a good movie at all. Bad acting. Dumb storyline. Horrible print.Don't bother with it. Unless you want to be bored to tears

Darkling_Zeist 'Scream and Die!' is another woefully obscure Jose Ramon Larraz horror excursion from the early 70's that is entirely undeserving of its current position of lost title. All the requisite Larraz traits are in abundance here; libidinous, scantily clad buxom women, creaky, dimly lit houses and some elusive sexually 'unusual' maniac knocking off a series of shrieking, top-heavy females. The basic giallo-esque plot of some black-gloved killer doesn't stray from convention, but where Larraz succeeds and many other similar filmmakers fail is that he always manages to generate a palpably erotic and decadent tone among all the familiar heavy breathing stalk and slash; besides the abundance of candle-lit cleavage he also infuses the admittedly generic premise with oodles of genuinely unsettling Gothic motifs. After reading a few glib, dismissive reviews of 'Scream...and Die' I really wasn't expecting much, but contrary to low expectations the film proved to be entirely entertaining with a series of demonstratively eerie set pieces that managed to evoke a sweaty-palmed Poe-like, sepulchral chill.

The_Void Despite all the bad things I'd heard about this film, I decided to go right ahead and watch it anyway as both the titles (Scream and Die, and even better, The House That Vanished) sounded interesting and director José Ramón Larraz did make one of the best lesbian vampire movies of all time with the excellent Vampyres. I have to admit that the film isn't quite as bad as I was expecting; there's a good atmosphere and a few decent moments of tension; but overall I have to go with the majority opinion here and say that the film is very dull on the whole and is mostly riddled with genre clichés. The film gets off to a promising start as a young couple stumble upon an old house in the woods. Being a thief, the boyfriend decides that they should loot it. However, instead of valuable items; the couple find a murder. The girl flees the house and the boyfriend vanishes. Naturally she tells people what she's seen upon returning to society, but her attempts to find the house again fail - the house has...errr...vanished. Anyway, she finds another bloke but the murderer is still out there...The film features the cheap looking and very cheap sounding British style that many seventies British horror films feature. José Ramón Larraz photographs the film well and gives it a thick and foreboding atmosphere that does benefit it; although it must be quite difficult to make a film about an old house and not have some sort of atmosphere. The plot is the biggest problem with this film as it is really boring and not much of interest happens. There's a murder sequence that sees a naked woman get sliced that's well done and it's one of the few highlights. José Ramón Larraz does make an attempt to make up for the lack of plot with plenty of naked women, most of which are quite beautiful so that was nice of him. There's not a great deal of gore in the film, though it does seem to want to incorporate as much of the Giallo style into the film as possible. The characters in this film are pretty stupid and make daft decisions, and this stretches all the way to the ending which is completely obvious and can be seen coming a mile off. Overall, I can't say that I enjoyed this film much and I can't recommend it either.

goblinhairedguy As expected from the transplanted Spaniard Larraz, this contribution to the slasher genre is achingly stylish, beautifully lit, and deliberately paced. Unfortunately, it is saddled with one of the stupidest scripts in memory (which is saying a lot for this genre). The character motivations are absurd, the Freudian underpinnings offensive, the red herrings insulting, and the denouement is so obvious that you'll want to throw your remote control through the screen to smarten up the protagonist. The women are gorgeous and often naked, but you also have to bear witness to an intense nude love scene between a 20-year old man and a 50-something woman. This one is strictly for Larraz completists and fledgling DPs.