Karry Best movie of this year hands down!

VeteranLight I don't have all the words right now but this film is a work of art.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

lost-in-limbo Professor Owen Lansing is researching human psychic abilities hidden deep in the mind and he experiments on his young son Cameron. They're going quite well, until Cameron's unintentionally uses his powers to conjure up a demon. Lansing tries to put a end to the trouble, but his killed in a horrific 'accident'. So Cameron goes to live with his mother and her boyfriend, but the demon also follows and takes up residence in the boy's closest. Meanwhile, police detective Sam Talliaferro, who has been put onto the case after the unusual death of his mother's boyfriend. Is having bad dreams that seem to be linked somehow to Cameron. A psychiatrist Dr. Nora Haley is looking over Sam, but she also gets the case of Cameron. She discovers the boy's secret abilities. Nora and Sam go on to connect that everything is contributed to a demonic presence who has its eyes set on Cameron.Oh, "Cameron's Closest" is quite an unremarkable low-budget horror film. Well, it's not completely worthless, even though it's nowhere near as flavoured and exciting like many of its counterparts within the same decade. This late 80s horror junk was mildly enjoyable in some silly patches and icky make-up effects, but ponderous pacing and muddled plotting makes for mostly a bland outing that keeps us in the dark to what's going on. There's potential in the interesting and novel premise of mixing the supernatural with science (which "The Howling" author Gary Barndner adapted his screenplay off his novel), but director Armand Mastroianni's unevenly fruitless and ham-fisted execution leaves a lot of its brimming concepts unfulfilled and sticks to the gimmicks. Lucky there are some nicely imaginative and downright bizarre deaths handed out by the evil dweller in the closet. The nasty make-up, especially from the zombies and death scenes are well conceived. Even some atmospheric visuals, in the shape of few brooding dream sequences promise something, to only bungle it with unintentional goofiness that destroys any unsettling mood that was there. Like that of special effects designer Carlo Rambaldi's (think of E.T.) plastically tacky monster creation. Sometimes the FX is questionably dire and overly sugar-coated, just stick around for the lacklustre climax between demon and child. It's pretty hasty when it wraps it up.The material dreams a good concept, but its talky nature, convoluted angles (so many to choose) and senseless inconsistencies engulf the monotonously vague script, which could've done with occasional wit. The presentation is well-photographed and production values hold up, but the musical score was flat, lighting hazily dim and editing was terribly hack-eyed. The cast do a fine job, maybe better then the material actually deserved. Scott Curtis gives an appealing turn as Cameron. Cotter Smith is sturdily efficient as detective Sam Talliaferro and Mel Harris impress with a steadfast turn as Dr. Nora Haley. Tab Hunter plays the unfortunate father who cops it in the opening minutes. There's sound performances by the support cast Kim Lankford, Leigh McCloskey, Chuck McCann and Gary Hudson as the jerk boyfriend.It's saved by over-the-top deaths, some laughably shoddy developments and capable performances. Just like Mastroianni's other genre efforts; "The Supernaturals" and "He Knows You're Alone", it's watchable.

HumanoidOfFlesh Armand Mastroianni("Blood Wedding","Distortions")directs this slightly gruesome horror film about young boy named Cameron who has telekinetic powers.When his father and a psychiatrist run experiments on him,they unknowingly release an Aztec demon from hell who makes his home in Cameron's bedroom closet.As the demon eliminates all the adults one by one,Cameron realizes that he alone possesses the ability to defeat him."Cameron's Closet" is a pretty mediocre and bland horror flick.Still there are at least four very violent and gory scenes,in which certain characters die for no real reason.The monster from Carlo Rambaldi,who helped build the monster for "Alien",is basically a head which isn't the least bit menacing.The acting is decent,but the storyline is completely predictable.Overall,If you are a rabid horror fan like I am give it a look.6 out of 10.

zeppo-2 No, it's not a gay coming of age film! Just a bog-standard horror B-movie that would have worked quite well as a 30 minute episode of a series like "Tales of the Darkside," or a similar type programme. But as a full length film, it soon outstays it's welcome.The child actor is quite reasonable and not as 'cute' as they tend to be in these roles. It's the adults who are poor, their acting never rises above adequate. Not helped by the dialogue or the clichéd plot of 'the monster that lurks in the cupboard.'All eminently predictable and forgettable, better to go watch numerous old episodes of 'Tales from the Crypt,' to get exactly the same plot done a bit better.

liverboyjoe179 Hmm... so Cameron is a psychic kid who accidentally brings a ferocious demon up from hell into his closet... Sounds like it might have potential. It did, but did it utilize that potential? No. Though this movie is tad creepy, it had some real major lows to it. Examples: the stomach growling noises coming from the closet, the almost 80's music video special effects (no wonder the thing died at the end, I think I would too if someone shot bad special effects at me through their finger tips). So, you should only preview this movie to see if you really like it first, but I don't recommend buying right away, especially without a preview.