The Eighties

1985
6.9| 1h26m| en| More Info
Released: 10 May 1985 Released
Producted By: Paradise Films
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Budget: 0
Revenue: 0
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Synopsis

All of the time and effort put forth to stage a musical is chronicled here in this bright and funny French outing. The story is set at a shopping mall where people audition for an upcoming show. Afterwards, they are seen going through the grueling routines of learning the music and rehearsing.

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Reviews

Lawbolisted Powerful
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.
kubrick2899 THE EIGHTIES marks the turning point in Chantal Akerman's career. It stands as the end of her more experimental films of previous years and as the beginning of her more mainstream efforts of later years. The bulk of the film consists of auditions and rehearsals for a musical. In the final act, we get to see some segments of that musical. It's a wholly original and brilliant motion picture experience. Like most of Akerman's films, though, it's not for everyone. Her films are experiences for those who aren't into mainstream cinema. The songs in the film are catchy and unforgettable, and it's a special treat to see Akerman herself pop in a few times and give the performers some direction. The only downside of this film is that it's only available on an old VHS. The Criterion Collection has gotten a hold on her earlier films; maybe some day they'll get a hold of this one, as well. Another interesting aspect to this film is that it serves as a prelude to her next feature film, GOLDEN EIGHTIES or WINDOW SHOPPING.
Brian Leonard This is probably the most excruciatingly boring film I've ever seen. I saw the American premiere at the New York Film Festival, and its 82 minutes seemed like an eternity in the dentist's chair--the one played by Laurence Olivier in Marathon Man. I was one of the many people who booed loudly at the end. One of my companions didn't boo--he was still asleep, lucky guy. The plot? All I remember is that it seems to be an audition for a musical, with an endless parade of women performing the same lines/songs/dances over and over and over. The greatly flawed film version of A Chorus Line is a masterpiece compared to this snooze-fest. You'd have to pay me to see another Chantal Akerman movie.