The Bobo

1967 "The Bobo is that cunning matador who flees from the bulls so that he may chase the chicks!"
5.5| 1h45m| en| More Info
Released: 28 September 1967 Released
Producted By: Warner Bros. Pictures
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

Unsuccessful singing bullfighter Juan arrives in Barcelona to try his luck in a big town. He finally persuades a devious local impresario to book him, but only on the condition that Juan first manages to spend an evening with Olimpia, a "shrewd merciless beauty" who seems effortlessly to collect apartments and Maserati sports cars while leaving a trail of broken hearts behind her. Juan approaches the challenge by pretending to her he is an emissary for a rich count. Written by Jeremy Perkins

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Warner Bros. Pictures

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

Stevecorp Don't listen to the negative reviews
Pacionsbo Absolutely Fantastic
Intcatinfo A Masterpiece!
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Ed-Shullivan This is not a typical Peter Sellers comedy, but rather a very well written story that has Peter Seller's role as a retired singing bull fighter named Juan Bautista trying to clinch one last big pay day at a large live theater in Barcelona Spain. To achieve his ultimate goal, which is to become the headliner at a prestigious theater Juan agrees with the theater's owner, Francisco Carbonell, (played by Adolfo Celi) to bed the beautiful Olimpia Segura (Britt Ekland) within the next three (3) nights.For Juan to woo the beautiful Olimpia Juan comes up with an elaborate plan that requires Olimpia to meet up with a fictitious man of royal descent for a whack of money. Olimpia resists Juan's crazy but rich proposal for awhile but eventually she bends, and she agrees to meet this mysterious royal family member. Each time Juan sets up a meeting, the mysterious prince is a no-show, and Juan provides Olimpia with another far fetch excuse why the prince did not show up. Olimpia is a manipulative vixen herself so for Juan to be able to convince Olimpia that this so-called prince who is rich beyond one's wildest dreams really does exist, Juan's stories have to be believable. But it is not so much that Juan's stories that are so truthful, rather it is Juan's unique charm that catches Olimpia's attention and her fancy.The love tango that proceeds between Juan and Olimpia is what grabbed my attention as Juan's slow and unexpected romance of the beautiful Olimpia is not what anyone would have expected, but it does. At least Olimpia is smitten until she finds out she has been scammed. As the old saying goes "hell has no fury, than a woman scorned", so Olimpia determines a unique way of getting even with the lying Juan Bautista. To the bitter end, Juan remains a gentlemen, and a true singing bullfighter.I give the film a 6 out of 10 for being well written and unique in story line. Peter Sellers and Britt Ekland's performances were both above par and quite entertaining in their scenes opposite each other.
moonspinner55 In order to get a booking in Spain as a 'singing matador', Peter Sellers must first spend one hour alone with ravishing Britt Ekland, the local tease who has developed a bad reputation-in-reverse due to the fact she spurns all the men who desire her. Screenwriter David R. Schwartz adapted his own play, which began as the novel "Olimpia" by Burt Cole, but seems to have left out the heart of the story. Sellers and Ekland (real-life marrieds at the time) are both good, though neither has much of a character to play. The low-keyed film is so restrained, it may confound viewers hoping for a European farce. There are minor compensations: some of Peter's shtick, including a pantomime bit on the street, is funny, also the affected way Sellers pronounces 'Barcelona'. The sight-gag in the final act is successfully rendered, and Francis Lai contributes a beautiful bossa nova score. Still, the picture never really takes off, remains a rather glum and meandering vehicle for its star. ** from ****
rcraig62 As a lifelong Peter Sellers fan, I've seen this movie a few times even though I know the letdown is coming at the end. I'm always lured back by Sellers' performance here, proving once again he was one of the greatest actors in all the world. He plays Juan Bautista, a traveling singing matador who attempts to seduce the local flirt/bitch of Barcelona in exchange for a gig at the local theater. It is one of his most charming, touching, beautifully subtle performances ever, as the film takes you along their unusual courtship until he finally melts her heart and wins her over. At the point, the story takes an unexpected turn that is so shocking and so patently unfunny and so vile, I can't imagine what anyone connected with the film was possibly thinking when they made it. I am no sucker for happy Hollywood endings, but the end to this movie is so out-of-step with what we've just seen in the last ninety minutes that it just spoiled the whole thing for me. I still rate it as the worst movie ending of all time. As far the rest of it, Sellers and then-wife Britt Ekland (who never looked better) have some lovely scenes; their first date at a nightclub that features flamenco dancing really stands out. With a different finale, this could have been a rare gem in the Peter Sellers catalogue. As it is, it's just OK. 2 1/2 ** out of 4
grstmc THE BOBO will undoubtedly disappoint those expecting Peter Sellers to be doing Clouseau-style slapstick, and those that expect the satirical humor he was also famous for.Instead, this is a character comedy and Juan Bautista (not Batista)is one of Sellers' more interesting characters, albeit from among his lesser efforts. But even lesser Sellers is better than the overall product from today's so-called comedy geniuses.BOBO was well-made, with a great opening sequence aerial shot of Barcelona, Spain (although I believe the picture was made in Italy). The plot involves Sellers as Bautista, an ex-matador who wants to break into show business in Barcelona, but can't seem to get a theater booking. He finally is promised one if - and only if - he can conquer a rather cold-hearted gold digger named Olimpia Segura (played by Britt Ekland, Mrs. Sellers at the time).There are some good comedy bits and sequences throughout the film. Bautista's attempts to audition for the theater owner are amusing (and unless I'm mistaken, Sellers does his own singing). He does some matador maneuvers while pretending a sportscar is a bull. The scenes at the hideaway-retreat are very good. Later, he gets dunked in a tub of blue dye and becomes "The Blue Singing Matador".Sellers (Bautista) and Ekland (Olimpia) work well together in the only time they were paired romantically on screen. Added to which, the picture does not end the way that most people think it will. On my own Sellers scale of five stars, THE BOBO ranks three stars.