Ehirerapp Waste of time

Console best movie i've ever seen.

BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

classicsoncall I wouldn't have bet on Tab Hunter involved in one of the better Western movie brawls to come along, but surprisingly, he's got two to his credit here in the latter part of the story. He goes hell bent for leather against Earl Holliman in a rousing battle in the barn at the Old Sampson place, and not long after has a decent tussle with Skip Homeier in which both fall off a cliff ledge into a river below. OK, I know it was their stunt doubles doing the heavy lifting, but they were the principals, so you have to give 'em credit for the close up work.Not only that, but Trace Jordan (Hunter) was also clairvoyant in the picture as well. When the Sutton posse makes it's way to Maria Colton's (Natalie Wood) place, foreman Ben Hindeman (Claude Akins) sends one of his henchmen out to locate a tracker by the name of Lantz (Eduard Franz). Later in the story, Jordan makes reference to Lantz tracking him, but how would he have known that? He wasn't at the Colton place to hear what the foreman said.Ah well, not to worry about that too much. Hunter and Wood make for an engaging screen couple for the teen crowd, though I don't know how many teenagers would have been Western fans in the fifties. I guess if you were a fan of the principals you might show up. Both stars looked good on screen, with Hunter doing a beefcake scene when Maria patched up his bullet wound. For her part, Wood showed some leg when Hunter's character needed her petticoat to make camouflage boots for their horses. That's something I hadn't seen before; it sounded logical enough but not that practical. Tracker Lantz figured out the ruse, but how did he know it was a petticoat? An old, cut up blanket might have worked just as well.

audiemurph Ugh. This is one tiresome Western. Now I love Westerns, but not this one. There is not an iota of clever dialogue, just a boatload of clichés. Tab Hunter, though not unsympathetic, has an emotional range that makes Audie Murphy (my hero) look like Lawrence Olivier. Natalie Wood, though beautiful, has a Mexican accent that sounds heavy Slavic more than anything. The fight scenes go on waaaaay too long, and there is too much filler of men riding horses.The only saving graces are the character actors who make the best out of almost nothing. Skip Homeier is delightfully obnoxious and weaselly as always (see The Gunfighter, for his most memorable role); Claude Akins is dependable; and Earl Holliman looks and sounds like he is Larry the Cable Guy's younger and thinner brother.An odd sub-theme in this film, though not fully explored, is mixed-race breeding. Natalie Wood's mother was Mexican, but her father was a "Yankee" (though she hates all Gringoes). And Eduard Franz's tracker has a mother who is Indian, but a father who is Dutch(!). Weird.Unless you are desperate for a Western fix, skip it, or be prepared to use your fast-forward a lot.

Spikeopath The Burning Hills is directed by Stuart Heisler and adapted by Irvin A. Wallace from the novel written by Louis L'Amour. It stars Tab Hunter, Natalie Wood, Skip Homeier, Eduard Franz, Earl Holliman, Claude Akins & Ray Teal. It's a CinemaScope/Warnercolor production, with Ted McCord photographing primarily out of the Warner Ranch at Calabasas, California, and David Buttolph scores the music. Plot sees Hunter as Trace Jordan, who after finding his brother murdered seeks revenge on the killers. He is aided in his quest by Maria (Wood), a half-breed Mexican girl who has her own agenda to fulfill.Stock formula Oater that puts two attractive young actors at the front in the hope that that will be enough to see it home. OK, maybe that's being a touch harsh since the film does have some moments to make a viewing worthwhile, notably McCord's use of "Scope" and Heisler's more than competent construction of action sequences. But there's so much turgid filler in between the good points it just comes across as a movie made to promote Hunter and Wood. Which would have been OK if they wasn't outshone by pretty much the whole supporting cast! There in is the major issue with The Burning Hills, one look at Ray Teal's gang sees fine character actors Holliman and Akins wasted, while I would defy anyone to argue that Homeier would not have given a better performance than that of the blankly wooden Hunter in the lead role. Clearly it's an aesthetic decision by Richard Whorf and the Warner Bros people.However, if able to forgive the "tween" like romance that hangs heavy on proceedings? Then it's a film for genre fans to pass the time away with. The revenge core in the narrative stays true, and the finale raises the temperature for all the right reasons, where, Heisler makes good use of the water based set-up. Look out too for the unsung work of the stunt men, with one particular moment showing how they suffer for their art. The Warnercolor is sadly a bit lifeless on this occasion, but the print of the film that exists is hardly one to write home about, while Buttolph's score is pretty much standard rank and file for a bottom rung "B" Western feature.Recommended to Western fans? Only if it happens to be on the TV and they appreciate Messrs Homeier, Holliman & Akins. 4/10

wes-connors Soon after his brother has been shot to death, handsome Tab Hunter (as Trace Jordan) arrives in the western town of "Esperanza". Along with Mr. Hunter, we quickly learn the man responsible for murdering brother is young cigar-stomping Skip Homeier (as Jack Sutton). As it turns out, Mr. Homeier and his gang have run the sheriff out of town; they also shoot anyone who tries to stake a claim in the area. Hunter is advised to leave town immediately, but refuses. With his muscular frame and quick draw, Hunter easily infiltrates the Sutton ranch, to demand justice.Wounded in a shoot-out, Hunter barely escapes from the ranch. He collapses near the home of sexy sheepherder Natalie Wood (as Maria Colton). Taunted by the "Sutton Gang" due to her mixed heritage (English father, Mexican mother) and preference for dresses that accentuate her beautifully-shaped breasts, Ms. Wood hides Hunter from Homeier, and nurses him back to health. Hunter and Wood are mutually attracted to each other. Hunter hopes to report Homeier and his gang to the United States Cavalry at nearby Fort Stockwell. Will he get there? Warner Bros. must have known putting popular but unproven Hunter in this high-budgeted CinemaScope western would be a gamble - but, it pays off. He always fit the genre like a glove, and it's too bad a long string of Hunter westerns wasn't forthcoming. Hunter's greatest asset, herein, isn't really his handsomeness; rather, it's that he adds a muscular athleticism to the usual western antics. As you'll plainly see, there was no need to fear Hunter would snap a girdle, or slip a toupee. Trying on a Spanish accent, Wood is tightly outfitted, and highly arousing.Homeier turns in a wonderfully nasty supporting performance. Mixed-raced "Indian" tracker Eduard Franz (as Jacob Lantz), limping liquor-soaked Earl Holliman (as Mort Bayliss), and foreman Claude Akins (as Ben Hindeman) lead a strong supporting cast. With sexless romance and Spanish stereotypes, writer Louis L'Amour (book) and Irving Wallace (script) break no new ground, but you know how these western stories go. Director Stuart Heisler corrals the young stars well; he left feature films for dependable work on episodic western television.******** The Burning Hills (8/23/56) Stuart Heisler ~ Tab Hunter, Natalie Wood, Skip Homeier, Earl Holliman