Linbeymusol Wonderful character development!

Fluentiama Perfect cast and a good story

Intcatinfo A Masterpiece!

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

SimonJack Even so-called "B" movies can be good - if they have a good plot, screenplay, sets and settings, and cast. Unfortunately, "The Dawn Express" is lacking in all of these. As much as one might want to have an interesting espionage thriller, this film just screams "amateur." The script is terrible, the plot and acting resemble the melodrama of silent films. Most propaganda films are much better than this. The plot idea is a good one, but the story just didn't get a very good screenplay. Either that or the direction was terrible. More than likely, it was a combination of the two. Even the most die-hard war movie collectors will want to forget this poor film.

JohnHowardReid Michael Whalen (Robert Norton), Anne Nagel (Nancy Fielding), William Bakewell (Tom Fielding), Constance Worth (Linda Pavlo), Hans Von Twardowski (Captain Gremmler), Jack Mulhall (Curtis), Kenneth Harlan (Brown), Crane Whitley (Ed), Frank Mayo (the FBI agent who shadows Tom), George Pembroke (Professor Schmidt), Robert Frazer (John Oliver), Hans Von Morhart (Heinrich), Michael Vallin (Argus), Montague Shaw (Prescott), William Costello (Otto), William Yetter (Wolf), George Morrell, Milburn Morante (waiters), Jack Gardner (spy with paper), Ted Adams (Sullivan, the night guard).Director: ALBERT HERMAN. Original screenplay: Arthur St Claire. Photography: Eddie Linden. Film editor: Leete R. Brown. Art director: James Altwies. Music director: Lee Zahler. Assistant director: Seymour Roth. Sound recording: Corson Jowett. Associate producer: Arthur Alexander. Producers: Max Alexander, George M. Merrick. Executive producer: George R. Batcheller. Copyright 20 February 1942 by Producers Releasing Corporation. The movie did open in New York in 1942, but the actual date was not recorded. U.S. release: 27 March 1942. No theatrical release in Australia. 66 minutes.Alternative title: NAZI SPY RING.SYNOPSIS: Nazi agents will stop at nothing to gain the secret of a chemical formula which will enhance the power of gasoline.COMMENT: Here's the lovely Constance Worth from "Criminals Within", again at her villainous best. This time she has another sympathetic director in Albert Herman who, in collaboration with photographer Eddie Linden, has contrived lots of spooky close-ups of all the heavies (even the minor ones) which are somewhat arbitrarily edited into the action. Nonetheless, it's all moderately exciting by Poverty Row standards, even if the rather routine story does come to a foregone conclusion which will only surprise those callous but stupid Nazi spies.

tlkiefner While there is an airplane at the end of the film this film really has nothing to do with the cover artwork. This film deals with synthetic fuel (formula 311) developed by two scientists apart from each other as security measures. A love interest between the two stars adds to the story and intrigue. This is a slower paced film but I like the plot and the conclusion is surprising. The good news is it is available for free on the internet archive and their copy is watchable. The score by Lee Zahler is passable. Nothing stands out but it is passable. The number of people who were watching Norton was hilarious. The German Captain Gemmler in the picture somewhat reminds me Col. Klink in the television show "Hogan Heroes." I give this film a #100 ranking.

mark.waltz Propopganda drama of Nazi's after two scientists involved in the creation of an explosive. Stereotypical Nazi villains burbling typically lame trite dialog, a sexy femme fatal out to seduce one of the two to get her hands on it, and quite suddenly, an action packed finale that ends with a bang while the whole film itself seems to be buried in a whimper. Michael Whelan and William Bakewell are two pals who become involved in the Nazi's quest with Bakewell the sap who falls prey to the obviously sinister Constance Worth's flirtations. Whelan is pulled in but his intentions are obviously to foil their evil plan, while Bakewell goes along with the plot simply to protect his sister (Anne Nagel) who is engaged to Whelan and their father. Excruciatingly slow pacing makes this extremely difficult to get through but that all of a sudden changes its course as the film begins to wrap up after just over an hour. Even that first 90 percent of the movie is extremely hard to get through, but there's a sense of satisfaction with a shockingly violent ending. The presence of a supposedly blind man with a knife hidden inside his cane only adds to the stereotype of brutally evil Nazi villains, and the opening scene of another professor being brutally targeted then murdered doesn't aid in any subtlety that the film might have tried for better results otherwise.