The Forbidden Dimensions

2013
1.8| 1h26m| en| More Info
Released: 01 January 2013 Released
Producted By: Razorwire Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Jack Slade was born during a solar eclipse in the year 1980. 18 years later, he finds out he has the ability to travel into the future. He projects himself into the year 2035, where society has been destroyed by a fascist regiment of psychopathic doctors that rule the wastelands, creating deformed mutants with a serum synthesized from the flesh of dead aliens. Now Slade must travel back to the year 1998 to destroy a device known as the wavelength generator, which opened the dimensional gateways to these alien beings. With the help of an army of female outlaws and a sleazy detective, Slade re-connects with the star child Khadijah, who holds the key to stopping these tragic events from ever taking place.

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Trailers & Images

  • Top Credited Cast
  • |
  • Crew
Brittany O'Neil as Kronos Scientist
Amy Daly as Alien
Al Gomez as Kronos Executive

Reviews

BootDigest Such a frustrating disappointment
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
CrawlerChunky In truth, there is barely enough story here to make a film.
WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.
Michael Ledo Jack Slade (Kyle Morris) is an S.E.K. (solar eclipse kid) who has the ability to randomly time warp between 1998 and 2035. Dr. Shector (Mark McGarrey) has transported an alien being to the earth and has created a toxic drug creating mutants. 2035 is a low budget "Mad Max" type of world which includes the Unit 5 Military Girls. Jack is on a quest to find Khadijah (Jamie Katonic) in order to stop this, but his quest is disjointed and haphazard for him as well as the viewer.The film uses a techno sound track. It is all over the place and confusing, recreating Jack's mind. It brings in new characters at random whose sole purpose appears to be introducing new characters.If this film was made in the 60's it would star Peter Fonda and would have deep philosophical meaning, like "Don't eat the brown acid." The production is cheesy by design. The sets and special effects were decent for an indie. This film is from the bizarre mind of Christopher James Miller writer and director who also gave himself a meaningless character role as "Tracker" someone who was supposed to follow our main character around, but then disappears from the script. The movie had repeated scenes of Jack's blind mother telling him her last remembered vision was that of a drip coming from a faucet. In a Peter Fonda film that would have been deep and meaningful, coming from C.J. Miller, not so. As Tom Hanks would say, "I don't get it."This is perhaps a new class of films which I will just call "Molly Movies."Parental Guide: F-bombs. Nudity (and not that pretty)
sparrowhawkpatti Everyone has to realize that this movie was "low budget", also a "B" movie.. if everyone would have taken the time to check that out, you would have known what to expect. Okay..now, with that being said, hopefully you may see it differently, maybe, maybe not. This is a company that's trying to get out there, with people also who are trying to get their name out there. Okay, so you didn't care for it, to each his own, that's all fine. But I am, I guess, one who try's to give anyone starting out a "chance". I try not to be rude or cruel, after all, I don't think I could have done better with the acting. Could you ? ha ha Think about that one, and answer yourself truthfully. All in all, I'm just saying "Give them a chance"....you may be amazed one day !!
knepper3-105-85958 If I could give a zero I would. I watch A lot of movies, I like to have something on while I work so I watch anything pretty much. I have watched some bad B movies but even those I at least finished. I really tried to just leave this on while I was work for background noise but it was so bad I couldn't even do that. Really Really bad acting, lame plot (expected in bad movies), and the effects I could have done in my basement better. I got through about 20 minutes before I had to turn it off. Any of the positive reviews on this must be from someone that was a part of the movie. This is not some style movie, this is just a really bad one. The kids in our local high school plays act much better. DO NOT WASTE YOUR TIME
Curtis G. Forbidden Dimensions is a loving, accomplished (if not entirely period-accurate) homage to '80s straight-to-video science-fiction post-apocalyptic time-traveling rubber-mask monster movies.Story? Let me give it a shot. Jack Slade is an S.E.K.—a "solar eclipse kid"—who finds himself jumping back and forth in time—from 1998 to 2035 and back again. He works for the Kronos Corporation, which in 1998 creates a "wavelength generator" that brings aliens into our dimension. The maniacal Dr. Schector then uses alien tissue to, um, do some stuff, thereby destroying the world. As the last surviving S.E.K., it's up to Jack to find some chick named Khadija in 2035 and stop Kronos and Schector (who looks and sounds like he's fronting an '80s metal band) in 1998. I think. It's weird in spades right from the get-go, and things get even more confusing near the end. I would have preferred a slightly more linear story with less jumping around. But whatever.Overly ambitious? Well, define "overly." I am a big supporter of independent filmmaking and I understand how hard it is to even get a movie made, so I will let an indie get away with a lot of things I'd criticize a big-budget movie for. FD is either unintentionally bad or lovingly bad. I prefer to think it's lovingly bad. Do not take this movie seriously. It is what it is, and it knows it. As such, there's no such thing as a goof. Post-2010 cars in 1998? Crew walking around in the background? It's all good.FD displays all the trappings of a bad '80s movie: shots that last much longer than they should, bordering on indulgent; overly expository, on-the-nose dialog ("I have to save the future!"); actors taking extra time with movements to be sure the camera is seeing it. The dialog is not just unsubtle, but often it seems like characters are having two separate conversations.I love the total lack of adherence to medical reality (the "reverse embryo" scene in particular); that is, the total impossibility of it. It's as if writer-director Chris J. Miller had a bunch of weird ideas and just decided to cram them all in, whether they made sense or not. Evidently a lot of the budget went to practical makeup effects. The weak-of-stomach should probably avoid this one.There is a pact between B-movie makers and the audience, and the director knows it: Namely, if we're going to watch your low-budget movie, we want boobies. Miller delivers. He also gets very good performances from most of the rest of his (non-nude) cast, which was unexpected. Detective Giger is a hoot. Based on the trailers on the DVD, I gather he's a recurring character in Miller's movies. Shot compositions are remarkably good, and there's interesting and clever integration of original footage with "guerrilla" footage shot on location at Wasteland Weekend. There are some interesting real-world locations, and even a pretty cool "sci-fi corridor" set.If I have one complaint, it would be the overuse of different fonts for super cards and too many modern video effects. That said, there are enough '80s-era video graphics to satisfy purists. FD features great original music, plus an extra bonus: the same music that Epic Meal Time uses!Is it logical? No. Easy to follow the story? Not really. But is it fun to watch? Absolutely.Final note: If you pirated this movie and then didn't buy a legit copy, you suck. If you pirated it and then gave it a bad rating, there is a special place in Hell for you.

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