The Ghosts of Berkeley Square

1947
5.8| 1h40m| en| More Info
Released: 30 October 1947 Released
Producted By: British National Films
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Budget: 0
Revenue: 0
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Synopsis

The ghosts of two stupid 18th-century officers are doomed to haunt a Berkeley Square mansion until the unlikely event of a reigning monarch paying the house a visit. It will take more than 200 years... Based on the novel "No Nightingales" by Caryl Brahms and S.J. Simon.

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Reviews

GrimPrecise I'll tell you why so serious
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Rainey Dawn A very cute ghost comedy concerning 2 gentlemen officers of the 18th century. The men were trying hard to stop a war from starting when they accidentally killed themselves. At least the 2 men were good friends because they are now doomed to live in the Berkeley Square mansion until a reigning monarch visits, which is unlikely to happen anytime soon. It takes 200 years before they are released from their spiritual earth-bound state to move onward in the "afterlife".It's a lighthearted comedy that would be fun to watch around the winter holidays - there is a quick Christmas scene. It's also a family friendly movie that makes it nice to view around the holidays.7/10
Mozjoukine This embarrassingly unfunny comedy comes from the quality trough in British Film-making that followed WW2.The viewer cringes for Robert Morely and Felix Aylmer called on to front a story cobbled together from THE GHOST GOES WEST and FOREVER & A DAY, which drew on earlier sources themselves. In 1708, the "Two Old Sillies" off themselves in a dumb plot to immobilize the Duke of Marlborough and they are condemned to remain in the house (where they shared their bed!) as down the years it is tenanted by card players, dancing girls and circus performers, until we get to the Great War.Characteristically for the day, considerable expense has been taken with the costumes and a major set and they people the thing with a celebrity support cast to compensate for the lack of marquee names. Effects work is as feeble as the jokes "Sheik!" "No, we better not touch him" Ho Ho! Hans May's pastiche score is the best element.
TheLittleSongbird I thoroughly enjoyed The Ghosts of Berkeley Square. It is perhaps too short, but there is a huge amount to like about it. The film has a very witty script that kept me amused all the time, brisk pacing and a fun story. The cinematography is quite remarkable, and the costumes and sets are imaginative. The music by Hans May is also sprightly, Vernon Sewell's direction is assured and all the characters are very likable. The cast are equally terrific, Robert Morley especially seems to be having a ball and it shows, it was a pleasure to watch him. It is just a shame that The Ghosts of Berkeley Square is so underseen, it isn't a favourite by all means but I thought it was very entertaining and a fun way to spend an hour-and-a-half of a day at home. 8/10 Bethany Cox
Watuma Although over 50 years' old, this film's wit and imagination have not dated. Two retired 18th-century British army officers accidentally kill themselves and are required to haunt their house in London's Berkeley Square until visited by reigning royalty. All their attempts over the next two centuries to lure the British monarch to the house fail. During that time, their home is occupied by a succession of colourful tenants, including a house of ill repute, an Indian rajah with his harem, a World War I soldiers' hospital and a World War II officers' club.Robert Morley and Felix Aylmer as the quintessentially British ghosts are excellent. Their characters' witty repartee and dogged determination form the backbone of the movie. The supporting cast is equally good, containing a broad range of England's best character actors of the 1940's.The sets and costumes are imaginatively rendered and true to the various historic periods covered by the story. The varied and imaginative musical score greatly helps set the mood of each era. Much of the cinematography is remarkable; a single-take lengthy crane shot very early in the film is particularly impressive. This is probably the best movie made by director Vernon Sewell, whose long career encompassed very little distinctive work.This entertaining and well-made film is worthy of re-discovery.