The Cottage

2012
4.4| 1h28m| NR| en| More Info
Released: 10 December 2012 Released
Producted By: Visualeyes Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A romance novelist (David Arquette) moves into a "cottage" behind the home of a composer and his family. He seems sweet, but what do they really know about him?

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Reviews

Solemplex To me, this movie is perfection.
FeistyUpper If you don't like this, we can't be friends.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
tashadriver Questions I had to ask while watching:1. With such good actors here, why is the script this horribly unbelievable? 2. If this guy creeps them out this much, why didn't they make at least ONE police report. 3. Would you please STOP LEAVING THE BABY ALONE IN RANDOM PLACES? I was almost rooting for Arquette's character to win in the end,because someone really need to call child services on the mother. 4. What on earth did they do to Rose? I mean, no normal girl shacks up with some guy who lives in the backyard unless he gives her drugs or her family has already put her through some traumatic sh*t.5. After the twist ending: What on earth is this guy's penis made out of. Gold? Heroin? Pixie dust? Seriously, how can a minimally attractive guy with a serious problem of being socially creepy get that many pretty young girls to buy into his B.S.
ofumalow Actually, I know it's never easy to make a movie. But sometimes you see one and you think, how on earth did this actually get funded, get as far as production, with a script that might have been drafted on a few cocktail napkins? Really, you're going to pour so much money and effort into something that has barely been written? Was it so so easy to say "Sure, this script is ready! Let's roll!" when there are plenty of people involved whose professional instincts should have been screaming "Hit the brakes NOW!!!"This slapdash assembly of genre elements has too many ideas for one thriller, though none of them are necessarily good, and none of them are developed at all. That includes the dysfunctional family dynamics (so poorly done I wasn't fully sure just how everyone was related to each other), the villain's backstory (there is none--how, and how long, has been getting away with this stuff?), the ridiculous cult-leader-of-sexy-young-women thing, and so forth. This i one of those movies in which the entire plot falls apart anytime you ask a question like "Didn't they think to ask for references before letting him rent their home?," let alone "Why didn't they call the police?" (you'll ask that one about ten times). It's just sheer carelessness that perhaps could be excused/explained if the film went into production without a finished script (or into the editing room after a budget shortfall caused filming to stop before the whole script had been shot...these things happen). Either that, or the filmmakers simply had no idea their script was Swiss--as in cheese, with lots of holes. Of course a lot of people are going to find the very idea of David Arquette as a scary bad guy inherently ridiculous. He's adequate here, actually, and could have been pretty good in a better movie. But the other performances are fair to middling, no surprise since they're given so little to work with in terms of scripted character definition. What worst about this movie, though--even beyond all the above, not to mention the weak non- ending--is its vacuously glossy look, which is more appropriate for a Lifetime or Hallmark movie than a horror thriller. It's like a lifestyle ad for a new upscale suburban development in Utah, the homes are so boringly tasteful and new-looking. Needless to say, this tends to undercut any potential for suspenseful atmosphere--and unlike something like "The Stepfather," "The Cottage" doesn't even think of using that environment subversively, to give the horror elements a more perverse edge.
atreyuu2003 ***MAJOR SPOILERS***From beginning to end, I was wondering how such a good premise could come off as being so placid and, sometimes, even embarrassing.1. The whole "creepy neighbor" thing came on too strong, too quickly. That took mountains of suspense away from the general thematic. At that point, which was far too soon in the movie, all the characters began acting in a way no one would ever act, given the situation.2. Far too many questions and suspended reasoning throughout.3. The director didn't seem to know what to do with the two daughters. Why in the world would one of the daughters choose to be with some strange old guy, killing her father, quite brutally, I might add, in the process? There was no back-story to that. Had she been molested? Had she been mistreated? That was never apparent. In fact, the most I could gather was that the father was a GOOD father, which makes her actions even more puzzling.4. Moreover, why in the world would there be three other girls--all quite beautiful--under the spell of this lunatic old guy? What power did he have over them? Was he drugging them? What were their stories to have such rare and diverse outcomes? It just made absolutely no sense, whatsoever.5. Then we find out--in some kind of supposed twist/shocker--that there are more than three girls. There is a whole harem full of them. Once again, WHY? Why? Why? Why? The answer could have lent a entirely new and exciting layer to the story.6. The actors, outside of David Arquette, who was like a wooden spoon from start to finish, were commendable with the minimally constructed script they were given. It was clear that they were trying to use facial expression and body language to convey some of the elements the script should have channeled.I gave two stars for the acting chops of the two sisters, Morissa and Alana O'Mara. I would like to see what they can do with something more.Well, in conclusion, you can pass on this one, folks. There is really nothing to see here.
Seth_Rogue_One The movie started out OKAY, well half-watchable at least...The main reason being David Arquette, for some reason I like the guy, he'll probably never win an Oscar but he has a likability about him that is undeniable...Although I suppose in this movie he isn't suppose to be likable at all since he plays a psychopath, now David playing a psychopath doesn't work as bad as one might think BUT it doesn't matter cause no one could save this wreck of a script that I can't see how anyone would give the greenlight too...I'm guessing David needed the money and good for him if he got some but yeah the script goes from halfdecent to fully horrible...The psychopath is not only a psychopath but he also has a stable of young girls at his place hiding for the outsiders and just waiting for him to come home everyday to spend some time with him, and if he's brought someone home help killing them...Cause girls like to have fun like Cyndie Lauper said, and these girls find nothing more fun than killing innocent people and cuddling in bed with their David Arquette all day long...If this sounds sort of exciting to you, it isn't, not even a so bad it's good type of movie...There's also subplots and stuff involving the family that rents out David Arquette's place, various family-issues etc that fail to commute any sort of interest with the viewer...I gave it a 3 I'm not sure why maybe it should be less, but I wasn't annoyed to the point I hated it I just thought it was a movie that was really bad so I'm kind maybe...